Encounter (2021) – Review: A Decent Genre-Blending Film That Is Buoyed by Another Solid Riz Ahmed Performance
Quick thoughts – Grade – C+ – Riz Ahmed is excellent as always, and so are Aditya Geddada and Lucian-River Chauhan. But, Encounter never fully gels as it tries to juggle multiple genres, and never fully explores either. The idea is worth tackling, but Encounter doesn’t stand alongside movies like Take Shelter or Bug (which both star Michael Shannon), which fully commit to the trials and tribulations of their characters.
After Riz Ahmed and his film Sound of Metal had success with Amazon Studios last year, it was exciting to hear that he’d be back in another Amazon backed film that centered around Ahmed protecting his children from a group of aliens, who after coming to earth on a meteor, burrow themselves into the world’s populace and take them over (think Invasion of the Body Snatchers, or Bug). What’s even more exciting is that director Michael Pearce completely reconsidered the character after Ahmed approached him about being in the film, and the character went from being in the directors words, a “Default White Anti-Hero,” to being a warm, steely, and laser focused killing machine, who is clearly unhinged. An added bonus to casting the Academy Award nominated actor, is that Aditya Geddada and Lucian-River Chauhan were brought in to play his kids. Both child actors are excellent, and they have wonderful chemistry with Ahmed. The best moments in Encounter feature the family spending time together, and it makes you wish the movie was 95% focused on them in a car, listening to K-pop.
The biggest problem with Encounter is how the plot elements never totally gel. In the beginning of the film, we are treated to footage of a meteor hitting the earth, and the supposed fallout is that humanity is slowly being taken over by body snatching aliens. Shortly after the invasion, we are introduced to a former marine named Malik (Ahmed), who is holed up inside a dark hotel room, and preparing a survival kit loaded with bug spray, guns, and more weapons. When he leaves the seedy hotel (after smooshing several bugs with a bible he found in the room), he doesn’t go off to battle the alien threat, instead he travels to his ex-wife’s home, kidnaps his two children, and in his words, takes off on “a crazy road trip with your cool ass dad!” It would be a shame to spoil the rest of the film, just know that it involves gun fights, paranoia, and solid cinematography by Benjamin Kracun (Beast, Promising Young Woman), which captures the wide open expanses of Nevada and surrounding plains and valleys. The movie falls apart when all the cards are laid on the table, but, if you are a fan of Ahmed, Encounter is worth a watch.
It will be interesting to see how audiences handle the expectations created in the trailer, which makes Encounter out to be an Uber tense alien flick that features Ahmed kicking butt. It wasn’t an issue for me, as I’ve learned to be flexible and appreciate the experience, which may or may not have been marketed to get people in the seats. But, for people looking for Invasion of the Body Snatchers meets Taken, they’ll either be disappointed, or annoyed that their expectations weren’t met (which seems odd, but it happens a lot). Either way, there are things to like about Encounter, just don’t expect a totally connected narrative.
Final thoughts: Encounter is based on an interesting idea, but the script by Joe Barton and Michael Pearce doesn’t know how to tie together the various genres in a way that feels organic. At times it feels like they are jackhammering home their ideals, which takes away from another solid Riz Ahmed performance.
The Movies, Films and Flix Podcast – Episode 401: The Purple Rain and Tron: Legacy Soundtrack Draft
You can download or stream the pod on Apple Podcasts, Tune In, Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).
If you get a chance please make sure to review, rate and share. You are awesome!
Mark and Nicholas Rehak (@TheRehak on Twitter) discuss their favorite songs from the Purple Rain and Tron: Legacy soundtracks. In this episode, they draft their favorite songs, and talk about the history of both albums. Enjoy!
If you are a fan of the podcast, make sure to send in some random listener questions (we love random questions). We thank you for listening, and hope you enjoy the episode!
You can download the pod on Apple Podcasts, Tune In, Podbean, or Spreaker.

The Power of the Dog (2021) – Review – A Satisfying and Impressive Film From Director Jane Campion

Quick Thoughts – Grade A – The Power of the Dog is an impressive piece of filmmaking that excels on every level. Academy Award winning director Jane Campion (The Piano, Bright Star) has created a fine film that builds towards the most satisfying ending of any 2021 film. The movie will linger in your memory, and hopefully it will be a player when awards time rolls around.
