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Deep Blue Sea Special – Ranking The Door Scenes in Deep Blue Sea

December 15, 2020

I love Deep Blue Sea, and think it is a perfect popcorn film that features creative deaths, lots of surprises, and the best kitchen fight ever (that isn’t in The Raid 2 or Sudden Death). It makes me happy that Wired, Bloody Disgusting, and Deep Blue Sea – The Podcast, have been praising its brilliance lately. After watching the film again, and realizing that the characters spend over eight minutes opening and closing doors, it felt right to rank every moment that features a door opening or closing. Some of the best moments in the film feature doors, and after watching DBS for the 700th time, I decided to log every moment, and rank them in a very subjective manner.

So many door moments

Here’s the cast for reference.

39. Sherman “Preacher” Dudley takes his cake out of the oven, and kicks the oven door shut (it’s slick) – I have this in last place because it always reminds me of the deleted subplot involving Preacher and Tom Scoggins arguing over cake. I want a world that features LL Cool J and Michael Rapaport arguing about cake. 

38. Scoggins opens up some closet doors looking for batteries for his flashlights. 

37. Carter Blake opens up a medicine cabinet door to grab some gauze for his burnt arm. It’s industrious, but not memorable. 

36. McAlester opens up her lab door after she kills the shark. The scene works well because of the urgency of Carter Blake and the shocked look on McAlester’s face.

35. Random extras open up a gate to get to the boat that’s taking them away from the Aquatica for the weekend. It’s A+ plus extra work because they weren’t walking like extras normally do in movies (like they’ve lost all motor functions). 

34. Janice Higgins opens a door to greet McAlester and Russell Franklin. It’s a totally fine moment.

33. Preacher enters the kitchen via the swinging doors while being chased by the shark. There’s nothing wrong with this scene, it’s just that opening a door in water is kinda boring as it closes slowly (more on this later).

32. Carter opens up the Wet Lab door and swims in. I’d rank this higher, but since the door was already open, and all he had to do was open it more, I couldn’t justify a higher ranking.

31. Carter opens a chain link fence door to check out the tiger shark that was just delivered. The Walt Conti designed sharks are amazing btw. 

30. An extra closes the plane door after Susan McAlester exits it – The door close is solid, there’s just nothing spectacular about it. 

29. McAlester opens the metal fence door – It’s kinda cool because it shows there is a lock on the door, and thus the place is kind of like a prison (Alcatraz floats).

28. The crew walk into Janice’s room – This is interesting because we actually get to see someone’s living quarters. She has a fish tank, I feel bad for the fish…. 

27. The crew enter the wet entry (before Russell is killed) – I enjoy the casualness of the door opening. 

26. The elevator door closes after they attach Jim to the helicopter – It’s a good shot, I like the use of the widescreen aspect ratio. However, after the crew got wiped out by water (on set accident), the door closing is anticlimactic.

25. Opening of the door to avoid the flooding from the wet lab – This happens after the shark bashes the giant glass with Jim. It’s a good moment, but I’m 175% certain the water would’ve rushed in faster.

24. The makeshift rope is pulled inside the door, and it’s closed – This moment is memorable because of how long the makeshift rope is. Preacher must’ve taken a long time to make it. Also, the shark could’ve killed everyone during the construction of the rope, and chose not to so it could continue to herd the humans. Also, later on, Carter doesn’t even bother using the rope.

23. Carter, McAlester and Preacher enter the escape hatch room. I love the spinning handle on the door. 

22. Elevator door opens, and McAester slowly walks out when she’s called to the surface level – I like the “scary” vibe and camerawork. 

21. McAlester locks herself in her office while looking for her research. I like the idea of her locking herself in her office – while the shark is waiting for her.

20. The Wet Entry doors open and Carter jumps into the water. Dude is a maniac.

19. Russell sees the Wet Lab for the first time – It’s a nice door opening that leads to some wonder.

18. Janice closes the fence door and it locks – I love the look that Russell Franklin gives the locked fence door. Do they think the sharks could walk out of the place? Are the locks there to prevent pirates from entering?

17. The remaining survivors open the Wet Entry door after Russell Franklin is eaten. I love the delayed water explosion. 

16. Preacher, McAlester and Blake swim though the escape hatch to face the sharks (1:20 in clip) – It’s suspenseful, but it’s overshadowed by Preacher’s prayer. You barely remember that a door was opened. 

