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Deep Blue Sea – The Podcast – Chapter 19: Ladders, Cargo Shorts, and Door Trouble

November 13, 2020

You can listen to Deep Blue Sea – The Podcast on Apple Podcasts, SpreakerSpotify, Tunein, Podcast Addict, Amazon, Google Podcasts, and everywhere else you listen to podcasts. Also, make sure to like our Facebook page!

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Jay and Mark are joined by Billy Business (@billyapatterson on Twitter) to discuss “The Elevator Shaft” the 19th chapter on the Deep Blue Sea DVD. In this episode, they discuss ladder scenes, cargo shorts. people opening doors, and Ernest Goes to Jail. I

Make sure to listen to the “Hot Takes With Billy Business” podcast, and watch “Reboot It” on YouTube.

John’s Horror Corner: Clownhouse (1989), Victor Salva’s failed attempt at Halloween horror.

November 12, 2020

MY CALL: Just plain boring and perhaps the least entertaining clown horror I’ve seen. MORE MOVIES LIKE Clownhouse: For more (and far better) evil clown movies, try Killer Klowns from Outer Space (1988), All Hallows’ Eve (2013), Terrifier (2016), Stephen King’s It (19902017), and maaaybe even Stitches (2012), Scary or Die (2012) and Clown (2014).

The opening scenes meeting the three brothers are decently done, but the film really finds its footing (however briefly) when they go to the evening circus and young Casey receives a harrowing palm reading. The fortune teller is great. A bit hammed up, but appropriately so.

Later into the evening, a trio of circus clowns are murdered and “replaced” by three murderous escaped mental patients. And these killer clowns find their way to the brothers’ house by chance. As far as creepy clowns go, sure these are creepy clowns. But they’re creepy in a “break in and rob your house” way. But not so convincing as a murderous force in a horror movie.

Occurring somewhere near Halloween eve, the movie becomes a home invasion with embarrassingly hokey action/violence. No atmosphere to speak of… no… no nothing to speak of to its credit. Clearly, writer and director Victor Salva (Jeepers Creepers 1-3, Dark House) had not yet developed the filmmaking chops that would later entertain us with Jeepers Creepers (2001) and sequels.

This shouldn’t be rated R. The death scenes are weak and off-camera, the deaths themselves are basic and uninspired, the blood and gore are nonexistent, and I found movie is quite boring. The most enjoyable part of this movie was seeing a jerky young Sam Rockwell on screen as the oldest brother Randy (Sam Rockwell; Joshua, Poltergeist).

This attempt at horror isn’t really fun (not even briefly), nor scary nor interesting. I was just waiting for something to happen. And once I realized nothing substantial was going to happen… I was just waiting for it to end. Very unsatisfying whether you wanted serious or silly horror, and ranking quite low among horror clown movies.

The Movies, Films and Flix Podcast #323: The Jet Ski Action Scene Draft

November 11, 2020

You can download or stream the pod on Apple PodcastsTune In,  Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

The MFF Podcast is back, and this week we’re drafting movie squads comprised of jet ski action scenes. We were lucky enough the have the incredibly funny Nick Rehak (of the French Toast Sunday Podcast) join us to build super random squads that feature jet skis, violence and head kicks. In this episode, we discuss Hard Rain, Waterworld, You Don’t Mess With the Zohan and boring jet ski action scenes that feature jet skis going in straight lines. Enjoy!

If you are a fan of the podcast, make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening, and hope you enjoy the episode!

You can download the pod on Apple PodcastsTune In,  Podbean, or Spreaker.

MFF Special – The Con Air Seating Chart: An Overly Researched Look Into Who Sat Where

November 10, 2020

The 1997 action film Con Air is mostly remembered for its over the top action, stuffed bunnies, and GIFs of Nicolas Cage’s hair blowing gloriously in the wind. However, what makes the film work are the random characters who board the plane at the Oakland City and Carson City airports. The eclectic collection of prisoners played by John Malkovich, Ving Rhames, Danny Trejo and Steve Buscemi are super memorable, and give the film an impressive amount of gravitas. It’s rare that an action film about a flying prisoner transport features Oscar, Emmy, and Golden Globe winners/nominees, and I appreciate that the filmmakers cast A-list talent in a bonkers B-movie (that is amazing).