Adapted from Thomas Savage’s 1967 novel of the same name, The Power of the Dog is an impressive western that has been carefully crafted by writer/director Jane Campion. What makes The Power of the Dog so impressive is how it subverts western genre tropes, features a unique horror-esque score by Johnny Greenwood, and according to cinematographer Ari Wegner, was filmed like a horror film. The term “slow burn” has been thrown around a lot, and it makes sense, but that implies that nothing much happens until the end, and that can’t be further from the truth. The Power of the Dog is rich with tiny moments that deserve attention, and the clues laid out make it a movie worth rewatching. Campion planned the movie for years, and her dedication to making it layered, humorous, and visually rich have paid off.
The Power of the Dog focuses on the happenings at a massive ranch in rural Montana, which is home to Phil (Benedict Cumberbatch – who went unbathed and suffered from nicotine poisoning several times during production) and George Burbank (Jesse Plemons), two brothers who couldn’t be more different from each other. Phil is the alpha male on the ranch, who is respected by his ranch staff, and feared by everyone else around him. George is a milquetoast individual who seems tired of his overbearing brother, and his life gets better when during a cattle drive, he meets inn owner Rose Gordon (Kirsten Dunst), and her son Peter (Kodi Smit-McPhee). George quickly proposes marriage to Rose, and she accepts, which causes chaos in the Burbank household as Phil begins to lash out at Rose, which pushes her into a depressed drunken stupor. Things get infinitely more interesting when Peter comes to the ranch during a school break, and finds his mom suffering from depression and his presence mocked by the macho cowboys on the ranch. Phil is initially horrible to the slightly-framed and non-masculine Peter, but he becomes impressed with his confidence and inquisitive nature (there’s a great dolly shot involving Peter walking back and forth from a location that you need to see). So, he takes Peter under his wing, and offers to teach him how to ride horses, and starts making him a rope made from cowhide. It would be a shame to spoil anything more, just know that the rest of the film features scarves, piano playing, cowhides, and rabbit death.
Overall, The Power of the Dog is a top notch production that features excellent production design from Grant Major, who also designed the sets for King Kong, The Frighteners, and the Lord of the Rings trilogy. Also, the costume design from Kirsty Cameron (Slow West, Whale RIder), is inspired, as the chaps, button up shirts, and hats, all tell a story, and make the characters standout from each other. The movie also showcases the skills of Ari Wegner, who after In Fabric, Zola, and Lady Macbeth has established herself as a premier cinematographer who is great at creating claustrophobia and dread in Florida hotel rooms and New Zealand valleys.
Final thoughts: The Power of the Dog is proof that Jane Campion is an A-list director, and hopefully the movie will be a contender during awards time.
The Movies, Films and Flix Podcast – Episode 400: Tequila Sunrise, Kurt Russell and Slick People
You can download or stream the pod on Apple Podcasts, Tune In, Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).
If you get a chance please make sure to review, rate and share. You are awesome!
The MFF Kurt Russell tradition continues! Mark and John Leavengood (@MFFHorrorCorner on Twitter) discuss the 1988 film Tequila Sunrise. Directed by Robert Towne, and starring Kurt Russell, Mel Gibson, Michelle Pfeiffer, and Raul Julia, the movie focuses on what happens when Kurt Russell goes full slick. In this episode, they discuss smooth Kurt Russell, pinky rings, and saxophones. Enjoy!
If you are a fan of the podcast, make sure to send in some random listener questions (we love random questions). We thank you for listening, and hope you enjoy the episode!
You can download the pod on Apple Podcasts, Tune In, Podbean, or Spreaker.

West Side Story (2021) – Review – An Impressive Remake That Features Fun Performances and Inspired Cinematography
Quick Thoughts – Grade – B+ – The Steven Spielberg directed remake is at its best when Rachel Zegler and Ariana DeBose are able to shine. West Side Story is also beautiful to look at as cinematographer Janusz Kaminski has made almost every frame look visually interesting. It’s an ambitious remake that will be a contender come awards time.
