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The Adam Sandler Shampoo and Conditioner Invitational: The 8 Crazy Movies Round

April 27, 2019

The Adam Sandler Shampoo and Conditioner Invitational is down the the final eight movies!

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Just Go With It pulled off the only upset in the first round. We still can’t believe it defeated Big Daddy, but, we also still can’t believe Dave Matthews picked up a coconut with his butt in Just Go With It (really weird moment). If The Wedding Singer can get past The Waterboy, we’re thinking it has a clear path to the final. The other bracket isn’t so easy to predict. Happy Gilmore is the frontrunner, but will nostalgia push either Billy Madison or 50 First Dates through? Vote and let’s find out!

 

Come back in a couple days to vote again! Thanks for your vote!

The MFF Podcast #190: Airheads

April 26, 2019

You can download the pod on Itunes, StitcherTune In,  Podbean, or Spreaker.

If you get a chance please make sure to review, rate and share. You are awesome!

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The MFF podcast is back, and this week we’re talking about the 1994 comedy Airheads. It was a weird experience watching it again after about 20 years since the last viewing, because, the movie is a 1990’s time capsule featuring “before they were huge” actors such as Brendan Fraser, Steve Buscemi, Adam Sandler and Chris Farley. In this podcast, you will hear us talk about cottage cheese, The Counting Crows and a plethora of insults. If you are a fan of Airheads, you will love this podcast.

We love the cast.

If you are a fan of the podcast make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening and hope you enjoy the pod!

You can download the pod on Itunes, StitcherTune In,  Podbean, or Spreaker.

If you get a chance please make sure to review, rate and share. You are awesome!

The Adam Sandler Shampoo and Conditioner Invitational: The Ridiculous 16

April 25, 2019

With Avengers: Endgame opening up this week we decided to do some counter-programming by featuring an Adam Sandler movie tournament. We narrowed down the field to 16 Adam Sandler comedies (no Punch Drunk Love..it’s too good) on our Facebook page, and can’t wait to see who you think should win. We ranked the movies according to their Tomatometer scores, and think the bracket will bring forth some tough matchups. Will Happy Gilmore win? Can Billy Madison pull off an upset? Will people come to their senses and realize You Don’t Mess With the Zohan is really funny.

 

Let’s get it started! let’s get the ridiculous 16 down to eight crazy movies. Come back on the 27th to vote for the second round!

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Let us know who you think should win in the comments!

MFF Special: Vote for Your Favorite Kurt Russell Movie!

April 23, 2019

We here at MFF write a lot (here, here, here, here) about Kurt Russell, and we focus many podcast episodes on the guy (here, here, here and here). So, it’s only natural that we’re celebrating our 200th episode by covering the 1998 action film Soldier (you voted for it).

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Since we want to make it a MASSIVE episode, we’re asking you to pick your three favorite Kurt Russell movies. This way we can talk about which movies you love the most. I set up the voting so you can pick your three favorite Russell films, because picking just one would be evil.

I believe he could drink the entire keg of Belgian beer by himself.

Thanks! Make sure to listen to the 200th episode when it’s released (also, if you’re bored, please rate, review and subscribe to the podcast as well).

The MFF Podcast #189: Ranking the Marvel Cinematic Universe Movies

April 21, 2019

You can download the pod on Itunes, StitcherTune In,  Podbean, or Spreaker.

If you get a chance please make sure to review, rate and share. You are awesome!

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The MFF podcast is back, and this week we’re ranking the 21 movies that make up the Marvel Cinematic Universe (MCU). The MFF podcast contributors ranked the movies, and we tallied the scores to crown a very worthy champion (Iron Man…because it’s the best!). In this podcast, you will hear us talk about missing Kat Denning in the Thor movies, and the greatness of Michael Pena’s Luis character from the Ant-Man franchise. If you are a fan of the MCU you will love this podcast.

We love this crew. 