The following is the Con Air seating chart. The first picture is made up of the Oakland Airport convicts, and the second is made up of the Oakland and Carson City convicts. Enjoy!

Quick note – A big thank you to Ty Granderson Jones (Blade) for helping me figure out that Ramirez was on the plane. HUGE HELP. Also, the idea for the seating chart came from a discussion I had during Deep Blue Sea – The Podcast, you should listen to it!

Breakdown of characters.

  1. Karls (2B) He’s the guy who gets a bag over his head. He is later shot and killed during the plane takeover
  2. Londell (2C) – He is one of the prisoners transferred off the plane at Carson City
  3. Con #1 (2D) – He is the mustachioed prisoner who dies in the Lerner Airport battle
  4. Ajax (3B) – He gets killed in the Lerner Airport battle
  5. Old Con (3C) – He’s the old con who says “I’m too old for this sh**” and volunteers to be transferred in Carson City
  6. Donald (4B) – He gets transferred in Carson City
  7. Benson (4C) – He is shot and killed during plane takeover
  8. Johnny-23 (4D) – He almost makes it to the end, but he’s killed during the Vegas crash.
  9. Nathan “Diamond Dog” Jones (Door 1) – He is killed during the Vegas fire truck chase.
  10. Cyrus “The Virus” Grissom (Door 2) – His death is comically beautiful during the Las Vegas chase. Main antagonist.
  11. William “Billy Bedlam” Bedford (Door 4) – He is killed by Poe during the epic “bunny” fight
  12. Willie Sims (5B) – He’s an undercover agent who is shot by Cyrus after the plane take over
  13. Cameron Poe (5C) – Main protagonist. Ultimate Badass
  14. Mike “Baby-O” O’Dell (5D) – Cameron’s friend
  15. Warlock (6A) – Con who gets lit on fire before plane takeover. He dies in Lerner Airport battle.
  16. Pinball (6B) – He instigates the plane takeover and dies when he gets trapped in plane landing gear in Caron City
  17. Watts (6C) – Transferred in Carson City
  18. Popovich (7B) – He is shot and killed by Willie Sims
  1. Swamp Thing (Cockpit) – Pilot who dies during the Las Vegas chase
  2. Cindino (Cockpit) – Dies in Lerner Airport after he tries to double cross Cyrus
  3. Blade (2B) – Presumably he is arrested after the Las Vegas crash
  4. Carlos (2C) – Arrested after Las Vegas crash
  5. Sally Can’t Dance (3B) – Arrested after Las Vegas crash
  6. Mongoose (3C) – Killed in Lerner Airport battle
  7. Ramirez (4B) – He is presumably killed during Lerner Airport battle
  8. Viking (4C) – Poe takes him out before crashing in Vegas – He is confused by rocks
  9. Conrad (4B) – Poe takes him out before crashing in Vegas
  10. Garland “Marietta Mangler” Greene – Survives and gambles in Vegas

I hope you enjoyed the Con Air seating chart! Make sure to check out my other random data posts!

The Movies, Films and Flix Podcast #322: American Pie, Sherminators, and Raunchy Comedies

November 9, 2020

You can download or stream the pod on Apple PodcastsTune In,  Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

The MFF podcast is back, and this week we were joined by Chris Kelly (of the Classic American Movies Podcast) to discuss the 1999 comedy American Pie. Directed by Paul Weitz, and starring Jason Biggs, Tara Reid, Seann William Scott and Natasha Lyonne, this blockbuster R-rated film focuses on four high school seniors attempting to lose their virginity before they graduate (it’s very 1999). In this episode, they discuss apple pie, cool dads, and Blink-182. Enjoy!

Jim’s dad is the best.

If you are a fan of the podcast, make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening, and hope you enjoy the episode!

You can download the pod on Apple PodcastsTune In,  Podbean, or Spreaker.