When it was announced that Steven Spielberg would be remaking West Side Story (which was adapted from the 1957 Broadway musical of the same name, that was inspired by Romeo & Juliet), the 1961 classic that won 10 Academy Awards, many were left scratching their heads at the decision. Why would Spielberg want to remake a legitimate classic that is wildly beloved? The answer is, he loves West Side Story a lot, and wanted to bring an updated version of the musical that acts as a companion piece to the original. The end result is a successful movie that mixes up the musical performances, introduces some fresh faces, and isn’t some lazy remake that was made to put a few extra dollars into a studio’s pocket. It helps that Spielberg gets career best work out of Janusz Kaminski (Saving Private Ryan, War of the Worlds), and the screenplay by Tony Kushner (Lincoln, Munich, Angels in America) does a fine job restructuring the original film’s plot, while still making it familiar to West Side Story superfans. It’s a polished product, with vibrant costume design from Paul Tazewell (Hamilton, Harriet), and inspired production design by Adam Stockhausen (The Grand Budapest Hotel, Bridge of Spies) that allows the actors to move freely during their song and dance numbers choreographed by Justin Peck.
The story remains the same, and still features tragic lovers, dueling gangs, and epic musical numbers that feature lots of finger snapping. What’s changed is that Spielberg has 60 years of technological advances on his side, and he loads the films with sweeping crane and dolly shots that put the Panavision Panaflex Millennium camera to good use. The final product is beautiful to look at, and if you pay attention, you’ll notice the involved shots that must’ve required excessive blocking and marking to make sure the shadows and lighting work throughout long scenes involving lots of movement.
What makes the film really work are the performances from Rachel Zegler (Maria), Ariana DeBose (Anita), Rita Moreno (Valentina), and Mike Faist (Riff), whose performances feel wildly alive. The MVP of the movie is Ariana DeBose, who takes on the role of Anita (Moreno won an Oscar for her portrayal of Anita), and fills it with life, passion and charm. The movie comes alive when these characters are on screen, and they are accompanied by a strong cast including Ansel Elgort, David Alzarez, Corey Stoll, and Josh Andrés Rivera, who all sing, dance and perform with aplomb. Spielberg has put together a likable cast, and it will be neat to see their careers takeoff in 2022.
Final thoughts: West Side Story is a winning film that features alive and thrilling performances.
Benedetta (2021) – Review – A Bold and Darkly Humorous Film That Showcases What Happens When Paul Verhoeven is Given Complete Creative Control

Quick Note – Grade – B+ – Benedetta is what happens when Paul Verhoeven is given complete creative control. It’s funny, incendiary, dramatic and totally committed to achieving a singular vision. The cast is game, and you can tell they trusted Verhoeven to make something unique and memorable.
Loosely based on Judith C. Brown’s 1986 non-fiction book Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy, Benedetta tells the story of a 17th century nun named Benedetta Carlini (Virginie Efira), who experiences religious visions and has miracles after she begins a sexual relationship with a women named Bartolomea (Daphne Patakia), who was recently accepted in the nunnery. Verhoeven and cinematographer Jeanne Lapoirie bathe the film in light, and the locations and production design give the movie an old school and artificial look that contrast with the lurid material (think Psycho and its B&W stylings that made the kills more shocking). What makes this a supreme Verhoeven film is that it features poop jokes, excessive nudity, strategic goosing, and questions about who decides God’s will. There is some heady material in Benedetta, that is treated with a melodramatic and occasionally comedic flair, which is refreshing as Verhoeven isn’t trying to make any kind of prestige picture that takes itself too seriously. Also, adding to the charm is that the film takes place in Italy, but features French actors speaking in French, as Verhoeven decided that filming in the Italian language would’ve been too difficult.
Since it’s a Verhoeven film about illicit affairs between nuns, the movie was deemed controversial before anyone saw it. But, if you know anything about Verhoeven is that he likes to push buttons, and not make movies that anyone else could make (this is why he dislikes Hollow Man so much, because anyone could’ve made it). What’s surprising about Benedetta is how melodramatic the proceedings are. With Starship Troopers he added facist elements alongside brutal violence to sneak in a message, and in Elle, he avoided the classic rape-revenge elements by having his lead character behave in ways that went against known movie tropes. With Benedetta, he makes a complete 180-degree turn from the coldness of Elle, and sly messaging of Starship Troopers, and instead bathes Virginie Efira with light, notably lighting up her hair to make it seem like heaven is shining beams of sunshine exclusively on her head. Her performance reflects this as Benedetta is totally earnest in her religious pursuits, and seems to totally believe in what she’s preaching. There are some winks at the camera, but the characters take everything seriously, and mostly avoid extreme camp or biopic importance.