15. Dr. McAlester exits a helicopter on her way to talk to Russell Franklin. I love a confident helicopter exit. Also, she doesn’t bother closing the door – it’s a boss move.

14. Carter pries open the door to level 2 to prevent the elevator shaft from flooding (:30 in clip).  I love a scene involving a door being pried open. Bonus points for the following moments when the shark doesn’t even try to eat him, because he’s needed to open more doors.

13. The Gen 2 shark knocks open the door to the elevator shaft (Beginning of clip). I love the shark vision leading up to the door smash. 

12. Preacher exits the flooded kitchen door, then says “You ate my bird.” (1:45 in clip) – The door opening isn’t exciting, however, the shark explosion is fun.

11. Preacher escapes through the top oven door (1:20 in clip) – It’s a lot of fun watching the chef escape the oven (that the shark turned on).

10. The extras leave the Aquatica and get on a boat – I like how they hold the door open for each other. It’s a pleasant moment. Are they dancing on the boat because they are a fun crew, or are they happy that they are leaving?

9. McAlester opens up her locker door, and the shark learns where she gets her research – This is important later on, when the shark is waiting for her.

8. The crew take Whitlock up to the surface, and there is a massive storm. I like seeing all the waves blasting around them. 

7. The shark has Carter open a door after Scoggins is eaten. It’s neat seeing Carter’s head fly back and as he is sucked into the other corridor. The sharks are so smart.

6. The group uses teamwork to get out of the wet lab after it is flooded (2:18 in clip – you’ll also see a great Carter Blake slip). It’s nice seeing everyone work together. 

5. McAlester opens up her locker door, grabs her research, and the shark attacks. I love that the shark was sitting in her room, waiting for her to grab her research.

4. Carter opens up the pen door so he can dart the Gen. 2 shark (:30 in clip). It’s freaky watching him swim out into the dark water. It’s neat knowing that the Gen. 2 shark allowed Carter to dart it. 

3. You think that another shark is trying to bash its way into the elevator shaft, BUT, it’s Preacher coming to save the day. It’s a nice moment.

2. Preacher opens up and closes the oven door when he’s trying to escape the shark. I love the idea of him climbing into the oven, when he’s a chef. It’s such a great visual.1. The Gen. 2 shark sneaks into the flooded kitchen (:20 in clip) while Preacher is climbing on some cabinets. This isn’t exactly exciting, I just love how stealthy the shark is. It makes me laugh.

1. The Gen. 2 shark sneaks into the flooded kitchen (:20 in clip) while Preacher is climbing on some cabinets. This isn’t exactly exciting, I just love how stealthy the shark is. It makes me laugh.

There you have it! Every door closing and opening moment in Deep Blue Sea ranked. Make sure to lisen to Deep Blue Sea – The Podcast, and read everything we’ve ever written about the film.

The Movies, Films and Flix Podcast – Episode 331: Trollhunter, Norwegian Scenery, and Folklore

December 13, 2020

You can download or stream the pod on Apple PodcastsTune In,  Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

The MFF podcast is back, and this week Zanandi Botes (@ZaNandi on Twitter) joined us to discuss the excellent 2010 found footage film Trollhunter. Directed by Andre Ovredal, and starring Otto Jespersen, Trollhunter focuses on a shadowy government employee who is tasked with exterminating trolls that venture too far out of their designated territory. His daily routine is filmed by several college students (with excellent cinematography skills), and you’ll love learning about the bureaucracy that goes with hunting trolls (so many reports to file…). In this episode, we discuss troll farts, troll bureaucracy, and beautiful Norwegian scenery.

If you are a fan of the podcast, make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening, and hope you enjoy the episode!

You can download the pod on Apple PodcastsTune In,  Podbean, or Spreaker.

Deep Blue Sea – The Podcast – Episode 23: Arugula for Days, Omelettes, and Legacy

December 11, 2020

You can listen to Deep Blue Sea – The Podcast on Apple Podcasts, SpreakerSpotify, Tunein, Podcast Addict, Amazon, Google Podcasts, and everywhere else you listen to podcasts. Also, make sure to like our Facebook page!

Please make sure to rate, review, share, and subscribe!

Jay and Mark are joined by Marc “Juice” Armstead (of the French Toast Sunday Podcast) to discuss “Preacher’s Legacy,” the 23rd chapter on the Deep Blue Sea DVD. This is the shortest chapter on the DVD, but, it might be the most memorable as Preacher’s omelette recipe is world famous. and much discussed (milk, or no milk?) In this episode, they discuss Sherman “Arugula for Days” Dudley, character-driven spit, and egg purgatory.

