The streaming landscape is so vast it becomes difficult to differentiate the various services. Netflix gets the majority of the press as Bloodline, Orange is the New Black, Arrested Development and House of Cards sweep up the media coverage. However, Amazon Prime has some great stuff going on. Not only does it have original programming (Transparent, Bosch) it has some exclusive television shows (Orphan Black!!!) and movies you can’t find on Netflix.
In an effort to save you time and energy I’ve scoured the streaming services and started offering film/television recommendations that you might appreciate. We here at MFF have already unleashed posts about Netflix’s Horror and underwatched gems. We’ve also covered which shows to binge watch from the streaming services.
Top of the Lake is fantastic. Check it out on Netflix.
These five films (and more to come) represent independent cinema at its finest. They are weird, bloody and unflinching yet offer something new and original. Whether they open up the door to other films or prove you can turn somebody into a walrus you should watch these movies.
Starred Up
What I like about Starred Up is that it never feels inauthentic. It was written by an ex-prison therapist and filmed over 24 days in an old prison. It isn’t glorified tough guy crap that oozes style over substance.Starred Up isn’t trying to create anti-heroes and treacherous villains. It is told in the grey where you understand the violence and family dynamics.
Ben Mendelsohn is wonderful as Eric’s (Jack O’Connell) father Neville. He pulls off a believable balance of menace and clueless. He is used to doling out threats and doesn’t know how to deal with a 19-year-old punk calling him out in front of other inmates. His attempts at parenting lead to embarrassing his son which leads to more violence. The amazing thing is that you actually believe Neville as a person. You understand the guy and why he does what he does. After killing Them Softly, Place Beyond the Pines and Animal Kingdom Mendelsohn has proven himself to be a seriously layered threat. Mendelsohn has given us four iconic criminals who are nothing alike and frighten in different ways.
Tusk
Warning: Tusk is weird. Tusk is uneven. Tusk is sorta wonderful. If you are a fan of Kevin Smith you should watch this film.
I enjoyed Tusk because of how random the experience was. It was based on a Smodcast episode that Smith and Scott Mosier did called The Walrus and the Carpenter. The two talked about an ad that stated somebody could live for free in a house if they dressed like a walrus. The ad was a hoax but it still inspired Smith to write the horror/comedy/drama. It is vulgar, weird, exciting, crude, scary and features a gonzo extended A-list cameo. It is impossible to know where it is going and I appreciated that. Smith has taken a major risk and because of that there are things that I will never unsee.
Under the Skin
Under the Skin is a mesmerizing film that captures Scotland’s dreary beauty while blasting us with the most sensory film of 2014. I love that there is zero backstory or expository hand holding. It is a remarkably simple movie that still leaves many questions unanswered. It is a pure and unadulterated experience that could be vivisected or simply appreciated. My advice is to turn off the lights, turn up the volume and allow yourself to fully appreciate a spellbinding experience.
With Lucy, Captain America: Winter Soldier and Under the Skin I think Scarlett Johansson totally won 2014.
The Spectacular Now
The late great Roger Ebert opened up his Spectactular Now review with this quote:
Here is a lovely film about two high school seniors who look, speak and feel like real 18-year-old middle-American human beings. Do you have any idea how rare that is?
The Spectacular Now is an incredibly rare film. Ebert reinforced the rarity of memorable characters by comparing Miles Teller’s character Sutter Keely to Say Anything’s Lloyd Dobler. They are both aimless, capable and fall for women who love and care for them.
The chemistry between Woodley and Teller is wonderful and the film has an earthy vibe that is rare nowadays.
Cheap Thrills
Cheap Thrills was one of my favorite films of 2014. It has a nasty streak that will alienate many but capture a solid cult following. It wears you out but doesn’t drain you with depravity. It walks a tight rope of gore and despair but manages to not fall into a nothingness abyss. David Koechner and Sara Paxton (fantastic bad guys!) remain mysterious throughout as we never get any revelations about them. Are they really a couple? Have they done this before? The questions are welcome because it leaves you to come up with the answers.
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Furious 7: A fantastic film that breaks out the Belgian beer but never strays too far from the joys of Corona
If you read MFF you know that I am a huge fan of the Fast series, celebrate all things BBQ and I’m still hoping for a national “Fast and Furious” day. If I had to rank the films I would say 2 Fast 2 Furious (reasoning here and here) is the best and followed by 5, 3, 1, 7, 6, 4. I love all of the Fast films and I think it is brilliant how they’ve built a superstar core of cast members who make the impossible possible.
