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MFF Sea Beast Week: Tracking the Merman’s Murderous Journey in The Cabin in the Woods

July 28, 2018

Welcome to MFF’s Sea Beast week! This article was originally published in 2017 but we brought it back because it’s pretty great.

Why did the control center have to be so far away!

Do you ever wonder how long it took the Merman to travel from the elevators to the control room in The Cabin in the Woods? I sure have. After doing an excessive amount of analysis (E.G. pausing to count the number of steps on a staircase) I have an answer that is based on guesswork and actual data. Much like my other posts that center around Michael Myers using his blinkersharks scheming underwater and Leatherface running. I’ve done as much homework as possible to make an educated guess.

If you haven’t watched The Cabin in the Woods it centers around a bunch of good-looking people being killed to satiate the ancient god’s thirst for sacrifices. Helping the Gods are a bunch of office drones who make sure the killing goes off without a hitch. One of the main controllers Hadley (Bradley Whitford) is fascinated by the murderous Merman who never seems to get picked by the unwitting victims. In true horror comedy fashion, irony strikes when he is killed by the Merman when everything goes wrong.

The problem is the slow-moving creature had to crawl its way through long corridors and down some stairs to find his target. Watch this behind the scenes clip to see how slow it moves.

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After watching and rewatching various clips from the movie I’ve patched together a likely path the Merman had to take. First, let me start off by telling you that the Merman moves at a very slow pace of 41.25 feet every 60 seconds. Basically, it reaches out one of its arms and pulls itself forward very slowly. The most curious thing about the Merman is that there is no blood on its body when it finally attacks Hadley. Thus, it must’ve stayed away from the chaos and not murdered anyone because he is really clean. Here is the initial attack

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I believe the Merman was one of the first creatures to be delivered by the elevators because it didn’t have to crawl through the insane amounts of blood. It exited the elevator and made its way through roughly 264 feet of corridors on the 100 level. I came up with 264 feet when I tracked the time it took for the armed guards to reach the elevators. I clocked them doing a 15-minute mile (5280 / 15 = 352 feet a minute) and I did the math from there. They cautiously walked through the corridors for roughly 45 seconds (264 feet) and I believe their main security station was close to the staircase that the Merman had to go down. Take a look at the video to get a feel for the building.

 

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Once at the stairs, the Merman had to go down approximately 40 feet of steps (we need this deleted scene). Why did he have to go downstairs? In the beginning of the film, Hadley and Sitterson are walking on the 100 level to get some coffee. You can clearly see they have to go down a staircase to get to their golf cart. Also, during the attack, you will notice the creatures going downstairs to attack their prey as well. I believe the 100 level was where the elevators exited the monsters because during the unicorn attack you see a sign for room 100. I don’t think the unicorn had a chance to go down some stairs so 100 level it is!

After they make the trek downstairs the duo get into a golf cart and go to the control office. I’m wagering the trip had to be at least 300 feet to warrant taking a golf cart. Since these two guys seem bored with their job and caught in a routine I think they take the cart everywhere out of boredom. Throw in an added 20 feet to get into the large control center and the total jumps up to 320 feet.

They have a sweet setup.

The Merman had to travel 624 feet (264 + 40 + 300 + 20) in order to kill Hadley and create a whole lot of irony. Since Mr. Merman could only move 41.25 feet every minute the trip took a total of at least 15.127 minutes (+/- 30 seconds.). I initially thought the scene played out in real time but after destroying my soul with multiple brutal viewings I started really watching the video screens that showed the villains corralling various workers and killing them in Saw-esque fashion.

I am 93.456% certain that 15 minutes was the minimum amount of time needed to make the deadly trip. The Merman didn’t waste time killing anybody else and his 15-minute crawl left plenty of time for professional/mythical killers to horribly kill people via fire, chains, and gross surgery. Here is a drawing of the trip to give you a visual flavor.

There you have it! I’ve tracked the Merman’s journey!

Make sure to share this on Facebook, Twitter and other places where people will love random horror movie data!

MFF Sea Beast Week: Squid Lake: An Oral History of the Florida Filmed Classic

July 28, 2018
Welcome to MFF’s Sea Beast Week! This article was originally published in 2015 but we had to bring it back for this week.

I love the Sharkdropper podcast and recently they had an incredibly bizarre episode that featured an interview with the crew of the Florida filmed movie Squid Lake (Listen to it now! It is glorious). It featured crying, alcohol consumption and I’m pretty certain something really bad was going to happen afterwards. However, I loved listening to the pod so I found the crew members and talked to them about Squid Lake.

The following post is an oral history of the film Squid Lake. It only screened one time at a tiny theater (which I was at) and has since become a word of mouth legend. Before I get into the post I wanted to briefly introduce you to a movie that has been burnt in my memory for years.

I remember walking out of the Conch Shell Cinema on St. Petersburg beach and seeing a poster that would change my life. The poster was a badly photoshopped picture of a lake with an ink blot in it. It was so bad I had to take a picture.

squid lake

My curiosity was piqued so I stopped by the ticket counter to see what the movie was about. I talked to the manager and he told me the movie was sold out. However, if I helped promote the film he would give me a ticket. I agreed and he gave me some flyers to hand out.

“Squid Lake tells the terryifing (sic) tale of a squid attacking the denizens of a small town located next to the great lakes.”

The night of the screening was insane. The theaters third largest auditorium was sold out (200 seats) and the the following 75 minutes might have been the weirdest experience of my life. The drunk crowd went insane for the film and they clapped, fought and laughed their way through the entire film. It was a scary atmosphere and when the movie ended the raucous crowd carried out the star of the film on their shoulders and the ensuing after party ended up on the news due to several store fronts and cars being destroyed. I had never seen a reaction like that to any film and the experience opened my eyes to what bad cinema can do.

Here is the crew I was able to locate.

Steve Balsawood – Actor

Debra Winters – Production Designer

Hank Cleveland – Actor/Prop Master

Mason Jar – Beach Theater Manager

Chuck Finley – Cameraman/props/grip/electric/craft services/transportation.

 

Steve Balsawood – I was working at a gas station when a man walked in and loitered around the store for about an hour. When he finally walked up to the counter he told me he no money to buy the items he had in his hands, but he would give me a role in his film If I paid for them. I agreed because I had nothing better going on and he quickly added several more items to his tally.

Hank Cleveland – I remember this guy comes pulling up to the swimming pool store I worked at and he asked me if I owned a house and had a pool. It was a forward question, but I figured he was a customer looking for advice. I said “yes” and he told me I could act in his film if the production could use my house.  He said he would pay me $700 at the completion of the film and that I would be a star. I had always wanted to act ,so I was pumped.

