Random Star Wars Data for May the 4th: Stars Wars Films and Running Times That Can Be Divided By Four
In honor of May the 4th, I have something fun for you. I looked at the running times of the 12 theatrically released Star Wars films, and noted which of them have a running time that can be divided by four (there are four of them). Then, I gathered their domestic box numbers, Tomatometer scores, and IMDb user scores to see if the films have better averaged numbers than the other eight films with running times that can’t be divided by four. The results are fun!
Quick Note: This data isn’t important, but it’s cheeky and I like it, so I wanted to share it with the world. Also, I didn’t include the full titles, or dates, because you know the movies already.
Here’s the running time, domestic box office, Tomatometer and IMDb information for each film (I went ahead and ranked them). The films with running times that are divisible by four are bold
Running Time (ranked)
- The Last Jedi – 152 minutes
- Attack of the Clones – 142 minutes
- The Rise of Skywalker – 141 minutes
- Revenge of the Sith – 140 minutes
- The Force Awakens – 138 minutes
- The Phantom Menace – 136 minutes
- Solo – 135 minutes
- Rogue One – 133 minutes
- The Return of the Jedi – 131 minutes
- The Empire Strikes Back – 124 minutes
- A New Hope – 121 minutes
- The Clone Wars – 98 min
Domestic Box Office Comparison (inflated)
- A New Hope ($1.669 billion)
- The Force Awakens ($1.013 billion)
- The Empire Strikes Back ($919.2 million)
- The Return of the Jedi ($881.3 million)
- The Phantom Menace – $846.2 million)
- The Last Jedi ($633.3 million)
- Rogue One ($566.3 million)
- Revenge of the Sith ($555.9 million)
- The Rise of Skywalker ($515.2 million)
- Attack of the Clones ($500.1 million)
- Solo ($219.9 million)
Tomatometer
- Star Wars: Episode V – The Empire Strikes Back – 94%
- Star Wars: Episode VII – The Force Awakens – 93%
- Star Wars: Episode IV – A New Hope – 92%
- Star Wars: Episode VIII – The Last Jedi – 90%
- Rogue One: A Star Wars Story – 84%
- Star Wars: Episode VI – Return of the Jedi – 82%
- Star Wars: Episode III – Revenge of the Sith – 80%
- Solo: A Star Wars Story – 69%
- Star Wars: Episode II – Attack of the Clones – 65%
- Star Wars: Episode I – The Phantom Menace – 52%
- Star Wars: Episode IX – The Rise of Skywalker – 51%
- Star Wars: The Clone Wars – 18%
IMDb Scores
- The Empire Strikes Back – 8.7
- A New Hope – 8.6
- The Return of the Jedi – 8.3
- The Force Awakens – 7.9
- Rogue One – 7.8
- Revenge of the Sith – 7.5
- The Last Jedi – 7
- Solo – 6.9
- The Rise of Skywalker 6.6
- Attack of the Clones – 6.5
- The Phantom Menace – 6.5
- The Clone Wars – 5.9
Results
Here are the averages for the four films that have a running time that is divisible by four.
- Tomatometer Average – 79%
- Domestic Box Office Average – $739 million
- IMDb Average – 7.4
Here are the averages for the eight films that don’t have running times that are divisible by four
- Tomatometer Average – 69.25%
- Domestic Box Office Average – $676 million
- IMDb Average – 7.3
Conclusion – Star Wars movies that have running times that can be divided by four have higher Tomatometer, Domestic Box Office and IMDb averages! You are welcome.
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Star Wars: The Bad Batch – Episode One Review
Quick Thoughts about Episode One – Star Wars: The Bad Batch is a welcome addition to the Star Wars animated world, and is refreshingly unique as it follows Clone Force 99, a group of defectively born, and battle-hardened clones throughout the post-Clone Wars universe.