I’ve loved watching the series adapt and become a worldwide phenomena. The Dom Squad started off robbing trucks and now they are global operatives driving $3,000,000 cars through buildings. In 2001 a trucker with a shotgun almost killed them all. Now, our heroes skydive cars, take down tanks and know the ancient art of wrench fighting.
The award for most unnecessary (yet awesome) wrench fight of 2015 goes to Diesel and Statham
In 2001 getting dressed up meant wearing a clean sleeveless t-shirt. Our 2015 heroes rock tailored suits to parties in Abu Dhabi.
The plot of Furious 7 revolves around the Dom Squad battling a final video game boss known as Deckard Shaw (Statham being Statham). Shaw is annoyed that they put his brother (Owen from Fast 6) in a coma and vows revenge. He kills Han (Sung Kang) in Tokyo, injures Hobbs (The Rock) and almost wipes out Dom but is foiled by Mr. Petty (Kurt Russell!!!!!!). The rest of the film centers around the crew searching for a tracking device called The God’s Eye while battling Shaw every step of the way.
Furious 7 is packed to the brim with plot but never gets crushed by the weight of it. While the crew battles Shaw we also have to deal with Letty’s (Michelle Rodriguez) amnesia, Mia’s (Jordana Brewster) pregnancy, Han’s death, a trip to Tokyo and henchmen played Djimon Hounsou, Ronda Rousey and Tony Jaa.
Director James Wan (Saw, Insidious 1&2, Conjuring) steps in admirably and uses his horror background well. He makes the familiar fun and finds a way to make genre tropes fresh. Wan has fun with the material and embraces the insanity of the Fast world. The key to making a great Fast film is to be really smart about being dumb. Wan utilizes the characters well, doesn’t mess with the format and gets the final product to the finish line. The best example of keeping the films fresh happens between Kurt Russell and Diesel. Russell’s character loves Belgian beer and offers some to Diesel. Diesel proclaims his love of Corona and before he can finish his sentence he is met with a bucket of ice-cold beer. Wan’s Fast film breaks out the Belgian beer but never strays too far from the joys of Corona.
My favorite part of the Fast series has always been Brian O’ Conner. What I love about the character is that he kept the films grounded. While Vin was wrench fighting and the Rock was exploding arm casts, O’Conner was using his brain to get out of situations. He is the unsung hero because his heroics have always been subtle. He is a family man who embraces his friends while taking down planes, trains and automobiles. I recently wrote a post about his seven best moments and it solidified his importance to the series. Walker had great chemistry with the cast and the handling of his tragic death was handled beautifully in the film. Walker will be missed in the Fast series because he kept the films grounded.
Furious 7 is a fantastic movie that honors Paul Walker, keeps the material fresh and gives Kurt Russell a great role. I loved every second of it and can’t wait to see what the inevitable Fast 8 is all about.
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Hello all. Mark here.
There are hundreds of horror films on Netflix. Most are bad, some are decent and several of them are very good. I’ve searched the depths of the horror categories and discovered some gems and total soul crushers. The following suggestions represent horror films that cover all ends of the spectrum. If you watch these five films you will witness evil mirrors, serial killers.vampires, nazi zombies and a cabin in the woods. I’ve made sure to incorporate some humor into the bleakness so you don’t get burnt out and questioning why you listened to my suggestions.
Honeymoon – A recently married couple goes through hell and not back in this innovative take on the “cabin the woods” genre. It was hard for me to watch because I am a recent newlywed and the thought of going through this on my honeymoon crushed my soul. Rose Leslie (Downton Abbey, Game of Thrones) is fantastic and her chemistry with Harry Treadaway makes this a film to watch.
Oculus – Oculus is smarter than it has any right to be. The WWE produced horror film is bleak but refreshes you with a story that doesn’t insult you. We here at MFF love Oculus and appreciate the care taken to provide a tough and well-thought out film.
Dead Snow/Dead Snow: Red vs. Dead – Nazi Zombies run amok and kill everything in sight. I love the insanity that director Tommy Wirkola imbues in his films and he can pull off gore that would normally shock and annoy. After watching Oculus the Dead Snow films will cheer you up and satiate any need you have for over the top gore.