Debra – I recently graduated from online film school and was screening my thesis film about Albanian refugees at the St. Petersburg Conch Shell Cinema. The screening was a success and I was approached by a man who wanted me to design his film. I was already accepted into an internship in LA and had the summer free so I figured some set experience would be nice. He gave me $35 dollars and told me I needed to develop a squid and underwater scene. He then took $10 out of the $35 and told me to meet at the Burg laundromat on the following Thursday. He then dumped loads of free mints into his bag and walked away.

Chuck Finley – I was friends with Debra at the online film school and she asked if I could go with her to see if this movie was actually legit. I had some reservations, but I was so deep in debt from my thesis film about World War 2 ninjas I needed anything for my reel to help me get a job. Also, please stop by worldninjas.fundme.com to help me recoup my loses.

Debra – I was a little worried about bringing Chuck onto the production because he was a real loose cannon and had an almost out of control drug problem. He was a nightmare in the online classes, but he helped me edit my film. I didn’t want to go alone to meet Lenny so I figured at the very least Chuck would protect me.

Steve Balsawood – I met the crew at the laundromat  and Lenny explained to us that he loved The Room and wanted to make a bad movie that would become a cult classic. He said there was no script or money, but he had a pretty good idea of what he wanted.  He said we would shoot on weekends, and told me I would have to fight a squid, possibly have a love scene and deliver an Academy award winning monologue.

Debra Winger– Lenny once again took $5 out of the $25 I had left, and told me I needed a squid to be ready by the following Saturday. The $20 I had was a joke so I took some old PVC pipes and made a cone out of them. I then put a sheet over it and cut out some paper eyes and the squid was born. I knew it was shit but I had to spend the money on making the underwater scene.

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The infamous squid.

Chuck Finley – I can’t really explain what Lenny looked like because I was having a lot of personal problems at the time. I do remember he said nobody would notice that we were going to use the Gulf of Mexico in lieu of a lake. I asked why we didn’t call it “Sea Squid” and he literally stared silently at me for several minutes. He broke the silence by asking me if he could use my cameras and that I could use all the footage later on for my reel. I then asked how the squid could’ve made it into the great lakes. He drew me this picture while staring at me the entire time.

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The first scene took place at Hank Cleveland’s rented house that had a swimming pool.

 

Steve – The first scene involved me and my girlfriend about to have sex. However, Lenny couldn’t find a woman so it was just me in a raft, in a swimming pool yelling at my girlfriend that I needed to finish my beer before I had sex.

Debra – Setting up the shot was a nightmare because Lenny wanted the camera to be directly above Steve. So, Chuck had to hang from the waterslide while Hank held his feet. I had no money for Squid appendages so I used Hank’s fun noodles that he had next to his pool. Lenny told me it had to be a surprise when I hit Steve. He wanted the reaction to be authentic.

Steve – I remember I was almost done reciting my line “Hold up broad, I’m drinking here” when I saw a fast moving noodle in the corner of my eye.

Debra – I didn’t mean to hit him in the eye, but the noodles are very unwieldy and I had only previously used them to float around in the ocean.

Chuck – The noodle hit Steve in the eye and he screamed out “Holy shit” and threw his beer bottle in the air. The beer bottle hit Hank in the face and he let go of my leg while yelling “you son of bitch!”. I slid down the slide and my camera hit Hank directly in the nose. Luckily, Debra was able to catch my belt on the way down but the camera lens cracked on Steve’s head. I was one day into the shoot and was already down $1,000.

Debra – The shot actually looks kinda cool because it was real blood gushing from Steve’s nose.

Hank – I remember Steve crawling out of the pool and running away. It pissed me off because he got a ton of blood in my house and had hit me in the face with that bottle.

Steve – I was drunk while filming the scene because of all the beer Steve bought. I’m not proud that I ran away from the house, but it just felt right.

Sidenote: The scene features zero editing and you can hear Hank in the background yelling “you son of a bitch!” I remember wondering if the blood was real. It was.

 

With the first week of filming completed the next scene involved Steve fighting a squid underwater. Instead of shooting underwater, Hank’s garage was used instead, This provided an interesting problem for Debra.

Steve Balsawood – The direction for the scene was that I was underwater and the squid was attacking me. Hank was still giving me crap for the beer bottle throw so I couldn’t wait to punch him in the face.

Debra – I bought $20 worth of saran wrap and hung it from the ceiling to make it look like it was underwater. I also drew, cut and pasted several fish onto the plastic wrap. It looked terrible.

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The terrible props added to the charm of the film. Thank you Debra for the photos.

Steve – The set was all saran wrap but Lenny loved it. He was very excited about the bed sheet squid and gathered us around to talk about the squid fight. He told us “it needs to be primal and brutal and that Hank and I should not hesitate to throw haymakers at one another. That sounded good to me.

Debra – I gave Hank a helmet to wear under the costume because Steve had a weird look in his eye.

Hank – I tried wearing the helmet, but I couldn’t see anything under the sheet. So, I decided to not wear it.

Chuck – The fight got off to a rocky start because Hank was inside a bed sheet and could only maneuver his noodle arms like a rower in a ship.

Hank – So I’m rowing my arms trying to hit Steve and Lenny is yelling that we aren’t giving it our all. I accidentally tripped on the sheet and ended up headbutting Steve. That pissed him off so swung a haymaker at me.

Steve – My fist went clean through the sheet and knocked Hank out. He dropped to the floor and Lenny was screaming “keep fighting! Keep fighting!” So, I jumped on top of the squid and crushed the PVC pipe. I then started rolling around on the ground with Hank. I was really floundering so I started slapping Hank to wake him up.

Hank – I don’t know if you’ve ever been knocked out but it is really startling when you wake up. Steve was slapping my face and I was completely surrounded by a dirty sheet and pointy PVC pipes. I kinda went crazy and started swinging and screaming.

Chuck – I’m holding the camera in amazement as Steve and Hank are rolling around on the ground swinging and screaming at each other. Eventually, the massive amounts of saran wrap fell on them and got intertwined between them. It got to the point to where Steve couldn’t move and Hank landed about 40 unanswered hammer punches to the top of Steve’s head.

Steve – I figured the fight would be fair if I let him hit me a bunch of times.

Chuck – It got really brutal but I didn’t want to cut because I felt like they needed to resolve their issues.

Hank – I eventually calmed down and heard Lenny yell “cut!” I ripped off the sheet and saw Steve laying on the ground with a massive black eye and blood streaming from his nose. I guess I blacked out.

