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MFF DATA – An In-Depth Analysis of the Meanness in Mean Girls (2004)

July 22, 2022

In 2022, Mean Girls is still everywhere. The musical is touring, the movie is fetching huge numbers on Netflix, and there are loads of articles analyzing writer Tina Fey’s 2004 cult classic. It’s because of all the hype that I decided to watch it again because I remember really enjoying it when I watched it in 2004 (ESPN, Glen Coco, and the likable cast are the highlights for me). While watching the central characters being horrible to each other, I began to wonder which of the characters were the meanest. To do this, I rewatched the movie, counted every instance of characters being mean (mean comments, lying, manipulating, scheming, backstabbing, not keeping secrets), and then recorded the screen time of each character.

I knew Regina George would have the most mean moments, but I wanted to know who has the most mean moments per minute average. The results are fun.

Quick Note – I only have so much free time, so I counted screen time as any moment in which the characters are around to make a comment. For instance, during the big gymnasium scene, I counted that for every character (Regina, Karen, Gretchen, Jaius, Damian, Cady) because they are all in the gymnasium. Also, when Cady first meets the plastics, I recorded the time for every character since they are all in the cafeteria. Logging the individual frames would’ve sucked my soul from my body.

Amount of Mean Moments

  1. Regina – 31
  2. All the other characters – 26
  3. Janis – 18
  4. Damian – 15
  5. Cady – 15
  6. Gretchen – 8
  7. Aaron – 3
  8. Karen – 2

There are 1.26 mean comments/actions every minute (118 total moments – 93 minute running time – I took out the 3 minutes of credits)

Post image

How Often Do They Say/Do Something Mean?

  1. Regina – 47.55 minutes of screen time – Does something mean every 1.53 minutes of screen time
  2. Janis – 28.7 minutes of screen time – Does something mean every 1.59 minutes
  3. Damian – 30 minutes of screen time – Does something mean every 2 minutes
  4. Cady – 82.3 minutes of screen time – Does something mean every 5.49 minutes
  5. Aaron – 17.68 minutes of screen time – Does something mean every 5.89 minutes
  6. Gretchen – 47.3 minutes of screen time – Does something mean every 6.75 minutes
  7. Karen – 44.65 minutes of screen time – Does something mean every 22.3 minutes

Conclusion – Regina is the worst, but she and Janis are almost tied when it comes to how often they say/ or do something mean.

Here are the moments and the timestamps. Pardon the vague writing. It makes sense to me. This is meant to let you know that I didn’t pull the moments out of thin air. I put the work in.