Fatman: A Unique Thriller About Santa Claus Battling a Hitman

November 9, 2020
Photos courtesy of Saban

Fatman is a unique hybrid that blends ultra-violence, cheeky world building and dark comedy – and it mostly works. It’s a wild film that introduces us to a world in which Chris Cringle (Mel Gibson) and his wife Ruth (Marianne Ruth-Bapiste), take on Military contracts during off-months, and children hire hitmen after they receive coal in their stockings. Normally, making a hard R-rated film about a well-kempt hitman named “Skinny Man” (Walton Goggins) traveling to Alaska to put a bullet in Santa’s skull, might feel too gimmicky, but, directors/writers Eshom and Ian Nelms do a fine job building a world worth visiting.

What makes Fatman worth watching, are the tiny moments of world building involving Santa’s healing ability, junk-food loving elves, and government contracts that keep the operation funded. Santa’s operation is wonderfully low-key, and his magical reindeer and elf staff are grounded in a neat reality that feels welcome after decades of magical shenanigans at the North Pole. Also, the relationship between Chris and Ruth is lived-in, and their dynamic feels like they’ve known each other for hundreds (thousands?) of years.

What keeps the movie in the “B” range is the antagonist and dour tone that occasionally gives way to welcome dark comedy. While the idea of a child hiring a hitman to murder Santa is fun, tonally, it comes from a different movie, and might’ve played better if a pissed off mafioso parent hired a goon, after his kid received a terrible Christmas present from Santa. The tonal shifts between the over-the-top murderous child, and the relatively grounded Santa, don’t blend well. However, after Walton Goggins makes his trek up north, the movie settles into a fun (and super violent) duel between hunter and prey.

photo courtesy of Saban

While the film starts slowly, and carries on with a dour tone, Fatman picks up steam as the confrontation gets closer and we learn more about the expanded world. Ian and Eshom Nelms deserve applause for the incredibly original story, and the performances by Gibson, Jean-Bapiste and Goggins are expectedly excellent. The mish-mashed tone may keep some away, but for those willing to embrace unique world building, and brutal violence will dig this film.

John’s Horror Corner: Silver Bullet (1985), Stephen King’s horror-LITE werewolf movie.

November 5, 2020

MY CALL: It’s entertaining… but really it’s just overall mediocre. I’d call this a good horror movie for beginners and younger audiences. MOVIES LIKE Silver Bullet: For more movie adaptations based on Stephen King’s books and other work, try the original TV mini-series of Stephen King’s It (1990), the remake of It (2017), Creepshow (1982), Cujo (1983), Graveyard Shift (1990), Needful Things (1993), The Night Flier (1997), Gerald’s Game (2017) or Pet Sematary (1989, 2019), to name a few.   

We are introduced to a quaint small town—the kind where everybody knows everybody—where we find our preteen protagonist Marty Coslaw (Corey Haim; The Lost Boys, Watchers), a boy in a zippy electric wheelchair created by his alcoholic Uncle Red (Gary Busey; Piranha 3DD, Predator 2).

After a series of brutal murders, the townsfolk form a militia search party for the killer. It doesn’t work out well, and the locals are no wiser to the murderer’s identity. But Marty has a pretty good idea of who’s behind it all… a werewolf! And so we wander into a light mystery of just whom in town could be this lupine murderer as Marty and his sister consider everyone from the town Reverend (Everett McGill; The People Under the Stairs, Dune, Twin Peaks) to the local Sheriff (Terry O’Quinn; Lost, The Stepfather).

Early shots of our monster present the entire beast in brief but numerous shots as it rends the flesh of its first victim. These death scenes aren’t particularly good, but they are particularly entertaining. So it seems the budget limitations were stretched and efficiently employed on screen. The weakest points of the film are revealed in the tactics—e.g., the scene with the search party in the swamp getting attacked by the werewolf in the waist-high mist like a shark attack movie. I’m not saying it’s not entertaining. But it also feels very hokey. Then we have a nightmare in which the local church congregation all transform into werewolves, which seemed budgetarily impressive.

Our creature effects are nothing when weighed against An American Werewolf in London (1981) or The Howling (1981). Not even comparable. I’d say the same for the transformation scene. Yet still, this movie tries. It tries hard and I appreciate the on-screen effort to show many different pulsating stages of the transformation. This lower tier movie works quite well visually, even better than it deserves, much as did Stephen King’s It (1990). However, the screenplay for this film did not receive the same caliber writing as It, nor did it impress me with gore or creature effects to nearly the degree of Graveyard Shift (1990).