Shadow of the Vampire – I love the premise of Shadow of the Vampire. Nosferatu was filmed with a real vampire! John Malkovich and Willem Dafoe chew scenery while Cary Elwes (Bram Stoker’s Dracula) continued his strong work in vampire films. I love that a weird idea became a movie with A-list talent. Shadow of the Vampire is a meta little thing that makes you laugh, cringe and look at horror films with a different perspective.
I Saw the Devil – I Saw the Devil will put your soul in a headlock and have it hurting for several days. Once the pain wears off you will start appreciating the movie (Much like Thirst). It is a war of attrition that is made easier by confident direction and occasional beauty. To keep a semblance of mental health I had to watch it in several installments (during the daytime). In a day and age of disposable entertainment memorable movies like this don’t come around very often.
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Horror is a genre rich in recycled concepts, cookie-cutter plots and trope-y character archetypes. But if you wind things back to the classics, there was a time when horror was doing things for the first time. Well, maybe not the first time…but before it was common on film or in horror. Here are a few interesting examples of how horror reached out to our romantic lives long before most of us we were even born. I give you my favorite “awkward moments” of classic horror…
That awkward moment when you realize that…The Mummy (1931) was totally creeping on the wrong chick.
You know the old Cinderella story. No one would call that slipper-toting Cinderella Prince a stalker for seeking that girl he had met the night of the ball–after all, women tend to leave things behind when they want to see you again. They leave keys or their phone–anything to get back through the door, right? But what happens when you think you see your old high school girlfriend or an old flame, you become overtaken with “that old feeling” and stalk her, and it turns out it’s just someone who looks like her…thousands of years later. Classic mix-up, right?
Well, that’s what happens to the Mummy. Imhotep spends the movie looking for his lost love, thinks he finds her, then stalks this woman that he believes is his reincarnated love. I guess it’s not that weird, though. There are plenty of people in California hoeing their victory gardens and praying to vision boards with power crystals who eat up that “we were lovers in another life” crap.
Imhotep pointing at the picture: “See, that’s her. I know it.”
The other guy: “Ummmm, bro? I’m pretty sure your girl died in 5000 BC. We have electricity now, you know? Did you try calling her?”
This sort of problem could only happen today through Facebook or other social media. You know, you’ve been flirting for a while and exchanging pictures, but she won’t Skype with you. Before you know it you’re in the middle of some Catfishing situation.
That awkward moment when you realize that…Dracula (1931) was horror’s first “in the closet” homosexual.
I know what you’re thinking…but hold on and just listen. I have lots of evidence supporting this notion.
Exhibit A: He has a special bed and a set bedtime every day. Now, he could just be OCD and not necessarily gay. But ever notice how he sleeps in the same position every night in a box that keeps him from tossing and turning while he’s fully clothed? Yup. He doesn’t want his pale powdery make-up to smudge or his clothes to wrinkle. That way he can look fabulous first thing, even when Van Helsing unexpectedly wakes him up with a stake and hammer!
I guess this will have to do until your pre-ordered Sleep Number Bed arrives. I hope it offers could lower back support so that you can recover from your Zumba classes.
Exhibit B: He definitely favors soft lighting. Why? It’s just more flattering, ya’ big silly. And besides, getting tan in the sun just leads to wrinkles.
Exhibit C: He wears black. Why? It’s so slimming, isn’t it? He also likes jewelry. I’m reminded of the adorable Nathan Lane from The Birdcage (1996). He was just a bottle of joy and sunshine in his rings and his summer hat at the local farmer’s market.
And, bro? What’s with the jazz hands? Again…think Nathan Lane. Nathan Lane in The Birdcage was the most endearing character I think I’ve ever seen. Of course, he had a much greater mastery of hand movements than Dracula. But hey, Dracula pretty much invented the notion of flagrant hand movements while walking.
Exhibit D: He understands that he should never touch a woman’s hair without permission.
“It’s…so healthy. What conditioner do you use?”
Exhibit E: He dresses immaculately and lives alone in a castle of antiquity. It was probably his mom’s house. Granted he needs to clean, but maybe he was just keeping the house as mother left it.
That’s a candle, not a “mandle.” I don’t care if it is scented like mahogany and leatherbound books. And what’s with the hands this time? Are those “spirit fingers?”