Love and Monsters: A Likable Monster Movie That’s Worth a Watch

December 11, 2020

 Love and Monsters is a welcome breath-of-fresh-air that focuses on the aftermath of a monster apocalypse caused when debris from an asteroid turns cold-blooded animals into giant people-eating monsters. Originally devised in 2012, this long-planned $30 million budgeted film must’ve benefitted from all the delays as the script by Brain Duffield and Matthew Robinson hits on all cylinders and glides by with a likable and original ease. Director Michael Matthews does an excellent job of combining a legitimately dangerous world with a charming tone that never gets old, and he stretches the $30 million budget expertly (it looks like a $50 million movie)

The story is wonderfully simple, as likeable twentysomething Joel Dawson (Dylan O’Brien of the Maze Runner trilogy and Teen Wolf) leaves the safety of his underground bunker to travel 80 perilous miles so he can find his girlfriend Aimee (Jessica Henwick), whom he hasn’t seen in seven years. His bunker buddies are sad to see him leave, and are worried for him because he freezes when conflict arises, and is the only one who knows how to fix their radio. Armed with a crossbow, a radio and some canned goods, Joel is quickly attacked by a large frog, and saved by a dog named “Boy” who joins him on his quest. 

He luckily joins up with Clyde (Michael Rooker) and Minnow (Arianna Greenblatt), who save him from a deadly sand-gobbler hole, and teach him how to survive above ground, and get him prepared to battle a plethora of neat monsters (Clyde also gives him a grenade). It wouldn’t be cool to spoil the rest of the film, just know you’ll see giant crabs, beach brawls and Joel doing his best Tom Cruise impersonation. 

What makes Love and Monsters so likable are the performances from O’Brien, Henwick, Rooker and Greenblatt, and the original monsters, who all come across as dangerous AND likable (except from the giant ant, who is nightmare fuel). Joel’s adventures and interactions with Boy (great movie dog), robots, and boulder snails who could squish him easily are super enjoyable, and none of the added characters or side quests feel unwelcome or unnecessary. Also, the tone is wonderful as Matthews combines action, humor, scares and whimsy into something that never feels too precious or cute. It would be neat to see further Love and Monsters exploits, and I hope enough people catch on to warrant a sequel.
Watch Love and Monsters, so you can promote Love and Monsters.

The Movies, Films and Flix Podcast – Episode 330: About Time, Time Traveling Dads, and Bill Nighy

December 10, 2020

You can download or stream the pod on Apple PodcastsTune In,  Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

The MFF podcast is back, and this week we’re discussing the 2013 time travel film About Time. Directed by Richard Curtis (Love Actually, Pirate Radio), and starring Domhnall Gleeson, Rachel McAdams, Bill Nighy, Margot Robbie and Vanessa Kirby, this excellent film focuses on a guy, who on his 21st birthday, realizes he can time travel. We love this film, and actually looked into how we could be adopted by Bill Nighy after watching the movie. In this episode, they discuss the Richard Curtis-verse, dinner parties and the greatness of Bill Nighy.

If you are a fan of the podcast, make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening, and hope you enjoy the episode!

You can download the pod on Apple PodcastsTune In,  Podbean, or Spreaker.

The Movies, Films and Flix Podcast – Episode 329: The Prophecy, Angel Fights and Viggo Devil

December 5, 2020

You can download or stream the pod on Apple PodcastsTune In,  Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

Mark and Nathan discuss the 1995 thriller The Prophecy. Directed by Gregory Widen, and starring Christopher Walken, Elias Koteas, Virginia Madsen, and Viggo Mortensen, The Prophecy focuses on the devil, a few angels, and some humans attempting to find an evil soul that might turn the tide of a centuries long battle. In this episode, they discuss whispering devils, Walken telling people to be quiet, and angel fights. Enjoy!

If you are a fan of the podcast, make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening, and hope you enjoy the episode!

You can download the pod on Apple PodcastsTune In,  Podbean, or Spreaker.

Sound of Metal: An Excellent Film That Features an Award-Worthy Performance From Riz Ahmed

December 4, 2020

If you’re looking for an excellent film featuring an Oscar-worthy performance from Riz Ahmed, look no further than the Sound of Metal. Directed and written by former concert photographer Darius Marder (he also wrote The Place Beyond the Pines), Sound of Metal focuses on a drummer named Ruben (Riz Ahmed) losing his hearing while on tour with his girlfriend Lou (Olivia Cooke). This sudden loss of hearing leads him to stay at a deaf community led by Joe (Paul Raci), where he learns to accept the loss of his hearing, while also attempting to not fall back on prior addictions.