  • Damian/Janis – Laugh at Cady – 2:23 – 2:55 – 2
  • Janis/Damian – They have her skip a class and call themselves her friends – 6:50
  • Janis – She everyone ignores the pronunciation of Cady – 7:20
  • Janis/Damian – 8:11 – Dumb, Ho-Bag, Hair – 3
  • Girl – Regina – She punched me in the face – 8:38
  • Janie – 9:00 – You’ve out gayed yourself
  • Janis / Tina Fey – 9:18 – Cafeteria Map
  • Regina – 10:00 – Shakes a guy down – MAY COUNT
  • Regina – 10:50 – Retarded
  • Regina – 11:50 – She completely ignores Cady
  • Damian – 12:11 – Danny DeVito
  • Janis – 12:38 – Pushes Cady to spy on plastics
  • Gretchen – 14:00 – Art Freaks insult
  • Regina – 16:20 – Get in loser, we are going shopping
  • Regina – 16:40 – Math Club – Social Suicide
  • Regina – 17:25 – Sticks up for friend. Burns girl.
  • Regina – 18:20 – I know right
  • Regina – Please stop talking – 19:00
  • Regina – 20:30 – Could you go fix your hair
  • Mean Girls – 20:40 – Burn book
  • Janis – 21:40 – She manipulates Cady
  • Damian – 21:45 – Insults outfit
  • Damian – 22:28 – mathletes insult
  • Janis – 22:45 – That is bleak
  • Janis – 22:50 – Keep spying on Regina
  • Gretchen – 22:30 – Tells Regina about Aaron
  • Regina – 23:10 – Sets up Cady
  • Cady – 25:15 – She lies about practice
  • Regina/Aaron – 27:12 – Regina manipulates
  • Regina – 28:04 – Retarded
  • Janis – 29:36 – Plans to take out the plastics
  • Regina – 30:40 – Messes with Aaron’s hair
  • Janis/Cady – 31:17 – Make face cream for Regina
  • Janis – 31:50 – Cuts hole in shirt
  • Janis – 32:30 – Crack Gretchen
  • Regina – 33:04 – Makes a homophobic comment
  • Regina – 33:45 – Retarded
  • Regina – 33:54 – Mean about skirt (but makes person feel good)
  • Cady – Crack Gretchen Weiners – 34:27 –
  • Damian – None for Gretchen Weiners – 35:03
  • Regina – Moves Gretchen – 37:20
  • Regina – Lip gloss – 39:45
  • Regina – Stop trying to make Fetch happen – 40:20
  • Cady/Janis/Damian – They make Gretchen crack – 40:42
  • Regina – 41:45 – Cheating
  • Cady/Damian – 42:02 – Manipulating
  • Damian/Janis/Cady – Bars – 42:36
  • Regina – Shut up – 43:11
  • Regina – 43:34 – Move Gretchen
  • Janis – 44:51 – Baby Prostitute
  • Cady/Aaron – 45:24 – Tutor behind back
  • Cady/Aaron – She’s cheating on you – 46:31
  • Janis/Damian/Cady – Cross off name – 46:35
  • Regina – God Karen you are so stupid – 47:02
  • Damian – Cheats – 48:14
  • Cady – Army of Skanks – 48:20
  • Cady – 49:19 – Lies
  • Janis – scratch off – 49:46
  • Cady – How do you know – 50:30
    Cady – Queer – 50:50
  • Cady – Lies – 51:30
  • Regina – 52:15 – Such a slut
  • Cady – 52:25 – Tricks Regina – three way call
  • Karen – So annoying – 53:15
  • Gretchen – Tells Karen about being a slut – 53:36
  • Regina – 53:40 – Whore
  • Regina – 54:10 – Disgusting vest
  • Cady – 54”25 – Sits there while Regina is kicked out from table
  • Janis 54:41 – Army of skanks – 54:41
  • Cady – 55:03 – Cady Lies
  • Cady – 55:22 – Control everyone around me
  • Gretchen – Told guy about lie – 57:40
  • Cady – 59:15 – I would never lie to you
  • Cady – 1:01:15 – In love with me or something
  • Regina – 1:03:06 – Writes in book to trick people
  • Regina – 01:05:32 – She puts the copies all over the school
  • Gretchen – Lies – 01:05:33
  • Tina Fey – 01:06:13 – Writing
  • Gretchen – Brat – 01:40:30
  • Janis – 01:15:20 – Talks about Regina
  • Regina – 01:16:14 – Mean
  • Cady – 01:17:44 – Cady lies
  • Damian/Janis – Move her seat – 01:18:40

The Movies, Films and Flix Podcast – Episode 438: Annihilation, Screaming Bears, and Alex Garland

July 21, 2022

You can download or stream the pod on Apple Podcasts, Tune In, Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

Mark and Nick Rehak (@TheRehak on Twitter) discuss the 2018 science fiction psychological horror film Annihilation. Directed by Alex Garland, and starring Natalie Portman, Tessa Thompson, Oscar Issac and a screaming bear (and a mutated alligator), the movie focuses on what happens when four scientists enter a death void known as Area X. In this episode, they also talk about Stargate: Atlantis, canoe talk, and Patrick Wilson. Enjoy!

If you are a fan of the podcast, make sure to send in some random listener questions (we love random questions). We thank you for listening, and hope you enjoy the episode!

You can download the pod on Apple Podcasts, Tune In, Podbean, or Spreaker.

Mad God (2022) – A Sensory Blasting Experience From Phil Tippett

July 18, 2022

Quick Thoughts – Grade – A – The Phil Tippett directed Mad God is a visual masterpiece that features an insane amount of memorable monsters. You won’t want to blink while watching because there’s so much to look at. 

After 30 years of work, it’s cool that Phil Tippett was able to finally complete Mad God and get a big push from Shudder. If you’re not familiar with the name, You’ve definitely seen Tippett’s work on movies like Jurassic Park, Robocop, Starship Troopers, Willow, Piranha, and Star Wars: Episode V – The Empire Strikes Back. He’s an absolute master who created the holochess board in A New Hope, and the Rancor in Return of the Jedi (my all-time favorite monster). If you’re looking for a visual masterpiece (I feel comfortable using that word) that is loaded with slightly horrifying visuals, bloody entrails, monster babies, and a bunch of mud people being squished, you will love this film. I have a feeling that there are several visuals (a tiny santa claus being squashed under a boot) that will live long in my memory. 