In interviews, Verhoeven has said that he isn’t attacking religion itself, as he has a complicated relationship with his faith. Instead, he’s going after the Catholic church who during this time were responsible for a lot of senseless murder, and ordering people like Benedetta to their deaths because of their creative usage of a Virgin Mary statue. Sure, the movie will incite some loud voices on Twitter, but hopefully people will quickly realize what Verhoeven is up to, and enjoy the ride.
The Movies, Films and Flix Podcast – Episode 399: Limitless, Bradley Cooper, and NZT-48
You can download or stream the pod on Apple Podcasts, Tune In, Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).
If you get a chance please make sure to review, rate and share. You are awesome!
Mark and Phil discuss the 2011 sleeper hit Limitless. Directed by Neil Burger, and starring Bradley Cooper, Robert De Niro, Abbie Cornish, and a smart drug that lets you use 110% of your brain, the movie focuses on a guy named Eddie Morra becoming super awesome after taking a drug called NZT-48. In this episode, they discuss Robert De Niro, sleeper hits, and ice skating. Enjoy!
If you are a fan of the podcast, make sure to send in some random listener questions (we love random questions). We thank you for listening, and hope you enjoy the episode!
You can download the pod on Apple Podcasts, Tune In, Podbean, or Spreaker.

John’s Horror Corner: The Alien Dead (1980), if you like zombie movies, skip this one.
MY CALL: For real, this is an awful zombie movie with absolute zero value even for the time of its release. This is purely for trash cinema connoisseurs. MORE MOVIES LIKE The Alien Dead: Well, for more films of “equal quality” continue through Fred Olen Ray’s early (and ultra-classy) filmography with Scalps (1983), Biohazard (1985), Evil Spawn (1987) and Deep Space (1988).
WTF did I just watch? Dear Lord, this is dreadful. There are few so poorly written movies that actually try so hard to tell an empty story—and it’s the “trying” that makes it even worse. Watching this is painful.
The first zombie that has more than a moment’s screen time is a guy in what is clearly a rubber Halloween mask like a veiny-faced alien (I guess). These zombies bite their victims, draw extremely little blood, and then carry or drag their victims away. Thankfully, subsequent zombies have better monster make-up (i.e., not just rubber masks), but that doesn’t necessarily make the movie hurt any less. Honestly, the rubber masks at least offered a “this is so incredibly bad” charm.
But if the zombies look bad, the zombie attacks are even worse utter garbage. Just a bunch of people stumbling like drunks and mouthing at necks and forearms of people. Sure there were some more gory scenes, but those few scenes clearly swallowed the hundred-dollar FX budget. My Instagram feed was far more entertaining, and I caught myself on it frequently trying to survive this Florida swamp zombie (micro-)apocalypse.
In general, the scenes are completely empty and nothing ever builds to anything. I can barely even recall what this was about and scenes in the end seem no more likely to be at the end of a movie than the beginning. Apparently, some meteor landed in a swamp and infected people with a sort of zombiism. Only these zombies strangle and drag their victims away and turn to flesh-eating when it’s more convenient like a scavenging hyena. Yeah, dumb.
From what I’ve read this was originally scripted with giant swamp leech people as the monsters. Probably would have fit better and been more enjoyably campy, but such costuming was evidently beyond the scope of the budget. But have no fear, director and co-writer Fred Olen Ray (Scalps, Biohazard, Evil Spawn, Deep Space) went on to do many more raunchy cheesy horror movies! Not only that, but I suffered through and reviewed those as well! Lucky you!
MFF Theory – A Closer Look at the Final Fight in Bloodsport
Quick Note – This theory is meant to be fun, and is based on observations and statistics. I’m not saying “see, what I would do is deliver a quadruple spin kick, then land a quintuplet elbow on JCVD.” I fully realize that Dux and Chong Li (heck, any of the Kumite fighters would hurt me) would obliterate every bone/joint/blood vessel in my body.