Debra – The tension was palpable and it was amazing. I was watching a train wreck and I thought that just maybe this movie could be bad enough to be good.

In the version I saw in the theater the fight lasts nine minutes and features two men rolling around on the ground and screaming obscenities at each other. Steve slaps an unconscious Hank for 90 seconds while taunting him. When Hank wakes up and starts screaming it becomes an animalistic battle between two men who have no idea how to fight. It is uncomfortable yet very watchable. It is never explained why there is a man inside the squid.

Debra – The following Saturday the crew (sans Steve) and I borrowed my dad’s boat and cruised around the ocean and shot about 45 minutes worth of ocean B-roll. I had no clue what the plan was but I remember Lenny saying we needed to film a moment with Steve’s character.

Chuck – Steve wasn’t there so Lenny told me to stand at the front of the boat while Debra filmed me staring at the ocean.

Hank – From what I can remember Chuck had to stand around acting like he was thinking for about ten minutes.

Chuck – It got really uncomfortable on that boat because I had to stare into the sun and think. I had just gotten off a pretty gnarly bender because I do my best drinking during the week. I was definitely dehydrated and was still feeling the effects of whatever I took the night before. The water was really choppy and I was already feeling sick, so about five minutes in I started throwing up.

Quick note: During the screening a 10 minute song sung by Lenny (?) plays over Chuck staring at the ocean (lake). The music even plays over Chuck’s vomiting which was oddly left in the final film. Also, it is never explained who this puking character is. Here are the some the lyrics that I found in my notes.

 

Life of the ocean

Squid on the shore

Breathing the lake air

I hope that squid won’t kill more

I don’t know where I am

Or what I wish

My legs can’t stand on water

I hope I don’t land on a fish

Sidenote: The best shot of the entire film is a nice moment involving some Dolphins swimming by the boat. I talked to Chuck and he has no recollection of ever filming this.

The big set piece of the film takes place on a boat and features Steve delivering a show stopping monologue that defeats the squid.

Steve – The big shot of the film was a two page monologue in which I never saw the two pages for. On the day, we went to a dock located on a canal and Lenny told me this was my Oscar moment. He handed me a napkin that had dialogue written on it, and told me to learn it in a half an hour. I didn’t read any of it.

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Debra – Lenny told Hank and I that we were going to be standing on either side of Steve and hit him with fun noodles while he monologues. I guess Steve making a final stand against the squid and was standing tall in the face of attack. Hank was still pretty angry at Steve and it all went downhill from there.

Chuck – Imagine this. A poor guy with obvious problems is standing there reciting an intense monologue while fun noodles are repeatedly hitting him in the nuts and face.

Hank – It wasn’t cool of me but I was still mad about the fight from the previous week. So, Instead of hitting him in the body I hit him about 50 times in the balls.

Steve – When you watch the footage you can actually see me crying. I am not acting, I am actually crying. Also, the last half of that speech I totally made up because my body went into shock.

Chuck – He was crying and driveling on about how the squid never paid him attention and how nobody respected him.

Steve – The whole process brought back some terrible memories.

Debra – When the moment was over everybody was at a loss for words. I was pretty pissed at Hank and poor Steve literally jumped into the canal and swam away.

Chuck – Lenny Loved it. If you listen closely you can hear him laughing constantly and yelling “good, good, people love this stuff!”

Sidenote: I could’ve sworn I heard him yelling this during the scene.

 

With the film finished Debra brought the final product to theater manager Mason Jar.  Mason was the manager of the Conch Shell Cinema and was working on how to compete with the larger theater chains.

 

Mason – We were a tiny theater that only had three screens. We basically only stayed alive because of out midnight shows featuring Rocky Horror, The Room, Birdemic and Dirty Hofmeyer. You can take a look below and you will see the type of movies our clientele loved.

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Mason – When Debra approached me about screening the film I was very excited. I knew her from my semester at the online film school and I trusted her when she told me Squid Lake was pure gold.  Anytime I get a chance to screen a terrible movie I jump all over it. I was guaranteed to sell out the theater and keep the doors open for another couple months which was good because I was also living in the theater at the same time.

Steve – Mason was making a huge deal about the screening and I was a little worried about hundreds of people watching me cry and get beat up.

Hank – I really didn’t want to go to the screening because the entire filming process was pretty miserable. However, I wanted to watch Steve get beat up on screen.

Chuck – I couldn’t wait for the screening. I actually set up a booth the day of and tried to sell my World War 2 Samurai Epic beforehand. Please visit http://www.worldninjas.fundme.com

 

The night of the screening was full of mixed emotions. The 75 minute film featured 40 minutes of ocean footage, a ten minute song and some of the worst cinema known to man. The rowdy crowd was like a rollercoaster of menace and laughter. He was unbeknownst to me at the time, but Chuck was working the crowd into a frenzy.  The one scene that brought the house down was when actor Steve Balsawood managed to mutter his way through a five minute monologue while repeatedly being struck in the face and nuts. The scene got the audience laughing, then gasping and back to laughing.

Steve – I couldn’t believe the applause the crowd gave me after the screening. I begged for them to carry me out of the theater and they literally didn’t put me down for two hours.

Chuck – The party afterwards got out of hand. I broke my ankle jumping off of a bar roof and eventually we destroyed several store fronts and cars.

Mason – I went looking for Lenny after the show and he was nowhere to be found. He took the DVD, the DVD player and my print of Animal House and vanished.

Debra – We have no clue where he went and what he is going to do with the movie.

Steve – The filming wrecked me emotionally and physically. However, since the screening I’ve been performing a stage reenactment of the film once a month in front of sold out crowds. People have tried to recreate it on film but nothing comes close to what we filmed years ago.

In conclusion.

I have no clue what happened to Lenny and the Squid Lake footage. However, the experience of watching the film with a packed theater is one of the highlights of my young life. I’m hoping this post gets the word out and the movie finally sees the light of day. If you are out there Lenny please let the world watch Squid Lake!

Check out the Sharkdropper podcast featuring an interview with the cast and crew!

MFF Sea Beast Week: Analyzing the Shark Punching Scene in ‘Lara Croft: Tomb Raider – The Cradle of Life’

July 28, 2018

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I’m sad to say that I totally forgot about the shark punching scene in Lara Croft: Tomb Raider – The Cradle of Life (AKA Tomb Raider 2). How could I have forgotten a scene that features Lara Croft cutting her arm to attract a shark, punching the shark and then riding the defeated shark to the ocean surface? It’s an insane moment that actually happened and was played earnestly without nary a wink of irony. The following breaks down the sequence and gets into every detail that leads to a shark being punched.