That awkward moment when you realize that…Bride of Frankenstein (1935) was the first blind date.
“Eeeeek. How old are your EHarmony profile pics, bub?”
Arranged marriages have existed for thousands of years in innumerable cultures. But these marriages are brokered by land-owning fathers, monarchs, lords, tribal chiefs and the like to create financial and political bonds through merging bloodlines. None of that seems to be the case here. So now I must ask you…when Frankenstein’s monster met his freshly re-animated bride, was it the first ever BLIND DATE? Good question, right? But, based on his bride’s face I’m guessing it wasn’t love at first sight for her.
If Frankenstein’s monster had a Match.com profile, what would his handle and tagline be? “Newly re-invented man of few words seeks rigid-limbed bride. Hobbies include frightening villagers. Pet peeves: fire and pitch forks.”
Anyway, Frankie is really the perfect man for the first blind date since he’s more than he appears to be. He’s very gentle, despite being so big–and sensitive, too. I mean, the guy is terrified of fire. Ladies, listen to me. He’ll treat you right and make you feel safe.
That awkward moment when you realize that…The Wolf Man (1941) was basically the first guy with a sexually transmitted disease in a movie.
Thank God Facebook didn’t exist yet. Otherwise he’d be using buddy Frankenstein’s account to FB stalk his girl (since, I’m sure, she blocked him). Instead, this fool is just wandering around the forest.
It was a modern time in 1934 America (the setting of the story). The first generation of working women to have the right to vote were just reaching the age at which they’d seek a suitor to wed. But with modern times come modern problems….like The Wolf Man. He comes back to his hometown, meets a nice girl, gets “infected” by something one evening while he’s in the company of another girl (who hasn’t heard that story before?), then ravenously he stalks his love interest in the middle of the night with his symptoms FLARING! So, basically The Wolf Man is like the first guy to get an STD.
You know, Lon Chaney (The Wolf Man) went about this all wrong. Hear me out on this one, okay? So, he gets infected with Lycanthropy and there are no quick and easy ways to get tested like a Family Planning Clinic or anything. But a little manscaping could go a long way. Maybe if he had made that effort, she would have patiently waited for him to seek out the appropriate medical (or magical) treatment. But no. I was a typical bro. He got embarrassed and then got angry and he stalked her. If you ask me, he got what he had coming.
But, in his defense, manscaping would not have been well-received back then. The metrosexual male didn’t exist in that generation. But, seriously, Wolfie…maybe write her a letter or something.
That awkward moment when you realize that…The Creature from the Black Lagoon (1954) was the first truly campy horror movie.
This movie is the reason “monster rape” became so prevalent in cheap, campy horror. Okay, let’s just clear the air. Dracula and the Wolf Man have done their share of stalking. All classic horror involves some level of “stalking” of some woman by the monster, but in Creature the sole reason behind the plot seems to be carnal.
Creature is the first true stalker. In the story, some people are on a biological expedition (along with a beautiful lady) and the subject of their trip (the ichthyoid man) catches a glimpse of a fair lady. Curious, fixated, obsessed, and unable to explain “these strange feelings”; the creature proceeds to follow the expedition down the Amazon, killing the men off one by one, and eventually abducting the woman and taking her to his lair.
I don’t think she’d be thrilled about this, bub. I also doubt that she “feels the connection between you two.”
Yup. Just a creeper. No means no, bro!
So this concludes “that awkward moment” in classic horror. Stay tuned for future installments…
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Hello all. Mark here.
The audible sponsored MFF Podcast is back!
The world had been inundated with books, articles, posts and documentaries praising the great movie monsters and horror villains. I love the classic movie monsters but I wanted to praise the best worst movie monsters and villains. They’ve made bad movies better and have a special place in my heart. Whether it be the large sea beast in Waterworld or Parker Posey in Blade: Trinity they’ve elevated the material to wonderfully bad heights.
John “The Horror Leviathan” was off surfing in Hawaii and catching up on Hellraiser films. So, John “Mr. Sharkdropper” and I got together and recorded some pure gold.
Sit back, relax and learn about bad movie monsters.
You can stream the pod at the Sharkdropper website or download the pod on Itunes. If you get a chance please review, share and rate the pod!