The official synopsis for the show is “Members of a unique squad of clones find their way in a changing galaxy in the aftermath of the Clone War.” Originally conceived in 2012 by George Lucas, who wanted to create clones who were “more unique than their counterparts,” the group had a rough road to the screen as The Clone Wars was cancelled by the Cartoon Network shortly after Disney acquired LucasFilm in 2013. The delay was unfortunate, but the end result is a fun new show that will expand Star Wars-lore, and give the world a crew of Dirty Dozen-esque clones who beat people (and robots) up around the galaxy
What makes the first two episodes so enjoyable is watching how the crew deals with the regime change after Order-66 shakes the universe to its core. In the first episode, The Bad Batch made up of Hunter, Wrecker, Tech, Crosshair and Echo (all voiced by Dee Bradley Baker), return from a mission, and have to deal with changing times under the watchful eye of General Tarkin (Stephen Stanton), who is inspecting the clone army. He isn’t a fan of The Bad Batch because they can disobey direct orders, which makes them wildcards on the battlefield, and possibly unable to obey specific directives. What follows is a lot of fun, as each character begins to show more personality as they engage in a lot of fun action scenes and wild moments which won’t be spoiled here.
If you are a fan of Star Wars, you will love these refreshingly gruff, sullen and violent characters. Why? They offer a change of pace, as they aren’t as serious as the Jedi, or as stoic as the heroes of The Mandalorian. It’s nice seeing a grittier galaxy be explored, and it’s a lot of fun watching the crew deal galactic trouble.
Final thoughts: if you are a fan of the Star Wars animated world, you will love this show. Also, the show is executive produced by Dave Filoni, a man who lives-and-breathes Star Wars, so you know you are going to get a quality product by someone who loves the world.
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MY CALL: The story isn’t compelling, but the scares, creeptastic reflections and gore make for some unforgettable horror fun. If only for Amy Smart’s death scene, this is not to be missed! MORE MOVIES LIKE Mirrors: For more evil mirror movies try Oculus (2014) or Mirror Mirror (1990). But I’d skip Mirror (2014)
After losing his family and job as a police officer, Ben (Kiefer Sutherland; Flatliners, Stand By Me, Taking Lives, Dark City) takes a job as a night security guard at a shopping mall that tragically burned down. As soon as his first shift, Ben notices some creepy things. What he sees in and through the mirrors not only escalates, but somehow extends to his family’s home to haunt his estranged wife (Paula Patton; 2 Guns, Mission: Impossible-Ghost Protocol) and kids.
Okay, say what you want about this movie, but the visceral gore and flesh-tearing effects are positively outstanding. We see completely on-screen throat gashes, slow wincing throat slits, cheek-ripping jaw-breaking, and all manner of exquisite blood spewing to accompany them. Other disturbing imagery includes a horrifically burned partially naked woman.
The scene that makes this movie is Amy Smart’s (The Butterfly Effect, Flight 7500, Seventh Moon, Campfire Tales, Strangeland) unforgettably brutal death scene. Everything about this scene is perfect, from her non-matching reflection’s malevolent demeanor to the absolutely soul-rattling gore effects that ensue. This is easily one of the best death scenes of its decade!
This film plays on the horror trope to not trust one’s reflection, and it plays that sinister tune very well. As the story progresses the rules that govern our mirror-bound spirits seem to change and develop radically, making the final act full-tilt bonkers compared to the preceding 60 minutes. Whereas we start with haunted mirrors, we gradually move into full-scale house haunting and some aggressive “crossing-over.”
Director and co-writer Alexandre Aja (Piranha 3D, The Hills Have Eyes, Crawl) remakes the South Korean Into the Mirror (2003) with brutal pizzazz. Aja really seems to like remakes. But that’s fine, since I love all three that he’s done! I appreciated most of the antics that unfolded, as well as the ending. Recommended!
REMAKE/REIMAGINING/REBOOT SIDEBAR: For more horror remakes, I strongly favor the following: Invasion of the Body Snatchers (1978), An American Werewolf in London (1981), The Thing (1982), The Fly (1986), The Blob (1988), The Mummy (1999), The Ring (2002), The Texas Chainsaw Massacre (2003), Dawn of the Dead (2004), The Hills Have Eyes (2006), Friday the 13th (2009), Piranha 3D (2010), Let Me In (2010), Evil Dead (2013), Carrie (2013), The Town That Dreaded Sundown (2014), It (2017), Suspiria (2018) and Child’s Play (2019). Those to avoid include Body Snatchers (1993; the second remake), War of the Worlds (2005), The Invasion (2007; the third remake), Prom Night (2008), Night of the Demons (2009), Sorority Row (2009), Patrick: Evil Awakens (2013), Poltergeist (2015), Martyrs (2015), Cabin Fever (2016), Unhinged (2017), The Mummy (2017) and Wrong Turn (2021). I’m on the fence about An American Werewolf in Paris (1997), The Grudge (2004), Halloween (2007), It’s Alive (2009), My Bloody Valentine (2009), A Nightmare on Elm Street (2010), Fright Night (2011), The Thing (2011; a prequel/remake), Maniac (2012), Rabid (2019), Pet Sematary (2019) and Castle Freak (2020), which range from bad to so-so (as remakes) but still are entertaining movies on their own.