MORE WEREWOLF MOVIES: The best werewolf movies would have to be An American Werewolf in London (1981; semi-humorous), Ginger Snaps (2000; metaphoric), Dog Soldiers (2002; unconventional) and The Howling (1981; serious). 

If you want another utterly ridiculous werewolf movie, then move on to Howling II: Your Sister is a Werewolf (1985), Howling 3: The Marsupials (1987) and Wolfcop (2014). 

And for more stylish werewolf movies The Company of Wolves (1984), Meridian (1990), Cursed (2005; cliché-loaded and contemporary), Ginger Snaps 2: Unleashed (2004), Wolf (1994), Wer (2013), The Wolfman (2010),  An American Werewolf in Paris (1997), Late Phases (2014), Howl (2015), Raw (2016), Good Manners (2017; aka, As Boas Maneiras) and the Underworld movies (2003, 2006, 2009, 2012) are also worth a watch.

We could consider that Waxwork (1988), Trick ‘r Treat (2007), Van Helsing (2004), Monster Squad (1987) and many others also feature werewolves, but not to such centerpiece extent that I’d call them “werewolf movies.”

Based on the Stephen King novelette “Cycle of the Werewolf”, I feel that director Daniel Attias (Six Feet Under, True Blood) did well with the script he was handed. It feels rather basic, but I also consider that the target audience was a bit younger (especially considering the very young protagonist). The climactic scene isn’t so climactic nor does the tension ever mount as powerfully as it should, but it’s still good storytelling.

Watching this as an adult I’d say it’s entertaining… but really it’s just overall mediocre.

Deep Blue Sea – The Podcast – Chapter 18: The Episode In Which Sam Jackson Is Eaten

November 5, 2020

You can listen to Deep Blue Sea – The Podcast on Apple Podcasts, SpreakerSpotify, Tunein, Podcast Addict, Amazon, Google Podcasts, and everywhere else you listen to podcasts. Also, make sure to like our Facebook page!

Please make sure to rate, review, share, and subscribe!

Jay and Mark are joined by Jeanette Ward (@jeanette_y_ward) and DJ Valentine (@TryingToBeDJV) to discuss “A Whole Lot Worse,” the 18th chapter on the Deep Blue Sea DVD. In this episode, they discuss sneak attacks, cannibalism and sharks crying in the ocean. This chapter is also really well known because IT’S THE CHAPTER WHERE A SHARK SNEAK ATTACKS SAM JACKSON!!!!

Make sure to follow Jeanette and DJ on Twitter!

The Movies, Films and Flix Podcast #321: Dracula Untold, Impaling, and Bat Hammers

November 4, 2020

You can download or stream the pod on Apple PodcastsTune In,  Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

The MFF podcast is back, and this week we were joined by David Cross (of the Award Wieners Movie Review Podcast) to discuss the 2014 action-horror film Dracula Untold. Directed by Gary Shore, and starring Luke Evans, Sarah Gadon, Dominic Cooper, and Charles Dance, this origin story focuses on how Vlad the Impaler became Dracula the Blood Consumer. In this episode, we discuss weaponized bats, cave vampires, and ancient curses. Enjoy!

We love us some Charles Dance

If you are a fan of the podcast, make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening, and hope you enjoy the episode!

You can download the pod on Apple PodcastsTune In,  Podbean, or Spreaker.

The Movies, Films and Flix Podcast #320 – Halloween H20: 20 Years Later – A Most Excellent Sequel

October 31, 2020

You can download or stream the pod on Apple PodcastsTune In,  Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).

If you get a chance please make sure to review, rate and share. You are awesome!

Mark, John, and Adam discuss the 1998 horror sequel Halloween H20: 20 Years Later. Directed by Steve Miner, and starring Jamie Lee Curtis, Josh Hartnett and Michelle Williams, this excellent sequel focuses on the “final” battle between Laurie Strode and Michael Myers. We love this sequel, and had a great time talking about how underappreciated it is. In this episode, we discuss axe fights, cross country travel and solid horror sequels. Enjoy!

Viva la H20!

If you are a fan of the podcast, make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening, and hope you enjoy the episode!

You can download the pod on Apple PodcastsTune In,  Podbean, or Spreaker.