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I love that somebody sat down and wrote this scene because I’ve never seen anything like it. They must’ve had a smile on their face as they typed “Lara punches a 15-foot shark in the face,” and I guarantee they were surprised when the insane moment was filmed and made it into the final cut. This is the type of cinema I love because its unapologetic and is in no way self-conscious. It is a dorky moment, played totally straight, and seems like Lara Croft had done this many times before and would probably punch another shark in the near future.

This scene isn’t the first time Lara tangled with sharks looking to eat her. She battled sharks in the video games prior to this movie (starting in Tomb Raider II), but they never went to the bonkers alternate universe that this live-action film did. It’s kinda cool how the movie plays more like a video game than the actual video games. In cinematic Tomb Raider logic, this scene makes perfect sense and its not worth scoffing at or saying this would never happen in the real world (you know who you are). The hyper-unrealism should be applauded, and despite the rest of the movie being subpar I dug how they actually filmed a scene featuring Lara defeating a shark via a face punch.

Here is how it all goes down:

  1. Lara is escaping a crumbling underwater temple when a bad guy destroys her vehicle. This forces her to swim a very long distance to the surface.
  2. Lara cuts her arm before she swims away from the sinking temple
  3. Lara stops swimming and allows a massive shark to circle her (she has no goggles on btw)
  4. The shark attacks and Lara punches it in the face
  5. The defeated (and possibly concussed) shark allows Lara to hitch a ride with it to the ocean surface
  6. The shark drops lara off and we never see it again.
  7. She is underwater for 66 seconds.

The biggest question I have is if the arm cut and subsequent shark fight were necessary. After watching the clip multiple times I’m pretty sure she could’ve just swam to the surface and not battled the shark. However, if she would’ve done this the world would’ve never seen Angelina Jolie punching a shark in the face. This is one of those moments where you need to embrace the insanity and appreciate how zero logic went into the decision making. Logic would’ve gotten in the way and I love how this moment essentially makes Lara Croft a superhuman who can see underwater and knows exactly where to punch a shark. The recent Tomb Raider was fun but it featured moments that embraced logic and because of that (+ the script and direction) it isn’t getting a sequel and won’t be remembered for Alicia Vikander punching a shark.

I love this moment and was excited when I starting putting together the Sea Beast Week because I knew I could write about it. I hope you enjoy this bonkers moments.

MFF Data: Which Shark Movie Features the Fastest Shark?

July 27, 2018

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Shark Night 3D (2011), a movie about college kids being eaten by sharks, features the fastest shark ever seen on the big screen. This may seem implausible considering the larger-than-life sharks in The MegDeep Blue Sea and Jaws 2  got up to speeds of 30-45 MPH for extended periods of time. In the real world, great white sharks can hit speeds of 35 MPH for short bursts. However, in the fictional world of Shark Night 3D, A great white shark hits 66 miles per hour during its pursuit of Blake (Chris Zlyka), a jet ski riding college student who must’ve been surprised as us when he is eaten.

This shark is fast.

The following breaks down the jet ski moment and figures out how fast the shark had to swim to kill the unlucky college student.

Here is what I know:

  1. The scene takes place towards the end of the movie when Blake (Chris Zlyka) is trying to get his one-armed friend Malik (Sinqua Walls) to a hospital via a jet ski. Malik notices that a shark is gaining on them (they are going 40 MPH easily) and decides to sacrifice himself to the shark, so Blake can get away. The problem is that Blake comes back to save his friend (he doesn’t) and quickly realizes he needs to speed away to escape the bullet-shark. A chase ensues!
  2. The length of the chase is 102 seconds.
  3. The guy (Blake) is riding a 2010 Yamaha Waverunner FZS that is capable of a 68-70 MPH top speed.
  4. It could only have been the great white shark because the hammerhead was dead, the tiger sharks were in a cage, and the bull shark was busy in the mangroves killing another unlucky college student.

Fastest shark in cinema history.

Here are my assumptions:

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A very technical look at the final seconds.

  1. Blake has a 20-foot head start on the shark.
  2. Blake’s top speed was 50 MPH on the jet ski (73.3 feet per second).
  3. The total distance he covered was 7,476.6 feet (in 102 seconds)
  4. The scene is interrupted by a moment involving the dastardly sheriff harassing more college students, but I kept counting the seconds and assumed the scene was happening in real time.
  5. The shark hits 0-60 MPH in 6 seconds and covers 309 feet in that time.
  6. The shark kept up a constant speed of 66 MPH (96.8 feet per second) for 76 seconds after hitting 60 MPH
  7. The shark passes Blake underwater (it only takes 12.5 seconds) and doesn’t attack because this is a movie — and that wouldn’t look cool.
  8. The shark traveled 7,663 feet (in 82 seconds) from the beginning of the chase until the end.
  9. The extra 20 seconds were used to turn around and jump out of the water. Why 20 seconds? The shark is huge, and would need the time to turn around and get ready for the perfect jump (Seriously, a perfect jump).

Look in front of you.

Conclusion:

The math based on my assumptions have the great white shark traveling at a maximum of 66 MPH for 76 seconds. This breaks every shark speed record (real and cinematic) ever and proves Shark Night 3D wasn’t messing around when it came to the abilities of its sharks. I don’t think this was the work of two sharks because the other sharks were engaged with other things and I don’t believe they were so smart they could eliminate jet skiers with teamwork. There is no exact way to know how far he traveled on the jet ski, but Its safe to assume that the shark hit at least 60 MPH during the scene which would still break every shark record known to man (and sharks)

If you liked this article make sure to check out my other stuff!