Mad God revolves around a steampunk-esque character named The Assassin being dropped into a hellscape where nobody is safe, and there is always a monster around the corner who will drag you to a place where you are dissected alive. The narrative is extremely loose, but the main goal of The Assassin is to deliver an explosive world-destroying suitcase deep into the bowels of the dangerous wasteland that is filled with deadly battlefields, dangerous alleys, and dungeons filled with pain and terror. While on the mission, the Assassin comes across minotaurs, witches, alchemists, floating creatures, torture victims, and a hospital where cruel tortuers dissect their victims in front of large crowds. It’s an absolutely insane world, and of all the horrible cinematic creations ever created, it’s the place where I would never want to find myself exploring (Freddy’s Kreuger’s boiler room seems chill in comparison).

What’s great about Mad God is that it feels handmade, and that’s because Tippett painstakingly molded it over 30 years. He worked so hard for each frame that toward the end of the project he had a psychotic snap which forced him to stay at a psych ward while he recovered from the stress of the project. In an interview with Inverse, Tippett explained the film by saing “If Mad God is about anything, it’s about scale and process. That’s the backbone. It’s much more pictorially and sound-art-oriented than a typical Hollywood theatrical feature.” This quote is spot-on as Mad God is a sensory blasting experience that relies on sights and sounds to wow the viewer. I hate that Tippett went through some rough times to create his passion project, but I’m glad his obsessive nature allowed to make this unique visual experience. 

Final thoughts – If you are into sensory blasting experiences that showcase absolute brutality, you will love this movie.

New Podcast Series – Con Air – The Podcast – The first episode is now available!

July 18, 2022

You can download or stream the pod on Apple Podcasts or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

Welcome to Con Air – The Podcast! On this show we will fly you through the 1997 prisoners-on-a-plane masterpiece Con Air one scene at a time with some incredible guests along the way. For the first episode, we brought in Nicholas Rehak (@TheRehak on Twitter) to discuss boat trips, LeAnn Rimes, and the excellence of Nicolas Cage. This will be a 40-episode exploration of one of my favorite movies and I hope you enjoy it!

You can download the pod on Apple Podcasts, Tune In, Podbean, or Spreaker.

The Movies, Films and Flix Podcast – Episode 437 – Orphan (2009), Bad Dads, and Sand Horror

July 13, 2022

You can download or stream the pod on Apple Podcasts, Tune In, Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

Mark and Zanandi (@Zanandi on Twitter) discuss the 2009 horror film Orphan. Directed by Jaume Collet-Serra, and starring Vera Farmiga, Peter Sarsgaard, Isabelle Fuhrman and a very large house, the movie focuses on what happens when a family adopts an absolute maniac. In this episode, they also talk about cold water, piano playing, and playground horror scenes. Enjoy!

If you are a fan of the podcast, make sure to send in some random listener questions (we love random questions). We thank you for listening, and hope you enjoy the episode!

You can download the pod on Apple Podcasts, Tune In, Podbean, or Spreaker.

Neptune Frost (2021) – Review

July 11, 2022

Quick thoughts – Grade – A – Neptune Frost is a wildly original sci-fi punk musical that will hopefully give directors/writers Saul Williams and Anisia Uzeyman (who also worked as the cinematographer) more opportunities to showcase their writing and directing.

Between France, Luzzu, Martin Eden, Test Pattern, Bacurau, and Neptune Frost, Kino Lorber has been introducing me to some truly unique voices and cinema over the last few years. France and Martin Eden have taken up a permanent residence in my brain, and I have a feeling that the Stephen Hendel and Lin-Manuel Miranda executive produced Neptune Frost has the technology to make itself linger long in my memory. I really appreciate the creative costume design by Cedric Mizero (who also worked as the production designer and art director), which blends computer keys, harddrives and many red, blue and yellow colors together, and the poetic dialogue by Williams and Uzeyman, which was originally intended for a stage musical and a graphic novel (which is still in the works). Neptune Frost also works really well because Williams and Uzeyman made the decision to film on-location in Rwanda. The locations and local extras add an authenticity to the proceedings and help you become immersed in the world. Neptune Frost feels like a collective of artists came together to make art, and after some research I learned that Williams, Uzeyman, Mizero, Tanya Melendez (hair and makeup designer) are all world renowned artists, which makes sense considering how visual, chaotic, and energetic the experience is. Neptune Frost feels like a handmade experience and this is best exemplified by a white-and-red bird that occasionally appears and is clearly being held by someone off screen. It’s a charming decision that put a smile on my face and it proves that the creators set out to make something singularly creative and fun.