While researching Bloodsport for a data article, the seed of an idea was planted in my mind. The added scrutiny and analysis made me wonder if Chong Li, the ultimate badass, lost the championship fight on purpose. Think about it, in his first eight fights he proved himself to be a tactician, who despite a few rough spots showed everyone that he understood angles, utilizes footwork well, and knows how to take down his opponents with strategic strikes. Watch this GIF and remember it when I break down the final fight.
Watch the eight fights again (link here, or find timestamps in breakdown of fights below), then watch the final. Chong Li completely falls apart. There’s a reason for this, as the championship brawl was choreographed and filmed to showcase the many skills of JCVD. The problem is by showcasing these skills the final fight plays completely false. In the context of the movie, it seems like Chong Li either completely forgot how to fight, or was forced to lose after killing his opponent and losing favor with the Triads, who were allowing the tournament to be fought in Hong Kong, and the Black Dragon Society (who have a rich and powerful heritage – 00:35:25), and their co-sponsor the International Fighting Arts Association (IFAA) – who clearly didn’t like that Chong Li snapped a semifinalists neck. Or, he could’ve been threatened after his semi-final match by the Royal Hong Kong Police who were working with the American military to keep the US asset (Frank Dux – the US military spent a lot of time/money training him) alive and healthy. Either way, Chong Li was a different fighter in the finals and in the context of the film, there has to be a reason.
Here’s the first of many examples. During the film, there are many shots of Chong Li watching Frank Dux fight. He’s clearly examining Dux’s style and learning what makes him dangerous (for instance, 86% of his strikes come from his right kicks or punches). He’s already seen Dux land a rick kick immediately in his fight against Joao Gomez (00:56:35), so, why does he let Dux do the same exact thing again (01:17:58)? In his prior fights, he avoided 21 strikes via blocking, footwork, or jumping.
While workshopping this theory, several people brought up legitimate concerns (or told me I was insane) such as the blinding salt, and the fact that he didn’t seem to care that the fighting community turned their backs on him. However, you saw the reaction to everyone in the tournament when he killed Chuan IP Mang. Yes, he had killed someone in the Kumite tournament five years ago, but, it sounds like he landed a throat strike during the fight, and that killed his foe. However, in the tournament featured in the film, he blatantly snapped a guy’s neck after winning the fight. This is a really bad look considering the recent sponsorship by a major martial arts association, and the fact that he’s fighting an AWOL American (who the army spent a lot of money on) who has the American Military, Hong Kong police, and well funded journalists chasing after him.
Here are some examples of the added scrutiny and pressure that Janice (a reporter), and the American/Hong Kong police placed on the Kumite
- Janice goes to the Hong Kong Police, and says”I have a friend fighting in it, and I don’t want him to get hurt.” (01:04:46). She’s a reporter. Imagine if Frank is killed, and she writes about how she warned authorities. It’s game over for the Kumite.
- Frank is told “Look Frank, the government has invested a lot of time and money in you. Uncle Sam can’t afford to let you get hurt.” (00:45:28:00) – Frank then says “I won’t get hurt.” The response is “That’s why we’re here, to make sure of that.” – I know they are trying to stop him from fighting, but when that doesn’t work, they work other angles
- Rawlins says “Now what? How are we going to stop him? – Helmer says “Follow me.” (01:09:25). Rawlins clearly has a plan, and with Chen with him, they have enough power to get a seat at the tournament.
After the neck snap, the Black Dragon Society (and their hundreds of years of tradition) and the entire fighting community literally turned their backs on him. Which is saying something considering nobody turned their backs when Paco dropped three face destroying knees to an opponent’s face (00:43:30:00 – he would have killed the guy), Frank Dux hit a man so hard in the testicles, he passed out (00:59:31), Pumula was clearly trying to break backs (00:44:00), and Chong Li stomped Ray Jackson’s head (01:01:35). The death was excessive, and opened doors for outsiders to put pressure on Chong Li
I don’t think it was a coincidence that Chong Li forgot how to fight during the final. During the final, he had several chances to “break” Dux, and he didn’t. After he blinded Dux, he let 70+ seconds of screen time pass before he threw a telegraphed punch. To hide being forced to take a fall, Chong Li added the blinding salt element to disguise any trace of him throwing the fight. Think about it, after the fight, everyone is going to be talking about how a momentarily blinded Frank Dux landed pinpoint strikes on the prior champion. Yes, it destroys Chong Li’s honor, but, after snapping a dude’s neck, he didn’t have any left. Also, he can hide behind the fact that he lost to someone trained by the famous Shinzo Tanaka, who has quite the reputation at the tournament, and his ninjutsu teachings (blindfold fighting) must be known around the world.