  1. Jet Ski Action Scenes Are the Worst
  2. Analyzing the Unsuccessful Trap in Predators
  3. How Far Did the Shark Travel in Jaws: The Revenge
  4. How Far Did the Creature From It Follows Travel?
  5. Zara the Assistant and Jurassic World Had a Bad Day
  6. A Look at Elektra’s sandbag trainer in Daredevil
  7. How Far Did Nic Cage Run While Dressed as a Bear In The Wicker Man Remake?
  8. Breaking Down The Mariner vs. Sea Beast Battle in Waterworld
  9. How Long Did it Take The Joker to Setup the Weapon Circle in Suicide Squad?
  10. Michael Myers Hates Blinkers
  11. Jason Voorhees Can’t Teleport?
  12. How Far Did the Merman Travel in The Cabin in the Woods?
  13. How Far Did Matthew McConaughey Jump in Reign of Fire?
  14. How Fast can Leatherface Run?
  15. Deep Blue Sea and Stellan Skarsgard
  16. How Far Did Michael Myers Drive in Halloween H20: 20 Years Later
  17. How Did the Geologist Get Lost in Prometheus?
  18. People Love a Bearded Kurt Russell
  19. A Closer Look at Movies That Feature the Words Great, Good, Best, Perfect and Fantastic
  20. An In-Depth Look At Movies That Feature Pencils Used as Weapons
  21. Cinematic Foghat Data
  22. Explosions and Movie Posters
  23. The Fast & Furious & Corona
  24. Nicolas Sparks Movie Posters Are Weird
  25. How Do You Make the Perfect Kevin Smith Movie?
  26. Predicting the RT score of Baywatch
  27. The Cinematic Dumb Data Podcast
  28. What is the best horror movie franchise?
  29. How Fast Can the Fisherman Clean a Trunk in I Know What You Did Last Summer?
  30. It’s Expensive to Feature Characters Being Eaten Alive and Surviving Without a Scratch
  31. How Long Does it Take Your Favorite Horror Movie Characters to Travel From NYC to San Francisco?
  32. What was the Guy’s Blood Pressure in Dawn of the Dead?
  33. Why Were There So Many Lemons in National Treasure?
  34. How Far Does The Rock Jump in the Skyscraper Poster?

The Shallows: A Fun Thriller That Knows Exactly What It Is

July 26, 2018

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The Shallows is a perfect “shark” movie because it doesn’t take itself seriously and provides solid escapist fun. There is something comforting about a movie that simply wants to entertain and has no plans for future sequels or spin-offs. It is unpretentious and ridiculous, but is actually good and you can tell skilled filmmakers thought a lot about the simple story.

The Shallows revolves around a surfing trip gone awry in a tropical paradise. The lead character Nancy (Blake Lively) is reeling from the loss of her mother, so she takes a break from medical school and travels to a mythical surfing ground that her mother loved to surf. The beautiful and isolated area is nearly perfect until Nancy finds herself attacked by a shark. Normally, the shark wouldn’t be in the shallows but it killed a whale and is using it as an all-you-can-eat buffet as it slowly floats ashore.  Luckily, it is low tide and Nancy is able to climb atop some rocks about 200 yards from shore. From there, she and a seagull deal with repeated attacks, blood-loss, high tide and stinging jellyfish.

the-shallows-blake-lively

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The Shallows is fully-aware that it is about a beautiful woman in a bikini battling a CGI shark. It is pure pulp shenanigans that happily shows enough skin and shark attacks to appease everyone. The 87-minute runtime is lean on backstory and moves confidently from one set piece to another. I loved how Nancy wasn’t some naive American in a foreign land, and I appreciated that she was able to speak just enough Spanish to make it seem like she actually cared about fitting in. A lot of credit goes to Blake Lively because she is in pretty much every frame of The Shallows and is able to pull off the physicality and act through the overly melodramatic subplot.

What makes The Shallows better than the majority of other shark movies is the villainous shark. It’s a mean motherf**ker that defies all shark-logic and simply wants to destroy and eat anything that is in its territory. I love that it plays a game of cat-and-mouse with Nancy and has no plans on hunting easier prey. The shark has tunnel vision for Nancy and its not leaving until she becomes breakfast, lunch or dinner. I respect its tenacity and I love how it becomes a straight up horror villain that only wants to search and destroy. I’d rank this shark alongside the killers in Jaws and Deep Blue Sea because it looks great and is believably intimidating.

If you are in the mood for a fun thriller that doesn’t take itself too seriously I totally recommend The Shallows. It knows what it is and doesn’t care that it features a shark that constantly changes in size. Director Jaume Collet-Serra (Non-Stop) should be proud of his work and I’m stoked to see what he does next.

 

 

 

The MFF Podcast #138: Valerian and the City of a Thousand Planets

July 25, 2018

You can download the pod on Itunes, StitcherPodbean, or LISTEN TO THE POD ON BLOG TALK RADIO.

If you get a chance please make sure to review, rate and share. You are awesome!

The MFF podcast is back and we’re talking about Luc Besson’s (The Professional, The Fifth Element, Lucy) passion project Valerian and the City of a Thousand Planets. We love this movie and decided to release it during our Sea Beast Week because it features some legit sea creatures who play a significant part in the movie. This $177 million epic was years in the making, and focuses on the adventures of Major Valerian (Dane DeHaan) and Sergeant Laureline (Cara Delevingne) as they attempt to save Alpha (city with a thousand planets) from the dastardly Clive Owen. Luc Besson put every cent of the $177 million budget on the screen and blessed us with hundreds of monsters, creative set pieces and Cara Delevingne sticking her head into a jellyfishes butt (thank you sea beasts). Valerian and the City of a Thousand Planets is an unpretentious breath of fresh air and I think it is one of the most inventive big budget movies ever made.

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As always, we answer random questions and ponder if a giant creature with impenetrable skin could survive a 7,000 foot fall. If you are a fan of the podcast make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening and hope you enjoy the pod!

You can download the pod on Itunes, StitcherPodbean, or LISTEN TO THE POD ON BLOG TALK RADIO.

If you get a chance please make sure to review, rate and share. You are awesome!

MFF Sea Beast Week: Celebrating ‘Deep Blue Sea’

July 25, 2018
Deep Blue Sea was released 18 years ago and the world is a better place because of it. If you’ve been reading MFF for some time you know that I am a massive fan who trumpets its greatness whenever I can.  The following post breaks down its greatness and proves it is the most important film ever (Warning: lots of hyperbole used in this post).
1. Sam Jackson + Big Speech = Bad News
The guy got so caught up in making a speech he forgot he was standing next to open water. What happened next was awesome.

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2. Roger Ebert Loved it
Ebert knew what was up and I love what he wrote about it:
The movie is essentially one well-done action sequence after another. It involves all the usual situations in movies where fierce creatures chase victims through the bowels of a ship/spacecraft/building (the “Alien” movies, “Deep Rising,” etc). It’s just that it does them well. It doesn’t linger on the special effects (some of the sharks look like cartoons), but it knows how to use timing, suspense, quick movement and surprise. Especially surprise. There is a moment in this movie when something happens that is completely unexpected, and it’s over in a flash–a done deal–and the audience laughs in delight because it was so successfully surprised. In a genre where a lot of movies are retreads of the predictable, “Deep Blue Sea” keeps you guessing.

3. It is still being talked about today.

Brian Raftery of Wired wrote a beautiful article about it recently. Here is what he said.