The tough part about reviewing Neptune Frost is explaining what exactly it is about. In a nutshell, it’s about a group of escaped miners who flee to a remote village to form a hacker collective that challenges the dangerous regime (The Motherboard) who are exploiting the region for its precious metals. The hackers are aided by Neptune (Elvis Ngado, Cheryl Isheja), an intersex runaway who forms a bond with Matalusa (Bertrand Ninteretse), and the two create a powerful force that threatens change. From there, I don’t want to explain much more, just know that this movie isn’t Hackers (1995) meets Braveheart (1995). The most important thing you should know is that actors Elvis Ngabo, Cheryl Isheja and Kaya Free are totally committed to their roles, and their earnest performances help create a totally unique experience (that is kind of reminiscent of Liquid Sky). The nice thing about Neptune Frost is that you never know where it’s going, and that allows you to sit back, relax and enjoy the journey into the unknown.


Final thoughts – If you’re in the mood for a memorable and unique experience, watch Neptune Frost.

The Movies, Films and Flix Podcast – Episode 436 – The 2022 Mid-Year Randon Movie Awards

July 10, 2022

You can download or stream the pod on Apple Podcasts, Tune In, Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

The Movies, Films and Flix tradition continues! Mark and Megan hand out random awards to their favorite moments and movies of 2022 (so far). In this episode, they celebrate movies like Moonfall, Montana Story, The Batman, Mad God, Kimi, RRR, Everything Everywhere All at Once, The Northman and Hustle. Enjoy!

If you are a fan of the podcast, make sure to send in some random listener questions (we love random questions). We thank you for listening, and hope you enjoy the episode!

You can download the pod on Apple Podcasts, Tune In, Podbean, or Spreaker.

Thor: Love and Thunder (2022) – Review

July 5, 2022

Quick Thoughts – Grade – C+ – There’s a lot to like in Thor: Love & Thunder, but the constant riffing and jokes destroy the momentum and create a disjointed and flat experience. 

Taika Waititi placed himself in a tough situation when he decided to come back to direct another Thor movie. In 2017, Thor: Ragnarok felt like a breath of fresh air that allowed Chris Hemsworth to finally have some fun (He’s a friend from work!) and introduced audiences to Tessa Thompson’s Valkyrie, and Waititi’s Korg (Both are favorites of mine). What made Ragnarok work so well is that it was able to infuse comedy into the Thor universe while still telling a relatively tight narrative about family and accepting one’s fate. The film went on to collect a 93% Tomatometer score, 7.9 IMDB User score, and it grossed $854 million worldwide. In other words, Thor: Ragnarok was a bonafide blockbuster that proved that Waitit was ready for the big leagues. It was neat seeing that the guy who directed Eagle vs. Shark, Boy, What We Do in the Shadows and The Hunt for the Wilderpeople, could step up and make a funky big budget blockbuster. Several years later, Waitti is now an Oscar-winning (2020 – Best Adapted Screenplay win for Jojo Rabbit) A-lister who also has produced excellent TV shows like What We Do in the Shadows, Reservation Dogs, Wellington Paranormal and Our Flag Means Death

Waititi’s tough situation is that anything he makes now will have insane amounts of expectations, and with Thor: Love & Thunder, he has to deliver another excellent Marvel film that has to somehow live up to the expectations that Thor: Ragnarok created. In the end, Thor: Love & Thunder is fun, but it lacks momentum and cohesion because the constant riffing grinds everything to a halt. Also, Christian Bale’s Gorr The God Butcher character looks great, and has a compelling backstory, but he’s largely ignored as the movie progresses and the majority of his abilities revolve around him sending shadow monsters into battle while he hangs out and waits for them to accomplish their mission. The narrative becomes a little overwhelmed as well as the movie focuses on Thor, Valkyrie, Korg, two screaming goats, and The Mighty Thor (Natalie Portman – getting much needed retribution as being wasted in Thor: The Dark World) attempting to stop Gorr before he’s able to locate *spoiler* so he can finish off all the gods. It sounds simple enough, but throw in Gorr’s backstory, training montages, fun cameos, the Guardians of the Galaxy, space battles, health scares, shadow planets, god planets, tourist destinations, hospitals, dry planets, child abduction, relationship montages, and final battles and you have a lot going on. What’s nice about Thor: Ragnarok is that it tells a simple narrative about Thor returning to Asgard so he can battle his sister Hela (Cate Blanchett – so good). It’s simple, easy to follow, and not overloaded with momentum killing gags. 