To build my theory, here’s a stats breakdown of Chong Li and Frank Dux. I also included highlights from each fight (and their timestamps), to show that Chong Li lost the final fight on purpose.
Quick note – I’ve based the theory on an assumption. But, to build this theory, I’ve made sure to include boatloads of stats to hopefully make you consider it for a minute or two.
Chong Li Stats
Take a look at this collage. He is ducking, blocking, jumping, exploding, and catching in his first eight fights. It’s worth mentioning the way he handled Chuan Ip Mung (01:13:05), who is a legit fighter (fights at 00:43:10 – 00:44:06 – 00:56:30) and capable of knocking people out with his hands and feet. Chong Li does get tagged a few times, but he absorbs the strikes, adapts to the style, then blocks everything thrown at him. Chong Li is legit
Here’s a breakdown of the final fight. I’ve included timestamps so you can see how he lost the fight on purpose.
- 01:17:58 – Chong Li has watched all of Frank’s fights, and knows that of his 50 landed punches/kicks during the tournament, 43 of them come from Frank’s right hand or leg (86%). What does Chong Li do? He immediately gets kicked in the face by the same right high kick that Frank used in his fifth fight.
- 01:18:35 – When they get back into the center of the mat, Franks lifts his leg, and just unloads on Chong Li.
- 01:18:39 – Chong Li’s first major strike of the fight sends Dux flying onto the mat. Chong Li does not capitalize, and he looks a bit worried that Frank might be done..
- 01:18:57 – When Frank is hurt, Chong Li throws him back towards the center of the mat. He could’ve kicked him out, instead he lets him recover
- 01:19:17 – Chong Li walks directly into a kick.
- 01:19:34 – Chong Li runs at Frank, stops, and gets kicked in the head. Also, Frank jumps over him, Chong Li has seen him do this before.
- 01:19:47 – Chong Li throws the worst waymaker in the history of the Kumitae
- 01:20:12 – He lets everyone know that he is cheating. Seriously, the ref, the crowd, and everyone in the building sees him blind Frank.
- 01:21:05 – After knocking Frank down, he takes a page from Jackson’s playbook, and starts jumping around like a big dummy. He also could’ve stomped Frank’s head into nothingness and won.
- 01:21:37 – Chong Li lets Frank regain his bearings for 71 seconds of screen time.
- Theory – It’s 100% possible that Chong Li knew about Frank’s Ninjutsu training, and that Senzo Tanaka (of the Tanaka Clan) trained him. So, the blinding attack, would only make Frank look better in hindsight
- 01:22:52 – Chong Li completely falls apart and throws telegraphed punches, and does nothing to avoid any strikes. Dude lost on purpose.
- 01:24:06 – Chong Li rolls under Frank. Why?
- Take a look at this punch – 01:24:12:00 – It looks like Chong Li wants to slap Frank. Instead, he leaves himself completely open to get kicked.
- 01:24:21 -Chong Li stands there and gets leveled by four spinning kicks..Nah
Take a look at this collage. Dude wasn’t trying.
It’s interesting that in a tournament that allows strikes to the back of the head (Chong Li does it in an earlier brawl), he avoids this proven technique, and instead throws a telegraphed punch that is blocked easily, followed with a Dux kick from his right leg.
When he first blinded Frank, he found success on his left side (01:20:48:00). Then, he delivers these strikes on his right side.
Many questions arise when you realize that it took 71 seconds of screen time for Chong Li to attack a blind(ish) Dux. Slow motion was clearly used, but there is still a good chunk of time that went by.