But as deeply satisfying as *The Shallows *might be, it’s still not the greatest non-Jaws shark movie of all time. That title belongs to Deep Blue Sea, director Renny Harlin’s 1999 sci-fi/action/horror combo about an underwater research lab whose residents become hunted by a trio of genetically modified super-sharks. It’s part haunted-house tale, part undersea-slasher flick, and part big-ensemble disaster movie, full of high-velocity attacks and ceaseless, remorseless sharks. It doesn’t have the pop gravitas of Jaws, but it does have some archetypal, yet nicely rounded-out, human characters; moments of knowing comedy; and some genuinely inventive action sequences, including one of the greatest surprise deaths in modern-movie history.

4. Stellan Skarsgard’s death scene is gnarly and intricate 

The guy endured a lot. Read this post and you will learn all about the journey.

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5. Sharks swim backward

What? No! Awesome! I love Deep Blue Sea.

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6. LL Cool J stabs a shark in the eye with a cross

I love how everything comes full circle (Preacher stabbing a shark in the eye with a cross).

7. It features the greatest song ever.

This is not hyperbole. LL Cool J crushed Deepest Bluest.

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8. The Sharks kill people in very creative ways

This is not a good way to go.

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9. They made the shark one foot longer than Jaws

Renny Harlin is a gangster and I love what Mental Floss taught me about Deep Blue Sea.

“The problem with approaching a shark movie,” Kennedy told the Los Angeles Times, “is how do you do it without repeating Jaws?” Kennedy said that in order to “do Spielberg one better,” Harlin made Deep Blue Sea’s makos 26 feet long. In real life, shortfin mako sharks reach 10 feet on average (although specimens as large as 12 feet have been caught), and longfin makos reach as long as 13.7 feet.

10. Renny Harlin is an action Maestro

Between The Long Kiss Goodnight, Die Hard 2, Cliffhanger and Deep Blue Sea the guy is the best. I love his crazy action films.

This scene is going to be amazing.

11. Thomas Jane rode sharks

Probably the greatest shark wrangler in film history. Dude even rides the super boss shark

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12. It features the greatest kitchen fight ever

If you eat  LL’s bird you are in for some trouble.  Check out the greatest kitchen fight post I wrote!

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13. Stephen King loves it.

King knows what’s up.

“My first trip after being smacked by a van and almost killed was to the movies (Deep Blue Sea, as a matter of fact; I went in my wheelchair and loved every minute of it).”

-Stephen King

14. Deep Blue Sea inspired pretty much every film since its release

Movies like  Crash, Y Tu Mama Tambien, Rise of the Planet of the Apes, Jurassic World, Anchorman and Children of Men wouldn’t exist without it. 

15.The animatronic sharks are actually pretty great

Forget about the CGI. The actual animatronic sharks were awesome.

The sharks look awesome!

16. The “bad guy” has a solid backstory

Dr. Susan McAlester wants to cure Alzheimer’s and doesn’t care if she kills her coworkers. She is also very industrious when in a terrible situation.

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17. News of the sequel received international attention

 Everybody went crazy about the SYFY sequel even though it will be terrible. Just let Steven Spielberg direct the sequel and be done with it.

18. It is the Citizen Kane of B-Movies

I love Deep Blue Sea.

MFF Special: Tracking the Journey of the Shark in ‘Jaws: The Revenge’

July 25, 2018

I feel really bad for this lady because she was in the wrong place at the wrong time.

I’ve been over-analyzing movies for several years and I don’t think a movie has ever foiled me like Jaws: The Revenge has. In my effort to track the shark’s movements and distance traveled, I found myself grasping for straws and pondering whether the shark could smell Ellen Brody’s tears when they hit the water as she is leaving Amity for the Bahamas (it didn’t….I think). I know the original script (and novelization) featured a subplot involving a witch doctor cursing the family and that is why they are pursued by the shark. However, since it was left out of the movie, I’m assuming the aquatic monster is a vengeful and psychically-linked relative of the other two sharks (Jaws 3 isn’t canon anymore) who is basically a sea dwelling combination of the hunters in Butch Cassidy and the Sundance Kid and Anton Chigurh (No Country for Old Men). Over the 18 days that this movie takes place, the 25-foot shark manages to set a successful buoy trap in Amity, swim over 1,500 miles, and hunts almost every member of the Brody clan via a mystical GPS system

The shark sets up a successful and trap and leaves me wondering how many traps failed.

The following breaks down every facet of this soul-crushing movie and I hope it helps you understand it a little more.

Here is the timeline and estimated shark mileage for Jaws: The Revenge.

  • December 19th – The shark sets a buoy trap and kills Sean Brody. How many traps has it set? How long has it waited? This is when the psychic link between Ellen and the shark begins
  • 12/20 – This will be controversial in many ‘Jaws’ circles but I believe the shark starts its journey towards the Bahamas after it kills Sean. It knows Ellen won’t go in the water  so it decides to wipe out her other son Mike
  • 12/21 – Swimming
  • 12/22 – Swimming
  • 12/23 – The Brody’s head to the Bahamas. The shark starts its swim.
  • 12/24 – Christmas Eve – Shark is still swimming.
  • 12/25 – Christmas – Shark is almost there.
  • 12/26 – Ellen senses that the shark is near when she steps in the water (I’m not making this up). The shark swims past Mario Van Peebles (I’m not naming his character because Mario wrote his own dialogue and did what he wanted which is cool) and tries to kill Mike Brody – So far, the shark has only attacked the Brodys.
  • 12/27 – ?
  • 12/28 – ?
  • 12/29 – ?
  • 12/30 – ?
  • 12/31 – ?
  • 01/01 – ?
  • 01/02 – Mike and Mario chum the water and tag the shark with a tracker. The shark is not pleased and probably feels like an idiot for being tricked because prior to this it seemed pretty smart.
  • 01/03-  Mike and Mario track the shark but they lose it.
  • 01/04 – The shark attacks Mike, but fails again. This is when it decides to attack other family members because Mike has proven himself to be elusive.
  • 01/05 – The shark kills an unlucky lady while attacking Mike’s daughter. Ellen Brody takes off in a sailboat(?) and the shark starts following because they are psychically linked. This leads to the shark spearing itself on a boat.

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Tin Foil Hat Theories:

  1. The first time we see the shark in Jaws 2 it is snooping around the sunken Orca. I’m thinking this is a relative putting together clues as to what happened to its relative.
  2. Jaws 3 isn’t canon anymore but we know it is hunting the Brody kids and this is when it starts its supernatural shenanigans. (thank you Cracked).