As always, reviewing MCU movies is tough because there are so many spoilers and twists that are best left unspoiled. I’d love to write more about Natalie Portman’s return, but a lot of her storyline was a surprise to me and I don’t want to wreck anything for you. It is nice seeing her back in the MCU after Thor: The Dark World left her pining for Thor and being a plot Macguffin. This time around Portman gets to wreck villains and have fun alongside Hemsworth, Thompson, Waititi, Bale and Russell Crowe (with a unique accent). Also, since the MCU is now dealing with gods and space travel, the CGI-heavy finales are becoming predictable (Truth be told I have no idea how to fix this because their formula works and CGI is necessary) as wildly powerful people battle other powerful people in fancy locations that need to be out of the public’s eye to avoid spoiler-tastic photos. Waititi and co-writer Jennifer Kaytin Robinson include a fun finale surprise, but the ending still doesn’t hold much weight because you know that good will prevail (and a famous rock song will be played). All in all, Thor: Love & Thunder is a good time, but it has zero momentum because of the constant riffing and gags that pump the narrative breaks. For instance, when Thor goes off on a quest he flies through the roof of a building and Valkyrie says “He’s paying for that.” Sure, it’s a funny bit, but it’s not necessary and does nothing for the narrative. Now, imagine dozens of these cheeky moments that will probably make you laugh, but will also slow down the narrative. Somewhere along the way the narrative took a backseat and Thor: Love & Thunder became more about having a good time and that’s why I gave it a C. It’s fun, but it comes nowhere near movies like Iron Man, Black Panther, and Thor: Ragnarok. I did love the Event Horizon and Interstellar references, which open up a fun can of cameo worms. Also, I’m pretty sure Chris Hemsworth used this movie to audition for a Big Trouble in Little China remake. 


Since it’s an MCU film with a gigantic budget, the production is top notch and special props should go to costume designer Mayes C. Rubeo (Apocalypto, Jojo Rabbit, World War Z) and production designer Nigel Phelps (World War Z, The Island), who do some excellent work as there are some interesting design choices and I really like the updated costumes for Valkyrie, Korg and The Mighty Thor.

The Movies, Films and Flix Podcast – Episode 435: Brotherhood of the Wolf, Rain Fights, and Mark Dacascos

July 5, 2022

You can download or stream the pod on Apple Podcasts, Tune In, Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

Mark and David Cross (of the Award Wieners Movie Review Podcast – @ItsMeDavidCross on Twitter) discuss the 2001 action-horror movie Brotherhood of the Wolf. Directed by Christophe Gans, and starring Samuel Le Bihan, Vincent Cassel, Monica Bellucci, and Mark Dacascos, the movie focuses on what happens when a murderous monster terrorizes the French countryside. In this episode, they also talk about rain fights, cave fights, and monster fights. Enjoy!

If you are a fan of the podcast, make sure to send in some random listener questions (we love random questions). We thank you for listening, and hope you enjoy the episode!

You can download the pod on Apple Podcasts, Tune In, Podbean, or Spreaker.

The Movies, Films and Flix Podcast – Episode 434: Innerspace, Stomach Acid and Martin Short

July 2, 2022

You can download or stream the pod on Apple Podcasts, Tune In, Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

Mark and Niall Moore (@elniallo on Twitter) discuss the 1987 cult classic Innerspace. Directed by Joe Dante, and starring Dennis Quaid, Martin Short, Meg Ryan, and lots of red blood cells, the movie focuses on what happens when Joe Dante is given a large budget for special effects. In this episode, they also talk about stomach acid, gross booze, and cowboys. Enjoy!

If you are a fan of the podcast, make sure to send in some random listener questions (we love random questions). We thank you for listening, and hope you enjoy the episode!

You can download the pod on Apple Podcasts, Tune In, Podbean, or Spreaker.