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What to Watch This (or Any) Long Weekend – April 2015
Weekends are a funny thing. Some weekends I have plans and ambitions – house projects, yard work, DIY projects, places to see, restaurants to try, trails to hike… and other weekends, I want to just stay inside and enjoy my home and the company of my two favorite individuals (Spoiler: Mark and our cat). On these indoor concentrated weekends, my interests incline towards a short list of things: reading, trying new recipes and streaming TV shows (preferably the kind that can be finished within the weekend). You all know that Mark is the ‘movie guy’, while I like and even love some movies, what I really adore is a great TV show where I have time to get to know my characters and see how they react to new issues as time passes.
Some of us are lucky enough to have a 3-day weekend coming up, for those of you who would prefer to spend this weekend relaxing in the comfort of your home, here are some of my recent favorites and shows on my ‘to-do list’ that are streaming on Amazon Prime (or pay-per-episode on Amazon), Netflix and HBO Go. Enjoy!
- Orphan Black (Amazon only) – 2 Seasons, 20 Episodes – Sci-fi bonkers with a side of family drama, that’s the best description that I can give for this show without giving too much away. Tatiana Maslany is crazy talented and you really have to see her to believe it. Take a few days, get lost in this show, thank me later. Start now, Season 3 starts on April 18th!
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- Broadchurch (Amazon) – Season 1, 8 Episodes – This is a sad, bleak story – and oh so well done. A short ‘who done it’ mystery that is excellently paced, making you question everyone’s credibility. Skip the American version, watch the original. Also, if you watch now, you can set your DVR for Season 2 (a whole new mystery!), airing now.
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- Top of the Lake (Netflix) – 7 Episodes – Did I say Broadchurch was bleak? Well this show takes the bleak cake and eats it too. When Mark started this show (without me, rude!), I was appalled by how committed this show was to painting a portrait of violence, neglect and abuse in rural New Zealand…then I became addicted and devoured the show in 2 days. TotL delivers successive punches to the gut, but you keep coming back because you NEED to know if the abusers or the victims prevail in the end.
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- Sherlock (Netflix) – 3 Seasons, 9 Episodes – If you haven’t heard about this show by now. Who are you?? Get started tonight and get addicted to this uber-smart, tech savvy, crime busting bromance.
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- True Detective (HBO Go) – Season 1, 8 Episodes – For me, this was the best show of 2014 (maybe ever). Another dark show (I’m sensing a disturbing trend in my TV tastes), you will probably have no idea what is going on for the first two thirds of the story, then it will disturb your sleep for weeks. I love seeing McConaughey in these gritty roles, he can really bring it…the supporting cast is nothing to sneeze at either. Also, there is a 6 minute, single take tracking shot, DURING AN ACTION SEQUENCE. WHAT?!
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- Better Off Ted (Netflix) – 2 Seasons, 26 (21 min) Episodes – Some lighter fare… quirky, brazen, nerdy and loveable. Where office shenanigans meet scientists and experiments gone wrong, yet so hilariously right.
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- Band of Brothers AND The Pacific (HBO Go, Amazon) – 10 Episodes each – You could say that we have an obsession with WWII books/movies/miniseries in our home. These two shows are the best of the best on that subject, offering intimate perspectives from 2 different theaters of this war. You cannot walk away from this experience without feeling alllllll the feels.
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Megan’s Streaming Wish List
- Garfunkel and Oates (Netflix) – If you haven’t seen their videos online, where have you been? Kate Micucci was a scene stealer on Raising Hope…I have high expectations for this duo.
- The Fall (Netflix) – I have a serious X-Files obsession and by default, love everything that has/will have Gillian Anderson in it, forever and ever and ever and ever. Already has Mark’s seal of approval.
- Peaky Blinders (Netflix) – Cillian Murphy, Sam Neill, gangsters, and the roaring 20’s…what else do you need?
- Bosch (Amazon) – we love the cranky Bosch of the Michael Connelly novels, can’t wait to see Titus Welliver bring him to life.
What are your favorite shows on streaming? Leave me some comments and suggestions!
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MY CALL: Entrancing and unsettling, this gritty timeless film serves as a powerful cautionary metaphor to the consequences of unprotected sex. Beautifully executed and a unique experience; quite an unusual combination in the horror genre.