If you are a fan of the podcast make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening and hope you enjoy the pod!

You can download the pod on Itunes, StitcherTune In,  Podbean, or Spreaker.

If you get a chance please make sure to review, rate and share. You are awesome!

John’s Horror Corner: Satan’s Slave (1982; aka Pengabdi Setan), a loose and boring Indonesian approach to Phantasm (1979).

April 21, 2019

MY CALL: One of the most boring Asian horror movies I’ve ever seen. You’ll find some borrowed elements from the classic Phantasm (1979), but there is no soul or inspiration to be found in even a single scene. MOVIES LIKE Satan’s Slaves: Not to be confused with the British film Satan’s Slave (1976), perhaps I’d direct you to the pseudo-remake sequel Satan’s Slaves (2017; aka Pengabdi Setan). For more Indonesian horror, consider May the Devil Take You (2018; aka Sebelum Iblis Menjemput) or Kuntilanak (2017; aka Ghost in the Mirror) for something more serious, or Lady Terminator (1989) for a preposterously fun B-movie experience.

Following the loss of their mother, young Tommy is haunted by her restless spirit and Rita prays forgiveness for her soul. After a fortune teller subsequently advises Tommy to protect himself with black magic, he begins acting strangely and Rita begins to worry.

Being an affluent family, they take on a housekeeper (Darmina) to help around the house. But Darmina seems to have nefarious intentions linked to various deaths surrounding the household. It seems that everyone who advises Rita or Tommy about prayer or laying spirits to rest ends up dead!

The special effects are nothing to brag about. The first (and only) passable gory gag doesn’t occur until we’re already an hour deep into this generally boring, slow-paced and weakly-storied film. There’s just nothing exciting here. Nothing. I’m afraid that slow ominous walking and pointing fingers at the living just doesn’t pass muster as menacing so far after the Hammer era. If anything, this film is more unintentionally hokey than it ever is scary… and not even in a so-bad-it’s-good way.

Essentially his loose Indonesian reimagining of Phantasm (1979), director Sisworo Gautama Putra (Perjanjian Dimalam Keramat) takes a casual, even haphazard approach to recreating Don Coscarelli’s unique masterpiece. From funerals and fortune tellers to dirt bikes and demonic spirits, the influence of Phantasm (1979) is readily apparent. But ultimately, this feels like a cheap loose copy lacking the soul behind the source material and often deviating so far into the typical Eastern “evil spirit” subgenre that you’d need to be informed of the Phantasm (1979) parallels to even notice. Had I not read it myself in Wikipedia, I doubt I’d have noticed (and I’m a major fan of the Phantasm franchise).

All told, this movie was boring. My recommendation: don’t watch it.

John’s Horror Corner: The Silence (2019), the Netflix Original that combines A Quiet Place (2018) and Piranha (2010).

April 20, 2019

MY CALL: Given the cast, you’re almost certainly expecting a better movie than this actually is… which is perfectly “okay” for a Sunday afternoon watch. Temper your expectations accordingly. MORE MOVIES LIKE The Silence: Hard to say… probably A Quiet Place (2018), The Happening (2008) or Bird Box (2018)—all three of which are notably better than The Silence.

The end of the world tends to come with few but serious rules. First we had to avoid trees and run away from the wind (The Happening). Then we had to take care not to be heard by (A Quiet Place) or to lay eyes upon the monsters overtaking the world (Bird Box). And as in the aforementioned films, big populous cities are the worst place to be.

Director John R. Leonetti (Wolves at the Door, Annabelle) opens this film with all the delicate tact of a Piranha sequel as a spelunker exhumes an uncharted cave system beneath the Appalachian trail that had been sealed off from the world for eons. I’m instantly reminded of The Descent (2005) and Pitch Black (2000) as blind cavernicolous bat-like creatures erupt from the abyssal chasms and lay waste to their discoverers. Likewise, avoiding any sense of originality, there is, of course, an integral deaf character (just like A Quiet Place) that really adds little significance to the film beyond her family being pre-adapted to the problem of monsters that hunt-by-sound because they know sign language.