Conclusion – Yes, the final fight makes JCVD look awesome. However, Chong Li, a world class martial artist, who has been practicing martial arts his entire life, completely forgets how to fight, and loses to a temporarily blinded opponent, whom he would have destroyed with ease. I’m thinking either the Black Dragon Society, Hong Kong Royal Police, or the Triads forced him to lose because they didn’t want an international incident. Also, with Janice being a journalist, if Frank was seriously injured, she would’ve written a piece that highlights the violence, secrecy, and criminal connections of the Kumite. It would’ve been game over. Chong Li most likely lost on purpose.
Here is a breakdown of Frank and Chong Li’s fights, to prove that I analyzed them closely, and looked for strategy, footwork, usage of angles, and all around fight IQ.
Breakdown of Chong Li and Frank’s fights for reference
Chong Li
First Fight – Vs. – Budiman Prang – 00:39:52:00
- Blocks Right High Kick
- Telegraphs straight right hand – Lands body kick with right leg
- Submission
- What we learned – He can block high hicks, and telegraphs a straight right. He also works nice angles to land a kick
Second Fight – Vs. Mouthguard Guy – 00:43:56:00
- He catches right hand
- Knocks him out with one punch
- What we learned – He sees punches coming, and can catch them
Third Fight – No name guy – 00:44:13:00
- He right sidekicks a guy out of the ring
- What we learned – He is cool kicking people off the mat, he doesn’t need to destroy them
Fourth Fight – Vs. Suan Paredes – 00:54:09:00
- He gets caught with several lefts – This is where things get neat. He makes an adjustment, moves away from the left, telegraphs the right, and lands a left leg kick, on his opponent’s lead leg (smart, if it’s hurt, he can’t plant for punches). The leg is immediately done.
- Chong Li backs away from the left jabs, and once again catches a right and lands a right kick.
- He catches a gut punch, and once again kicks his lead leg.
- He breaks his leg.
- What we learned – He adjusted, took out lead leg, and won
Fifth Fight – Vs. Black Belt who gets taken down easily – 00:55:48:00
- Blocks a right punch
- Lands right kick and a right punch
- Lands a takedown, and punches in back of head
- What we learned – He can block punches
Sixth Fight – Vs. Guy with baggy pants – 00:58:00:00
- Elbow in back
- Two gut punches
- Grabs left arm, and knocks him out with a right jump kick
- What we learned – He can land jumping kicks, and knows to work the body
Seventh Fight – Vs. Ray Jackson – 01:00:55:00
- Jackson runs at him and gets kicked in the gut – Right leg – Angles!
- Backhand – Creative
- Right leg – Goes again caught
- He underestimated Jackson
- He gets double-handed punched and clubbed
- He starts to cheer early
- He clearly isn’t out
- Flying right kick
- Takes out lead leg
- Right kick to head
- Kicks leg again
- He legit tries to kill him via headstomp
- Taunting happens
- Dux tries to help him by shaking his neck….
- What we learned – He clearly underestimated Jackson and got caught with a solid spinning backfist. Before that, he worked nice lateral movement, and later on he went back to his leg kicks against punch heavy opponents.
Eighth Fight – Chuan Ip Mung – 01:13:05:00
- He immediately is in a defensive position and backs up
- Two right land immediately – Blocks left – Grabs right – non reacts to left punches
- Lands a right
- Catches a gnarly body blow and leg kick
- Left Kick
- Lands a beautiful front kick
- BLOCKS Three PUNCHES
- Lands right
- Another block and a headbutt
- Ducks right kick
- Lands a body blow before a right – Punch hits his shoulder
- Nut shot
- Punch hand
- The ref should’ve stepped in
- REF and Judges turn back – THEY ARE VERY MAD AT HIM
- The ref looks at the judges like “this is bad.”
- What we learned – He can block and move away from strikes. He also is on the defensive immediately, and avoids several strikes
Frank Dux – I included these fights because Chong Li scouted them, and would know what Frank is all about. He knows he can land expert elbows without looking at an opponent, mainly throws strikes form his right side, and capitalizes on fighter mistakes.
First Fight – 00:41:002:00 – 12.2 seconds
- Lands four rights
- The guy sneaks up behind him – Dux realizes this (he stops), and lands a perfect right elbow.