The film starts out with a lived-in authenticity as Ruben and Lou play various venues around the United States. Ruben is the drummer, and Lou plays guitar and sings in their band Blackgammon. Their mode of transportation is a surprisingly nice Airstream RV, that puts to shame the majority of the beaten up vans that pulled up to the venues I worked in over the years. Ruben is loaded up with cockroach, underwear and “Scumbag” tattoos that seem homemade, while Lou has dyed eyebrows and a laid-back style that compliments Ruben’s almost manic demeanor. When he starts losing his hearing, his four years of sobriety are put to the test when he’s separated from Lou, and forced to stay at a deaf community where he works with children and learns to be at peace with his life.

Shot over the period of four weeks, and led by an excellent and committed performance from Riz Ahmed, who learned to play the drums, and use American sign language (Cooke also learned how to play the guitar), the film hits hard, and looks excellent. The cinematography by Daniël Bouquet is wonderful, as the handheld camera work, and strategic static shots allow the performances to thrive. The sound design is also excellent, as the film relies on silence, and sudden bursts of sound that provide a contrast to the lack of sound. The film took years to get off the ground, as Marder suffered from constant setbacks and cast changes that delayed the production. In the end, the delays might have helped as the added time helped everything feel lived in and authentic. It’s also neat that the Sound of Metal is dedicated to Marder’s grandmother, who went deaf, and after reading several interviews, I learned that he relied on the deaf community to make it as authentic as possible. The end product is wonderful, and I love the film and the performances.

Watch Sound of Metal before you think about putting together any “best of ” lists!

Deep Blue Sea – The Podcast: Episode 22: Petty Sea Creatures, Bathroom Love and Chuck Finley

December 3, 2020

You can listen to Deep Blue Sea – The Podcast on Apple Podcasts, SpreakerSpotify, Tunein, Podcast Addict, Amazon, Google Podcasts, and everywhere else you listen to podcasts. Also, make sure to like our Facebook page!

Please make sure to rate, review, share, and subscribe!

Jay and Mark are joined by Rob and Duff (of the Titanic Minute podcast) to discuss “Obstacles,” the 22nd chapter on the Deep Blue Sea DVD. In this episode, they discuss bathroom love, petty sea creatures, and pizza DVDs. Enjoy!

Make sure to follow Rob (@rmlumley), Duff (@TheSixFinger), The Titanic Minute (@TitanicMinute), Tombstone Minute (@TombstoneMinute) and A Free Podcast (@AFreePodcast) on Twitter.

Listen on Spotify!

Deep Blue Sea – The Podcast – Chapter 21: Cheeky Zippers, Bionic Strut Muffins and Baking

December 1, 2020

You can listen to Deep Blue Sea – The Podcast on Apple Podcasts, SpreakerSpotify, Tunein, Podcast Addict, Amazon, Google Podcasts, and everywhere else you listen to podcasts. Also, make sure to like our Facebook page!

Please make sure to rate, review, share, and subscribe!

Jay and Mark are joined by Megan Hofmeyer (of the Movies, Films and Flix podcast) to discuss “All Relative,” the 21st chapter on the Deep Blue Sea DVD. They also wonder how Preacher would do if he entered the Great British Bake Off, and if Preacher Scoggins could star in Tango & Cash. In this episode, they discuss hallway scenes, deep squats, and cheeky zippers. Enjoy!

Please rate, review, share and subscribe to the podcast!

The Movies, FIlms and Flix Podcast – Episode 328: Face/Off, John Woo and Evil Smoking

December 1, 2020

You can download or stream the pod on Apple PodcastsTune In,  Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

The MFF podcast is back, and this week we’re discussing the beautiful 1997 action film Face/Off. Directed by John Woo, and starring Nicolas Cage, John Travolta and Joan Allen, this insane film features face swapping, bombs with insanely long timers, and glorious overacting. We love this film, and had a great researching the production and talking about why it’s so popular with critics and audiences. In this episode, we discuss John Woo’s brilliance, boat fights, and John Travolta smoking cigarettes’ like an evil person.

If you are a fan of the podcast, make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening, and hope you enjoy the episode!

You can download the pod on Apple PodcastsTune In,  Podbean, or Spreaker.