Here is what I know:

  1. The shark set a trap for Sean Brody. It found a log and wedged into a buoy and hoped Sean came to sort it out. I say this because when the log is shown later it looks like there are teeth imprints in it.
  2. The shark swims 1,193 miles in six days to get to the Bahamas. It averages 198 miles a day (8.28 miles an hour without stopping).
  3. The shark and Ellen have a weird psychic connection which creates visions for both her and the shark. The interesting thing is she is able to see events that she wasn’t around for. This must mean that shark had a psychic connection with its relatives, and when it kills Sean, the shark bonds with Ellen and the visions are shared. This is weird.
  4. It attacks on December 26th, then disappears for seven days. Vacation?
  5. It didn’t mean to kill the banana boat lady and only went after Mario because he was messing with it. The shark didn’t even bother attacking Michael Caine when the plane crashed.
  6. It does not like electrical impulses.
  7. 7. The shark roars….Why not? If it can follow a family via a psychic link then it could easily roar.

I feel terrible for this lady.

How far did it swim?

It’s impossible to calculate the exact number of miles traveled but with some assumptions and guesswork I’m thinking I can get pretty close to the actual distance. After doing some research I learned that Great Whites have to continually swim and since this shark is a supernatural creature it can defy logic and swim way too fast and cover way too much distance in no time.

  1. The shark swam 1,193 miles to the Bahamas so we know it has no problem putting in some serious miles.
  2. During the six question mark days I’m guessing it trolled around at 5 MPH and covered 120 miles a day (720 miles total)
  3. It hunted the Brody boys for five days and during that time it made some quick moves and covered some serious ground. I’m thinking it swam an average of 8 MPH during these days. (960 miles).
  4. On the final day when the shark killed the banana boater and dashed after Ellen it had to be moving at a crazy speed. So, it’s believable to assume that is swam an average of 10 MPH from 12:00AM till it was killed at 6:00PM. (180 miles).

Total Distance – 3,053 miles

It took me a long time to put this together and I’m really happy with the mileage and timeline. This was by far the hardest “dumb data” article I’ve ever written but I feel like it helps make sense of a movie that makes zero sense.

If you liked this random post make sure to check out my other stuff! Also, a big thanks to Brian Raftery at Wired for interviewing me about this dumb data.

  1. Jet Ski Action Scenes Are the Worst
  2. Analyzing the Unsuccessful Trap in Predators
  3. How Far Did the Creature From It Follows Travel?
  4. Zara the Assistant and Jurassic World Had a Bad Day
  5. A Look at Elektra’s sandbag trainer in Daredevil
  6. How Far Did Nic Cage Run While Dressed as a Bear In The Wicker Man Remake?
  7. Breaking Down The Mariner vs. Sea Beast Battle in Waterworld
  8. How Long Did it Take The Joker to Setup the Weapon Circle in Suicide Squad?
  9. Michael Myers Hates Blinkers
  10. Jason Voorhees Can’t Teleport?
  11. How Far Did the Merman Travel in The Cabin in the Woods?
  12. How Far Did Matthew McConaughey Jump in Reign of Fire?
  13. How Fast can Leatherface Run?
  14. Deep Blue Sea and Stellan Skarsgard
  15. How Far Did Michael Myers Drive in Halloween H20: 20 Years Later
  16. How Did the Geologist Get Lost in Prometheus?
  17. People Love a Bearded Kurt Russell
  18. A Closer Look at Movies That Feature the Words Great, Good, Best, Perfect and Fantastic
  19. An In-Depth Look At Movies That Feature Pencils Used as Weapons
  20. Cinematic Foghat Data
  21. Explosions and Movie Posters
  22. The Fast & Furious & Corona
  23. Nicolas Sparks Movie Posters Are Weird
  24. How Do You Make the Perfect Kevin Smith Movie?
  25. Predicting the RT score of Baywatch
  26. The Cinematic Dumb Data Podcast
  27. What is the best horror movie franchise?
  28. How Fast Can the Fisherman Clean a Trunk in I Know What You Did Last Summer?
  29. It’s Expensive to Feature Characters Being Eaten Alive and Surviving Without a Scratch
  30. How Long Does it Take Your Favorite Horror Movie Characters to Travel From NYC to San Francisco?
  31. What was the Guy’s Blood Pressure in Dawn of the Dead?
  32. Why Were There So Many Lemons in National Treasure?
  33. How Far Does The Rock Jump in the Skyscraper Poster?

MFF Sea Beast Week: Breaking Down the Mariner vs. Sea Beast Moment in Waterworld

July 24, 2018

Welcome the MFF’s Sea Beast Week! This article was originally published earlier this year but we brought it back because it’s pretty great.

Kevin Costner killing the Sea Eater in Waterworld has long been a scene that I’ve been obsessed with. I wrote about the Sea Eater in 2015 and Waterworld has been featured in my jet ski action scenes are the worst, and people getting swallowed whole and surviving posts (it’s random I know). I’ve always loved the idea that someone can jump into the water and be attacked/swallowed whole in a span of 20 seconds. The biggest problem I’ve always had is there is no way he would be able to stay attached the rope he was trolling on. Thus, his boat would sail away whilst he was trying to free himself from the innards of a giant monster. This means he would have to use his super swimming abilities to catch up with the boat, turn it around, and then cut the meat off of the sinking monster.

Here is a breakdown of the scene.

Costner (AKA Mariner…AKA Grumpy Costner) gets annoyed that the women on his boat are actively trying to feed themselves via fishing, so he grabs their fishing poles and throws them into the water. After throwing away his gear, he grabs some supplies (speargun, rope), turns on the boat’s trawling engine and jumps into the water (:46). Once the rope is fully extended he starts stroking the water gracefully in an effort to lure prey. Something underwater sees this display of graceful swimming (1:09) and thinks it has found dinner. The large beast surfaces and swallows Costner whole (1:20) and Costner ends up murdering the beast from the inside. Then, Costner cuts off roughly 100 (being generous) pounds of meat and three people feast.

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This scene left me with several questions:

  1. Why was it so easy to kill a monstrous sea beast?
  2. Had he killed large creatures before?
  3. Why did he throw away his fishing poles?
  4. If large sea beasts are plentiful, why would people ride jet skis?
  5. What happened after the death and before they ate?

After scouring the internet for data on the Sea Eater, I learned that people don’t know much about it (I got zero responses from people who read the novelization). I have nothing to go with in regards to the monster and Costner’s past hunting, so I decided those questions will be left unanswered. What I can fill in is what happens after the monster eats Costner and before they gorged on delicious looking meat.