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The Movies, Films and Flix Podcast – Episode 361: Dark Shadows, Tim Burton and Eva Green
You can download or stream the pod on Apple Podcasts, Tune In, Podbean, or Spreaker (or wherever you listen to podcasts…..we’re almost everywhere).
If you get a chance please make sure to review, rate and share. You are awesome!
Mark and Zanandi (@ZaNandi on Twitter) discuss the 2012 film Dark Shadows. Directed by Tim Burton, and starring Johnny Depp, Eva Green, Michelle Pfeiffer, Chloë Grace Moretz, and Helena Bonham Carter, the $150 million budgeted film focuses on the strange happenings in a quaint fishing town. In this episode, they discuss Depp-fatigue, werewolves, and horror movies that make people happy.
If you are a fan of the podcast, make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening, and hope you enjoy the episode!
You can download the pod on Apple Podcasts, Tune In, Podbean, or Spreaker.
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MY CALL: I have always loved this film. This isn’t the most exciting movie, nor is it shocking or gory or scary. This film relies on the well-informed development of its characters to patiently cultivate our sense of dread as a mystery slowly unfolds before us. So if you can handle a smartly written but slowburn horror, you should give this a try. MORE MOVIES LIKE The Skeleton Key: Well, for more Hoodoo you should turn to Spell (2020). I’m also inclined to suggest Get Out (2017). For more geriatric horror, try The Taking of Deborah Logan (2014), Bubba Ho-tep (2002), Late Phases (2014), The Visit (2015), Anything for Jackson (2020) and Relic (2020).
Deep in the swamp outside of New Orleans, hospice nurse Caroline (Kate Hudson; Good People) takes an in-home job at a grand plantation estate, the home of Violet Devereaux (Gena Rowlands; Taking Lives) and her invalid husband Ben (John Hurt; Hellboy I-II, Alien). Hired by the Devereaux’s dapper young estate lawyer (Peter Sarsgaard; The Killing, Flightplan) to make Ben’s final days more comfortable, Caroline finds herself in a home of antiquated ways and superstitions. From the accents to the cinematography of the swamps, this film is beautifully southern down to the charming, gentlemanly candor delivered by Sarsgaard.
Violet isn’t terribly trusting of her non-southern house guest, whether in regard to domestic chores, theft of their silver place settings, or the thoughtful care of her husband. They resist each other’s differences, struggling to find any common ground.
This is a horror film which invests tremendously in our learning about the characters—all of them. Patient but never slow, this film takes its time revealing the creepy nooks of the old house, Violet’s southern traditionalist ways, glimpses into the former homeowners’ lives, and various concepts on which we may focus our suspicion. As Violet gradually finds trust for Caroline, Caroline seems to be losing trust in Violet and both of them seem to care more aggressively for Ben. Meanwhile our discovery of folk magic and local lore spin the plot yet thicker.
What transpires toys with our expectations. As the story unfolds we wonder more and more… is this a supernatural horror, or a superstitious thriller? The pacing slowly builds as the movie advances until reaching a steadily exciting state for the final scenes.
Very pleasantly, this is among the few PG-13 horror movies that doesn’t feel like it had to pull any punches to be PG-13. We were deprived of no gore or any sort of gratuitous nudity. This movie never needed any of that. And that’s not to say that “needing” those things is a fault. I’m simply saying this particular story didn’t stand to benefit from them. Yet as PG-13 this remained every bit as creepy as I could imagine it being, while every bit as interesting.