This film felt like so many familiar things, yet like nothing else. The presence of a Kindle (or something sort of like that) indicates that the story takes place now—or close to present day. Yet the use of corded phones and minimal presence of cell phones creates a sense of media isolation, much like pre-2000 horror, and the overall feeling reminds me more of an 80s horror setting. Adding to this isolated 80s sensation, the entire film is scored with synthesizers. This scoring is of much higher quality than an 80s film, and the style sets an ominous tone that readily resets our uneasiness as we watch.
And what is it we’re watching for? After an intimate encounter, a young girl (Maika Monroe; The Guest) is told by her newly ex-boyfriend that “something” will follow her from now on; that this something once followed him but he has now “given it” to her. This something has no specific form or identity and may appear as anyone, from a random unknown person to someone you love. The only certainty is that, where ever you are, “it” will be somewhere walking directly towards you…until it takes you, or you give it to someone else. “It” becomes a palpable nightmare.
And that brings us to the most important thing of all: this movie is scary? You may not leap out of your seat or scream, but you will be scared. This film propagates more of a continuous, quiet sense of dread. As with White Noise (2005), Shadow People (2012) and Paranormal Activity (2007) we find our eyes locked on the screen, looking for the “it” that “follows.” Suddenly every person in the background becomes a candidate and every time a door opens we wonder if “it” will pass the threshold. Typically we watch a screen and may jump at the appearance of a killer before his victim. Here, we watch more in the same manner as the victim. I really felt like I was in the movie for many of the scenes.
Is that displaced person the “it” that “follows,” or just a red herring to keep us on our toes? You’ll find you’re on your toes a lot while watching this film.
There was one scene towards the end that I didn’t like. It was a long and major scene, but still just the one turned me off. You’ll know it when you get to the indoor pool scene. It felt like it belonged in a different movie of lower caliber.
The pool scene, if viewed alone, smacks of a typical (but watchable) direct-to-DVD horror movie of moderate production. It just didn’t “fit” the film well in my opinion.
Director/writer David Robert Mitchell is brand new to the business, but I expect he’ll become a household name to horror fans. As far as I can tell, It Follows serves as something of a cautionary metaphor representing the risks of unsafe or premarital sex and being “followed” by the consequences, even the sense of dread that may haunt one while waiting to receive the results of an HIV test (or any STD test). This metaphor, however, really pushes the envelope and the realness and likability of the young cast veils this nightmare with urgency. There is one particularly intense scene in which “it” takes the form of a teen victim’s mother, and the way it “takes” you when it finds you is quite a disturbing image that was burned into my mind. This film was unsettling and gritty, for sure—and it does it without a menacing killer with a name and a scary past. It does it with a nameless, protean entity; an unnerving breath of fresh air.
Even my horror-desensitized mind was on edge as I watched this masterfully crafted horror. This truly unique and beautifully executed film pleased me overall. It felt like a classic horror from the late 70s or early 80s with a modern production treatment.
Ignore the sexual theme, understand that there is nothing raunchy or gratuitous to be seen, and enjoy sense of unmatched isolated dread of It Follows.
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Trailer Talk: Other Halves, about a strange dating app that causes strange and evil side effects.
Other Halves features Mercedes Manning (Strictly Sexual, Zipper) and Lauren Lakis (Hybrids, Gun Woman) as the developers of a revolutionary new dating app called Other Halves. On the night before the app is set to launch, they discover it causes strange side effects: users lose all self-control, becoming amoral, lascivious, violent…and evil. They consider shutting the app down, but…EVIL IS PROFITABLE.
Other Halves, from One Oh One Radio Pictures, is the feature film debut for director and co-writer Matthew T. Price, and co-writer Kelly Morr. The film is produced by Curt Chatham, and also stars Lianna Liew (Truth Or Dare), Megan Hui (The Before Time), Melanie Friedrich (Positive: Some Doors Should Remain Closed), Sam Schweikert (Hart of Dixie), and Carson Nicely (The Conan O’Brien Show).
The first teaser video features Jasmine (Mercedes Manning) recording a pitch video for the Other Halves dating app. Right away I felt like Manning captured a very candid, very real character. The acting seems good. The very honest budget is clearly low, but that doesn’t hinder our ability to see that there is something strange going on with this app…as if the app itself was possessed. Here’s the first teaser:
In the next teaser video (below) we see a commercial for the Other Halves app featuring Devon (Lauren Lakis). During her presentation, again, something sort of goes wrong with the app and it seems that another world with another version of her character is being tapped…a more evil and seductive version. Here’s the second teaser:
I’m curious to see this film and I’m not scared by the low budget. As long as filmmakers don’t try to do that which cannot be done effects-wise with their budget, things tend to go fine for good directors working on good scripts with capable actors.