Second Fight – 00:44:07:00
- Lands four right kicks
- Finishes him with a left wheel kick
Third Fight – 00:53:45:00
- Two left kicks
- Six right kicks
Fourth Fight – 00:55:24:00
- Dux jumps over a kick – This is important later
- The guy runs at him and catches a spinning right kick to the back of the head – This is important later
- Four right hand strokes
- Right knee knockout
Fifth Fight – 00:56:35:00
- He immediately lands right kick
- He does a roll and kicks guy out of ring with a left kick
Sixth Fight – 00:58:18:00
- Four right kicks
- One left kick
- One right hand haymaker
- One left hand haymaker
- Three headbutts
- Right gut punch
- NUT PUNCH – Bad things happen whenever people run straight at him
Seventh Fight – 01:11:00:00
- Paco lands a right leg kick and elbow – Almost KO’s him – Weak chin
- Right leg kick – Take out knee – Smart
- 15 right kicks
- one left
House of Gucci (2021) – Review: Skip House of Gucci, and Watch The Last Duel Instead

Quick Note – Grade – C+ – House of Gucci has a lot to offer, but the movie becomes too muddled and eventually loses focus. Lady Gaga’s performance is the highlight of the film, and she proves herself to be a magnetic screen presence.
When early promotional photos of House of Gucci were released, hype for the biopic/crime story shot through the roof as the world76 got to see Lady Gaga and Adam Driver looking fabulous while wearing lavish ski gear. Seeing two of the most interesting and electric performers on the planet wearing fluffy hats, and turtlenecks caught the attention of the world, and made us all hope we’d be getting something truly different. The biggest problem with House of Gucci is that it follows the trends of movies like Goodfellas, American Made, and Blow, which feature people rising to riches, then collapsing in spectacular fashion. Yes, it’s based on a true story which means it needs to stay close to the actual events, but, after an energetic and likable start, it falls back onto familiar tropes, and loses focus on its characters.
House of Gucci revolves around the spectacular rise, and just as spectacular fall of Patrizia Reggiani (Lady Gaga), who after marrying Maurizio Gucci (Adam Driver), finds herself wildly healthy, and dangerously ambitious as she becomes part of the Gucci empire which is controlled by brothers Aldo (Al Pacino) and Rodolfo Gucci (Jeremy Irons). Since millions of dollars are involved, the family inevitably begins to splinter, and it leads to prison sentences, estrangements, poverty, and murder. If you’re familiar with the story, the film loses most of its tension, but it still maintains an entertaining dose of wonky Italian accents, and Jared Leto wearing lots of prosthetics to play Paolo Gucci, the blacksheep of the family who provides welcome doses of oddball humor via his love of colorful outfits and pigeons,
Since it’s directed by Ridley Scott, House of Gucci is technically polished and loaded with excellent actors fully committing to their roles. The production design by Arthur Max (Gladiator, Prometheus, The Martian) is suitably luxurious, and the Italian locations add a level of authenticity and beauty to the proceedings. The costume design by Janty Yates (Gladiator, The Martian) is the MVP as the actors look lavish and perfect in tailored suits, form-fitting dresses and everyday wear that’s more expensive than most people’s entire wardrobes. The cinematography by Dariusz Wolski (The Martian, Prometheus) is at its most confident when it’s following Patrizia as she dances through a swanky club, or she’s planning something devious with her spiritual guide Giuseppina Auriemma (Salma Hayek – having a blast). The camera clearly loves Lady Gaga, and it’s a bit of a shame seeing her character being sidelined as the film progresses. It would’ve been nice to see the film stay closer to Patrizia because seeing her go from kind and ambitious, to murderous and ambitious would’ve been enough to fuel a narrative. However, it’s still enjoyable watching Adam Driver, Jared Leto, Al Pacino, Jeremy Irons, and Jack Houston angling for power and control.
It would be neat to work on a Ridley Scott set to see how he and his trusted crew members work together. There must be trust and shorthand communication, because since 2015, he and his crew have released The Martian, All the Money in the World, House of Gucci, The Last Duel, and Alien: Covenant. All of these films look excellent and feature standout performances, gigantic sets and lavish design. It’s not like he’s churning out Roger Corman style dreck, he and his team are making quality cinema at breakneck speeds.
Final thoughts: House of Gucci is worth a watch, but it does lose steam as it moves towards it’s violent conclusion.