Hugh (Stanley Tucci; Jack the Giant Slayer, The Hunger Games, The Core, Monkey Shines), Kelly (Miranda Otto; Annabelle: Creation, War of the Worlds), their kids Jude and Ally (Kiernan Shipka; Chilling Adventures of Sabrina), and sort-of-uncle Glenn (John Corbett; The Messengers, My Big Fat Greek Wedding 1-2, Sex and the City) are a family caught amid the plague of flesh-eating pterodactyl-bats. But whereas the characters are well-written and well-played, the movie plays connect-the-dots from one played-out predictable trope to the next.

Yes, we know the dog is going to bark at the monsters and become a problem; and we know that somehow someone will cough or yell or make some noise that was really more suppressible than the film suggests; and, of course, someone is going to make a bunch of noise and sacrifice themselves to save the rest. Sure, these are staples in a movie about blind monsters with super hearing… but they should have been executed so much better. This film is an unfortunate case of terrible storytelling befalling otherwise good characters. Don’t even get me started on the culty Apocalypse weirdos… another staple uncomfortably shoe-horned into the writing.

The special effects are not this film’s strong suit. Bloody imagery of flesh-stripped corpses reminds me again of Piranha (2010), and the CGI smacks of a ScyFy Channel movie-of-the-week. But the creatures look “okay”—certainly good enough for what this is (i.e., straight to streaming). The unforgivable flaw is the totally phoned-in writing when it comes to major plot points, conflict resolution, and general story development.

If you have Netflix and find yourself looking for something to watch on a rainy Sunday afternoon, this is for you. But don’t pick this as your Friday night movie. It’s just good enough to watch.

John’s Horror Corner: Ticks (1993), the EXCELLENT gory giant bug B-movie for the entomologists out there.

April 19, 2019

MY CALL: Honestly, this is one of the better gory B-movies you could choose. Really fun with silly but still actually good creature effects, a hokey premise, and abundant gross effects. Also, best Clint Howard performance in horror ever! MORE MOVIES LIKE Ticks: For more insectoid, arachnid and invertebrate horror try The Nest (1988), Slugs (1988), The Bay (2012), Arachnophobia (1990), Mosquito (1994), The Fly (1986) and Mimic (1997). The Mist (2007) and The Thing (1982) get a bit more tentacular but have some buggy appeal, and The Thaw (2009), Blue Monkey (1987) and Things (1989) use totally made up arthropod-like creatures. And of course, one shouldn’t overlook the sci-fi action Starship Troopers (1997).

No entomologist (or acarologist) would consider a basement a likely home for ticks—unless there was a mammal den of sorts. Yet here we find presumably toxic sludge-run-off from machinery leaking through the floor boards and mutating some pulsating grub-like biological mass. We’ll assume, for the sake of the movie title, that this is supposed to be a tick. And with a little foreshadowing we learn from our resident teen scientist Tyler (Seth Green; Idle Hands, It) that ticks are the “vampires of the insect world” and are too tough to squash. But unlike real ticks, these mutated ticks are the size of rodents, scramble with impressive dexterity and leap at their prey. They also form big, brain-like cocoons that drop from the ceiling like paratrooper facehuggers. Whether discussing nature or monster movie dynamics, it’s pretty ridiculous. But in a B-movie, it’s pretty amusing.

Holly (Rosalind Allen; Children of the Corn II) runs a camp for troubled teens in the woods of California. Among the campers are Tyler, Dee Dee (Ami Dolenz; Witchboard 2, Pumpkinhead II), Melissa (Virginya Keehne; The Dentist) and Darrel (Alfonso Ribeiro; The Fresh Prince of Bel-Air). Upon inspecting their camp cabin, Tyler finds one of those organ-like squishy cocoons and pierces it, resulting in a thick green oozy discharge. Deliciously gross!