Here is what we know so far:

  1. It took eight seconds for the 40-foot rope to become taught after Costner jumped into the water. This leads me to believe the boat was moving at a leisurely pace of 3.41 miles (2.96 knots) an hour.
  2. He turned on his trawling motor before he jumped into the water. However, he didn’t use the cable attached to the winch on the back of his boat.
  3. According to kaiju.wikidot.com the Sea Eater is 40-feet long and weighs an estimated 20 tons.
  4. During the sea atoll attack earlier in the film, Costner covered 120-feet in eight seconds. That comes to 10.2 MPH which means the dude can fly in the water. I came to 10.2 MPH by finding a picture of the atoll, measuring the boat (60 feet long), and then measuring the distance from where he jumped.
  5. Costner let go of the rope after the monster attacked. I know this because the boat would’ve stopped momentarily and the rope would’ve split in two if he held on. There is zero chance a tiny rope could withstand the force of a moving boat and a suddenly dead 20-ton monster (watch this clip of a marlin sinking a boat for proof of what would happen if the beast lived).
  6. Since there is no sign of salt or proper drying methods, I’m assuming Costner only took as much as he could carry for one or two meals maximum. This means that at least 39,900 pounds of sea eater meat was left behind for other hungry sea denizens.
  7. It was dusk when they started eating the food. This makes sense because he had to heat up the charcoals and prep the food.
  8. The scene reminds me of a Mitch Hedberg joke

Mitch Hedberg@M_Hedberg

On fishing shows, they catch the fish and then let it go. They don’t want to eat the fish, they just want to make it late for something.

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Here is what happened after the monster was murdered:

  • After watching various clips where people have to free themselves from dead/animatronic animals I’m guessing Costner (and his super powers) needed two minutes to free himself from the innards of the monster. It was clearly sinking, blood must’ve been everywhere and stomach lining is a beast to crawl through (not speaking from experience). He also had to secure his gun because he could not super swim with it.

  • By adding the original Costner/boat distance and time it took to free himself, secure his gun, and start swimming I’m thinking the boat was 715 feet ahead of him (40 + 600 + 50 +25 = 715).
  • The women on the boat must’ve been justifiably shocked as to what had transpired. So, in their shock, the boat floated far enough away for them to not hear anything Costner might’ve shouted. We know Helen could steer the boat, but after the shock wore off, the process of turning the boat around would’ve been a beast of a job. I’m also guessing that Costner was still grumpy about losing his spear gun from earlier so he swam to the boat and did everything himself.
  • Knowing the creature was sinking, Costner started towards the boat, and since he could move at three times its speed he only needed 75 seconds of super swimming to catch up.

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  • He turned the boat around and made his way back to the sea monster. He would’ve needed AT LEAST seven minutes to turn the boat around, travel back to the monster and anchor the boat. I’m guessing he was able to speed up the 1,840-foot return journey which would cut down the trip.
  • He dove down to catch the sinking beast. I don’t know anything about the floating tendencies of dead 20 ton monsters with holes in them, but it seems likely that it would sink because there is no way gasses could build up because of the massive holes in it (Thanks research!).

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  • He prepped the diving bell (watch underwater Denver scene) and gathered supplies (five minutes) and dove to the bottom of the ocean to cut off some prime meat and potentially fist fight another creature (eight minutes). After watching various clips of chumming it’s evident that the majority of the stuff that exploded would’ve sunk by the time he returned.
  • He swam back up and put all of his gear back in place because he is particular like that (eight minutes).
  • The cooking started (30 minutes to heat grill, at least 30 minutes to heat massive meat steaks).
  • They ate!

Conclusion

After breaking down all the variables (known and unknown) the entire process before cooking everything would’ve taken AT LEAST 32.25 minutes because Costner had a lot to do before he could even start preparing the food. This may sound like a lot of time, but it’s not too bad when you consider the killing, swimming, boating, prepping gear, swimming, cutting, more swimming and putting away gear.

There you have it! The full breakdown of what happened after the killing and before the cooking. You can rest easy knowing that you will never have to spend another sleepless night thinking about what happened!

 

MFF Sea Beast Week: Dolph Lundgren and the Curse of the Shark Lake

July 24, 2018

Welcome to MFF’s Sea Beast Week! This review was originally released in 2017 but we had to bring it back for this special week.

Shark Lake movie poster

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Movies, Films and Flix have a long history with Dolph Lundgren movies. I started the site in 2010 and wrote a lot about terrible/great Dolph Lundgren films. In hindsight, the posts weren’t any better than the movies. but I enjoyed writing pithy reviews about real and fake Lundgren movies.

Shark Lake tells the age-old tale of a shark harassing the people who live around Lake Tahoe (filmed in Mississippi). The movie starts with a car chase involving the police forcing exotic animal dealer Clint Gray (Dolph Lundgren) to drive straight into a lake. The bull shark in his van (100% true) escapes, and five years later people start dying. From there, we are introduced to some terrible actors who spout hackneyed dialogue while scantily clad women are killed by a shark. Shark Lake could’ve been a contender but instead falls back into pure stupidity and feels like a beautiful idea (Dolph wrestling sharks) was wasted and replaced by everything that makes a movie bad. Also, I’m pretty sure they stole my idea for the fake film Squid Lake (Listen to the pod, it gets weird).

squid lake

Shark Lake is a really weird movie. It wants to be Sharknado, but it also tells the tale of a redeemed animal collector. It isn’t dumb enough to be fun, and it is too dumb to be a cohesive movie. The shark(s) are superfluous and the performances are hindered by a script that hurts the soul. Lundgren’s character isn’t done any favors because he is set up as a terribly negligent father who deserved jail time and shouldn’t have a chance of being in his daughter’s life. Also, there is a really odd relationship between a cop and a smart scientist guy that leads to some very disconcerting dialogue involving handcuffs.

Shark Lake is the kind of film that doesn’t go far enough to make anything enjoyable. There is a tiny amount of blood and the director never pushes the bikini-clad portion far enough. Shark Lake is a PG-13 rated “dumb dumb” fest that only features one person getting their leg bit off whilst gliding over the lake.

Shark Lake skier

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Don’t watch Shark Lake. It is not fun, and the idea of Dolph Lundgren wrestling a shark is far better than the movie. The budget was reportedly $2 million and I have no clue where that money went. The movie looks like it was shot in two days and nobody learned their dialogue ahead of time. If you are looking for a fun yet terrible shark movie I recommend the classic Sharks in Venice.

Baldwin sharks in venice

Sharks in Venice is amazing. You need to watch Stephen Baldwin phone it in.