Director Iain Softley (Hackers, K-Pax) and writer Ehren Kruger (The Ring 1-2, Scream 3) did an excellent job keeping this film classy and, as far as I can tell 16 years after its release, rather timeless. This is no ‘shock and awe’ gorefest nor is it a rollercoaster of jump scares. This film is all about investigating its characters and basking in an increasingly creepy atmosphere. So it may not be as intensely dreadful as The Ring (2002) or The Grudge (2004), or as fun as Dead Silence (2007) or Lights Out (2016). But this had its own stylish way, the patience of old southern countenance… and I continue to love it more with every viewing.
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Quick Thoughts – B – Monster Hunter is a fun monster movie that features Milla Jovovich and Tony Jaa battling pugnacious creatures in another world. If you are looking for a movie that features people fighting monsters, you’ve come to the right place.
If you are looking for a fun creature feature that gets to the action quick, and never lets up, Monster Hunter is the movie for you. Directed by Paul W.S. Anderson, this adaptation of the incredibly popular Capcom role-playing game rewards viewers with copious monsters and a lot of action icon Tony Jaa. The 47% Tomatometer score isn’t a surprise, but, if you are a fan of Anderson and Jovovich, you will easily get on the movie’s wavelength, and will be able to enjoy the carnage.
Monster Hunter focuses on the exploits of Natalie Artemis (Milla Jovovich), a United States Army Captain who is sucked into a new world with a squad of United Nations soldiers. After several brutal attacks by Nerscyllas (large spiders) and a Diablo (gigantic monster who can swim in the sand – think Tremors), Artemis is left alone and injured on an isolated rock oasis. After a wild They live-esque brawl, Artemis teams up with Hunter (Tony Jaa), a fellow warrior who was also left stranded on the rock oasis after his Monster Hunter squadron was ambushed by Diablos. Together, the two have to figure out how to defeat the Nerscyllas AND Diablo, so they can escape the desert death trap and continue on with their mission. The good news is that this happens in the first 45 minutes! The rest of the film won’t be spoiled, just know that it involves gigantic monsters, explosions, and a cheeky cat.
Monster Hunter is a wonderful popcorn film that doesn’t take itself seriously, and solely focuses on people fighting monsters (it’s very refreshing). Anderson wanted the movie to look authentic, so he and Jovovich traveled to Namibia in an effort to capture the feel of the game, and showcase vast stretches of desert that add to the production design. The monsters all look great, and they feel like legitimate threats that can only be defeated with critical thinking and lots of slow-motion. The cinematography by Glen MacPherson (Pompeii, The Three Musketeers) captures the African landscapes and monster mayhem expertly, and he must love working with Anderson because it’s their sixth film together.
Final thoughts – The movie is called Monster Hunter. Enjoy the monster hunting. Also, it’s super cool seeing action icons Jovovich and Jaa in the same film.
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Deep Blue Sea – The Podcast – Episode 43: Little Bouncing Sharks, Precision Jumping, and Shark in Venice
You can listen to Deep Blue Sea – The Podcast on Apple Podcasts, Spreaker, Spotify, Tunein, Podcast Addict, Amazon, Google Podcasts, and everywhere else you listen to podcasts. Also, make sure to like our Facebook page!
Please make sure to rate, review, share, and subscribe!
Jay and Mark are joined by Emily Slade (@whythisfilmpod on Twitter) to discuss the sixth chapter on the Deep Blue Sea 2 DVD. In this episode, they talk about little bouncing sharks, precision jumping, and Shark(s) in Venice. Enjoy!
Make sure to listen to Why This Film Podcast wherever you listen to podcasts!
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Quick Thoughts: Grade – B- – The Simon McQuoid directed reboot brings a welcome dose of head smooshes, errant knife throws, and fights that end with people being split in half. However, the copious setup and expository dialogue keep it from being something special.
The latest reboot of Mortal Kombat focuses on several chosen fighters trying to prevent an apocalypse that will destroy earth. Their goal is to stop Shang Tsung (Chin Han), the ruler of Outworld from winning a 10th Mortal Kombat tournament in a row. The 10th victory will allow Outworld to invade earth, enslave humanity, and turn it into a gross place that features lots of statues, and endless arid landscapes (filmed in Australia, the location shoots add nice production value to the film). Understandably, Lord Raiden (Tadanobu Asano), the protector of earth, and Cole Young (Lewis Tan), Liu Kang (Ludi Lin), Sonya Blade (Jessica McNamee), Kano (Josh Lawson), Kung Lao (Max Huang) and Jax (Mehcad Brooks) don’t want this to happen, so they team up, partake in several training montages, and eventually engage in bloody battles with Outworld’s champions.