The tone of Ticks is akin to Leprechaun (1993) or Critters (1986)—gory yet comfortably silly and completely self-aware. Approaching much less serious horror than his past venture and swooping in not long after his excellently gross 80s sequel, director Tony Randel (Hellbound: Hellraiser II) confetties this flick with messy special effects. The slimy cocoons are presented abundantly and refreshingly in several different manners, there is plenty of blood and detailed visceral guts, and I loved the animatronics and stop-motion effects.

It should come as no surprise that Clint Howard (Ice Cream Man, Evilspeak, Leprechaun 2) totally steals the show when he encounters the first tick, the first cocoon, and suffers the first infestation. And yes, he gets infested! The ticks burrow under the skin and Howard frantically shoots himself in hopes of dispatching the vermin. The latex and gore are a hot gooey mess of awesome and Howard acts the heck out of it with full-tilt madness.

Another crowd-pleasing favorite was the Ripley-Newt facehugger-like (Aliens) scene with the tick scrambling along the floor, up walls, and leaping at faces. Appropriately, it was followed by a gory facehugger dissection-like (Alien) scene and another featuring a clustered mass of egg-cocoons harkened of Gremlins (1984) as much Aliens (1986).

There’s even a gigantic tick that awesomely tears out of someone’s body, covered in entrails—perhaps playfully echoing the giant monster surprises in Ghoulies II (1988), Killer Klowns from Outer Space (1988), The Gate (1987) or Critters (1986). Because who doesn’t want a giant version of the movie monster, right?

Of all the bad movies I love, this ranks among the very best in terms of rewatchability. Yes, it’s a B-movie and it knows it. But it swings for the fences and snags a grand slam. The pacing is energetic, you’ll enjoy recognizing some of the cast, and effects are pretty excellent, diverse and abundant (we never see the same gag twice without a different fun spin on it)… oh, and very gory! What a blast!

The MFF Podcast #188: Cliffhanger

April 16, 2019

You can download the pod on Itunes, StitcherTune In,  Podbean, or Spreaker.

If you get a chance please make sure to review, rate and share. You are awesome!

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The MFF podcast is back, and this week we’re talking about the 1993 action-epic Cliffhanger. We love this Renny Harlin directed movie and couldn’t wait to talk about John Lithgow punching Sylvester Stallone in the ribs, and the actual cost of hijacking a plane in the air. In this episode, you will also hear us discuss burger restaurants, weird kicking choices, and flannels that are way too big. If you are a fan of Cliffhanger, you will love this episode.

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If you are a fan of the podcast make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening and hope you enjoy the pod!

You can download the pod on Itunes, StitcherTune In,  Podbean, or Spreaker.

If you get a chance please make sure to review, rate and share. You are awesome!

The Movies, Films and Flix Podcast #187: Willow

April 11, 2019
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You can download the pod on Itunes, StitcherTune In,  Podbean, or Spreaker

If you get a chance please make sure to review, rate and share. You are awesome!

The MFF podcast is back, and this week we’re talking about the underrated 1988 fantasy film Willow. Writer/producer George Lucas and director Ron Howard teamed up to make a very fun film featuring a 17-year old Warwick Davis and a very game Val Kilmer battling evil wizards, two-headed dragons and gross trolls. The movie holds up really well because of the practical effects, massive sets and beautiful New Zealand locations which make everything look epic. In this podcast, you will hear us talk about brownies on eagles, wizard fistfights and Val Kilmer being a believable badass. If you are a fan of Willow, you will love this episode.

Kilmer is a badass in this movie.

If you are a fan of the podcast make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening and hope you enjoy the pod!

You can download the pod on Itunes, StitcherTune In,  Podbean, or Spreaker.

If you get a chance please make sure to review, rate and share. You are awesome!