This one looks like it has the potential to get pretty raunchy. That doesn’t mean it can’t be good, though. I’ll certainly give it a chance when it comes out. I hope you will, too.
You can follow the production on their website, www.OtherHalv.es. You can also follow the film on Facebook, Twitter (@OtherHalvesFilm), and Instagram (@OtherHalvesFilm).
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Paul Walker’s Seven Best Fast and Furious Moments
The Fast and Furious series has gone from a Point Break ripoff to a global sensation. The stressing of family and insane car stunts has pushed the series to new heights and I’m expecting Fast 7 to pull in well over $500 million at the worldwide box-office.
The seventh installment will be a bittersweet affair. The loss of Paul Walker was a tragic blow and it will be hard to separate fact from fiction while watching Furious 7. Walker will be remembered as a genuine man and Tyrese summed him up perfectly when he said:
“Paul was the nicest guy in the world, period. He treated everybody the same — the cast, the crew, wardrobe, electric, grips, doesn’t matter if you do plumbing. He was the nicest guy ever, So we all felt the trauma. It wasn’t just a death. It wasn’t just a loss. It was traumatic because of the way he died. So it was a lot.”
In honor of Paul Walker I’ve compiled the seven best Walker moments from the Fast series. What I appreciate about Brian O’Conner is that he kept the films grounded while Vin Diesel and The Rock became more superhero like. He never drove through planes, threw men through ceilings or crashed through walls while fighting. O’Conner was a surgeon with a car and his character grew from an undercover bro-cop to full on family man. His moments of glory were more subtle and subdued and that is why it is easy to miss the little things over the years.
1. I almost got you – Fast and the Furious
With one sentence Walker won over the crowd and made the cranky Dominic Toretto smile. He may of lost the race but the look of glee on his face shows that he was hooked on car racing. Even as Dom is babbling on about carburetors Brian has a massive smile on his face and takes the loss well. It was good police work and it helped him get into the world.
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2. The 2 Fast 2 Furious fight
2 Fast is my sentimental favorite of the series. It is about two guys, one smarmy drug dealer and the stealing of cigar cutters. The stakes were low and that allowed the relationship between O’Conner and Roman to flourish. Tyrese and Walker had great chemistry and they are my favorite duo of the series. I like their backstory, the way they always say “bro” and how they steal each others moves.
The opening fight between them plays realistically with Roman hitting harder and Brian nullifying him with jiu-jitsu. O’Conner knows that Roman is mad so they slug it out, talk smack and team up.
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You can tell be these outtakes that they had a great time together.
3. Pockets ain’t Empty
The finale minute of 2 Fast 2 Furious might be the most ridiculous moments of the series. I love how it ends on a small scale note with two men, full pockets and food on the horizon. Here is how it plays out:
Brian O’Conner: Pockets ain’t empty, cuz.
Roman: And we ain’t hungry no more either, brah
4. Puts family first
The beginning of Fast Five is insane. Dom is headed to prison and his family comes out to save him. Brian and Mia worked together (great couple!) and somehow manage to flip a bus like 12 times, rescue Dom and kill nobody. The amount of planning and aerodynamics had to be so exact there was no room for error. Mia drives straight at the bus and makes it swerve while Brian waits IN FRONT OF AN OUT OF CONTROL BUS in order for it to hit his car and go into a spin. The guy almost gets crushed so he can help his family. What is the biggest theme of the Fast movies? Family!
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5. The train debacle
Fast Five is awesome. The train scene took it to another level. While Vin was having a cake walk fight on the train Walker was hanging on for dear life on an exploding vehicle. He survives the exploding vehicle, jumps on a car then looks totally relaxed as the badass car flies a quarter mile off a cliff. Viva la car surfing!
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6. Ditching the electronic car killer in Fast Six
Walker first showed his getting rid of electronic car killer skills in 2 Fast 2 Furious. He perfected the skill in Fast Six. Ludacris and Tyrese had already been taken out by the devices and Walker was the last one left chasing the SUV of doom. He knew what the devices were capable of so he pulls a perfect emergency brake maneuver and gets rid of the projectile. It shows he can think fast while going really fast. This would come in handy later on when he uses a grappling hook to take down a plane. The dude can’t stop saving the day.