The majority of the press surrounding the reboot focuses on the R-rated violence and super choreographed brawls that showcase how hard the actors worked to get prepped for the film. While the fights do deliver some fun fatalities, it seems like the majority of the attention was focused on the fights and blood, and not on a cohesive story. To be fair, there is lots of story (maybe too much), but most of it is explained by characters who have to do some gnarly expository drops throughout the 100-minute film. Basically, in a film about a fighting tournament, there is a lot of talking about the tournament, and no actual event. It was a gutsy choice by writer Greg Russo to have the actual tournament take place in the not yet green-lit sequel, and hopefully with the film pulling in $20+ million in its domestic opening, the world will be able to see a proper Mortal Kombat.
The best part about Mortal Kombat is that it provides a showcase for Joe Taslim (The Night Comes for Us, The Raid), Lewis Tan (Wu Assassins, Into the Badlands), Jessica McNamee (The Meg), Josh Lawson (House of Lies), Mehcad Brooks (True Blood, Supergirl), Ludi Lin (Power Rangers) and Max Huang (Skiptrace, Bleeding Steel). They are likable actors who look the part, and trained incredibly hard to make the fights more believable (it’s nice seeing the actors do most of the stunts themselves). If anything comes out of Mortal Kombat, it’s that people check out The Night Comes for Us and The Raid, two action classics that feature Joe Taslim, and need more love.
Final thoughts: Mortal Kombat is worth watching, it just doesn’t have enough personality to make it be anything more than a fun action film.
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Quick Note – There’s no way to know how sweaty Fast Five is (it’s wildly sweaty). However, I tried my best to provide a reasonable number to a very random subject.
I love the Fast & Furious franchise, and have pretty much analyzed every aspect of the nine movies that have been released since 2001. With the 10th anniversary of Fast Five coming up, I remembered Shea Serrano (read his book Movies (And Other Things)), and copious publications talking about how sweaty Dwayne Johnson, and the rest of the characters in Fast Five are. Also, during an episode of Deep Blue Sea – The Podcast, we discussed strategic sweat with guest Nick de Semlyen, and the conversation lead us to the sweaty-lore of Dwayne Johnson. These observations and past conversations are correct, after rewatching the movie again, it’s clear that several characters seem to swim in Evian spray and glycerin concoctions that keep them looking like the characters from Deep Blue Sea after they’ve been waterlogged for several hours.
In honor of Fast Five’s upcoming 10th anniversary (April 29), here’s an in-depth study that compares the sweat output of Luke Hobbs (Dwayne Johnson) to the other central protagonists.
Data Collection
- I rewatched Fast Five, and took notes of the scenes that featured characters sweating. For example, when Dwayne Johnson sweats while looking at a computer, the note “Hobbs sweats while he is thinking” was included. The note were meticulous.
- I only included the sweat I saw on screen. This data is weird enough, I didn’t want to include hypothetical sweat. This meant I looked at arm, forehead, goatee, neck, chest, and shirt sweat. Also, there’s no way I could get a 100% correct answer, so like my other data posts, I went out of my way to make sure the data makes sense via research and actual testing.
- What does on screen sweat mean? I only noted the sweat I saw because I wanted to have somewhat reliable data. Sure, the characters sweat when they are offscreen, and it’s an absolute possibility that Hobbs sweats when he brushes his teeth. But, the viewer never sees the perspiration, so to include hypothetical sweat would involve way too much unreliable guesswork.
- Initially, actual sweat science was going to be applied to each character. However, the varying degrees to which the characters sweat (or don’t sweat at all), kept actual real world data from being used. Basically, Hobbs sweats while he does nothing, whereas, Roman (Tyrese) never sweats during his time in Brazil. While researching the film, I’ve learned the Fast world is filled with incredibly non-sweaty people, and a few super-sweaters whose perspiration is inspirational.
- To figure out how much they were sweating I used a few different methods. To not be a total jabroni, I went outside and cleaned gutters, moved around some concrete pieces from a slab that was recently broken up (I wish I had the idea a couple weeks ago), and jumped rope to get sweat data. I weighed my shirt beforehand, then weighed it again during various periods of sweat.
- I used a food scale to weigh the shirts, and I used drops of water to recreate the sweat.
- The weather was quite wonderful, so I wasn’t able to completely drench my shirt with sweat. That’s why I had to use other methods
- I used four shirts (V-neck and Under Armour), and I meticulously added water to pits, neckline, back and eventually the entire shirt. I weighed them during each step to make sure I had enough data. I didn’t soak the shirts under my sink, then flop them onto a scale. Care was taken to recreate the sweat (Yes, it’s weird).
- I didn’t bother researching sweat density compared to water. Why? Since the Fast world is so bonkers, I figured water would be a fine substitute.
Another Quick Note: This data is not 100% correct. The world will never know how much each character in Fast Five sweats. However, because I’m a maniac, the results are fair, and they are a solid representation of what we see onscreen.
How much does Luke Hobbs sweat in Fast Five?
- Amount of Sweat – 4 ¼ cups of water (34 fluid ounces of sweat – 1.0055 liter)
- Sweatiest Moment? – After Hobbs is done chasing Dom through the streets of Rio, his shirt, bullet-proof vest, head and arms are soaked. It’s impressive.
- Does he sweat too much? – Who am I to say? However, there’s a moment when his goatee sweats more than three grown men.
- Hardest Part of Data Collection – The finale of the film sees Hobbs fighting Dom (lots of sweat), engaging in a gunfight (more sweat), and then helping Dom (more sweat). The problem is, his shirt would be sweaty all day, so it was hard to gauge how much sweat poured out of him.
How much do the protagonists (Dom, Brian, Roman, Tej, Mia, Han, Gisele, Vince, Leo, Santos ) sweat in Fast Five?
- Amount of Sweat – 3 cups of water (24 fluid ounces of water – .709 Liter)
- Sweatiest Moment – While Vince has some wonderfully sweaty moments, the fight between Hobbs and Dom features Dom getting very sweaty.
- Do they sweat too much? – Nope – The crew rarely sweat. Does that make them cool? Are they so cool that they don’t sweat?
- Hardest Part of Data Collection – The characters rarely sweat. Dom, Vince, Mia and Brian are the main culprits. I had to give my full attention to catching sweat droplets. I never thought I’d ever do something like this….
Discussing the robbery in a hot warehouse – No sweat
Tej has been working in his hot Miami garage. No sweat
Finally! Sweat.
Initially, the results were surprising because it was a bit of stretch to consider that one character could sweat more than 10 other characters. However, after watching the movie again, there’s no comparison. It’s fair to say that the most unbelievable aspect of Fast Five is not the bank vault chase, it’s the fact that Hobbs sweats so much more than any other character. Even his team never sweats, and they have to take a car apart, and then put it back together – in a hot workshop.
They aren’t sweaty….He is.
Maybe it’s Johnson’s background in wrestling that taught him to always be spritzing, or that he went method as he saw Hobbs as someone who sweats more than any human alive.
Conclusion – Hobbs is a very sweaty person. All of the observations were correct.
If you like this random post, make sure to check out my other random data.
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Deep Blue Sea – The Podcast – Episode 42: Beefcake Islands, Misty Quips, and Baby Shark Gangs
You can listen to Deep Blue Sea – The Podcast on Apple Podcasts, Spreaker, Spotify, Tunein, Podcast Addict, Amazon, Google Podcasts, and everywhere else you listen to podcasts. Also, make sure to like our Facebook page!
Please make sure to rate, review, share, and subscribe!
Jay and Mark are joined by Kaitlin McNabb (@kaitlinmcnabb on Twitter) to discuss the fifth chapter on the Deep Blue Sea 2 DVD. It’s a wild chapter that features petrified sharks, roaming groups of baby sharks, and a boat slowly driving into some large gasoline barrels. Also, this is the chapter that gives us the “Shark Mouth Camera,” which you need to see to believe. In this episode, they discuss beefcake islands, Misty quips and baby shark gangs. Enjoy!
Make sure to read Kaitlin’s review of Deep Blue Sea 2. It’s wonderful
Movies, Films & Flix 