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7. Fast Six Prison Fight
Forget the unbelievable fights between The Rock and Vin Diesel. This fight is a close quartered masterpiece that once again plays believable. I’m still not entirely sure why he went to that prison (who cares) but I walked out of the film saying it was the best fight in the history of the series.
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O’Conner also throws the best superman punch in the history of cinematic superman punches
Brian O’Conner is the true hero of the Fast world.
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I love the Fast & Furious franchise. Each installment has its own personality, and I’m a fan of almost every character that’s been introduced since 2001. It’s been fun to watch the series evolve, adapt, and grow into an international juggernaut with an international cast. The first film climaxed with an angry trucker defeating the crew, while Fast Six finished with a car driving through an exploding cargo plane. The jobs have ranged from minor heist to “mission in freaking sanity.” We’ve watched Fast and the Furious evolve from a Point Break ripoff to full-fledged worldwide phenomenon.
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The Fast movies are like the James Bond films because everybody has their personal favorite. Ranking the films was really hard because I like all of them. Imagine you are ranking Girl Scout cookies. I would eat all of them but Samoas are my favorite. It doesn’t mean I wouldn’t crush some Thin Mints or Tagalongs. If I was at a vending machine I would have a hard time picking one of them to watch.
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6. Fast and the Furious – Two tunnel chases, something about drug smuggling and other stuff. I like the film and it brought Walker and Vin back into the fold but it doesn’t have the magic of the other films. The best thing about FF is that it introduced Gisele (Gal Gadot) and brought Han (Sung Kang) back from the dead. Justin Lin used this as a springboard to make the amazing Fast Five. To that we owe Fast & Furious a debt. 
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5. Fast Six – It throws in the kitchen sink then blows it up with a tank. Then, it rains kitchen sinks onto the tank and somehow Vin Diesel still manages to catch a free falling Michelle Rodriguez. I love Fast Six but it lives and dies by the adage “much more is better.” I love the car work Paul Walker does and listening to Tyrese asking for change so he can buy food from a vending machine always cracks me up. Fast Six is much like the runway at the end. It is too long and excessive.
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4. The Fast and the Furious – I would rank the first entry higher but it is a Point Break ripoff that was better than it had any right to be. It opened the door to the world and wasn’t afraid to cast an eclectic crew that would grow with the films. The best thing about Fast is that it introduced “I live my life a quarter-mile at a time” into the lexicon.
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3. Tokyo Drift – Tokyo Drift did one thing incredibly right. It introduced the world to Han. Han is my favorite Fast character and I was happy Sung Kang got a big role because I thought he was really cool in Better Luck Tomorrow. Justin Lin expanded the world and Roger Ebert had this to say about it:
In “The Fast and the Furious: Tokyo Drift,” he takes an established franchise and makes it surprisingly fresh and intriguing. The movie is not exactly “Shogun” when it comes to the subject of an American in Japan. But it’s more observant than we expect, and uses its Japanese locations to make the story about something more than fast cars.
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2. Fast Five – Fast Five is next level awesome. It plays like Ocean’s 11 met all the Fast films and they spawned an amazing hybrid. Fast Five is funny, fast, fresh and nobody dies when a bus flips 12 times. Justin Lin was working on all cylinders and he managed to introduce Hobbs (The Rock), focus on family and pull off the coolest scene in all of the Fast films.
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1. 2 Fast 2 Furious – While Vin was off making A Man Apart, (Totally not family) Paul Walker teamed up with Tyrese and they robbed a smarmy drug dealer. The stakes were low, the crime cheeky and the chemistry was amazing. Paul Walker, Eva Mendes, Tyrese and Ludacris fully embraced the world and John Singleton did a solid job creating a dynamic duo. In a series that is all about family Paul Walker and Tyrese formed a brotherhood that
could not be matched. The movie is pure popcorn fun that kept the series relevant and brought in future crew members who do nothing but steal the show. Also, the ending dialogue might be the greatest lines ever spoken on film.
Brian O’Connor: Pockets ain’t empty, cuz. Roman Pearce: And we ain’t hungry no more either, brah.
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