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The MFF Podcast #118: Predicting the 2008 Academy Awards

February 27, 2018

 

You can download the pod on Itunes, StitcherPodbean, or LISTEN TO THE POD ON BLOG TALK RADIO.

If you get a chance please make sure to review, rate and share. You are awesome!

The MFF podcast is back and we are predicting who would win the 2008 Academy Awards! We know they happened 10 years ago but we wanted to go back and see who would win today. With 10 years behind us, we look at the nominees and see if opinions have changed and whether or not they still hold up in today’s world. In this pod, you will hear us answer some very important questions about the nominees and 2007 movies.

  1. Would No Country for Old Men still beat out There Will be Blood?
  2. Does anyone remember Michael Clayton?
  3. Why wasn’t Hot Rod nominated for anything?
  4. Would Roger Deakins win?
  5. Does Live Free or Die Hard feature the most property destruction caused by one man?
  6. Does Hot Fuzz feature the best mustaches of 2007?

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As always, we answer random listener questions and discuss Rod’s massive mountain fall in Hot Rod. If you are a fan of the podcast make sure to send in some random listener questions so we can do our best to not answer them correctly. We thank you for listening and hope you enjoy the pod!

You can download the pod on Itunes, StitcherPodbean, or LISTEN TO THE POD ON BLOG TALK RADIO.

If you get a chance please make sure to review, rate and share. You are awesome!

MFF Special: Analyzing the Similarities Between Ernest Goes to Jail and Paddington 2

February 26, 2018

Let me start off by saying that I absolutely love Paddington 2 and think it earned its 100% Tomatometer rating. I also think its the most charming thing since Paddington and I’m not writing this post to be provocative or say Paddington 2 ripped off Ernest Goes to Jail (how crazy would that be though?). I just noticed some similarities and wanted to share them with the world because as somebody who was borns in the 1980s and grew up in the 1990s I am a big fan of Ernest P. Worrell movies despite their less-than-stellar quality. I’ve probably written too much about Ernest Scared Stupid and I can name off the Ernest films like Forrest Gump’s Bubba names off different ways you can cook shrimp.

If you’ve been reading MFF for some time you know that I write about a lot of random topics and enjoy embracing things that nobody else would care to think about. Thus, don’t take this post too seriously because I am drawing loose comparisons in an effort to add more random things to the internet.

1. They Make Money by Cleaning Things

Ernest P. Worrell works as a night janitor at the Howard County Bank in hopes that one day he will become a bank teller. Paddington cleans windows so he can buy his aunt Lucy a sweet pop-up book of London. Both consider these jobs to be stepping stones to bigger and better things.

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2. They Use Toothbrushes Uniquely

Paddington shoves toothbrushes into his ears to clean out gunk and Ernest creates a toothbrushing invention that shoves about six toothbrushes into his mouth to cut down on brushing time.

The clip of Paddington meeting the electric toothbrush is cued up below.

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3. Ernest and Paddington Aren’t Great at Their Jobs

Both Paddington and Ernest are totally earnest about doing great work, but they always find ways to magnetize themselves, destroy a dude’s hair, or cause lots and lots of property destruction.

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4. Both Have Iconic Hats

When you think about Ernest and Paddington, it’s almost impossible to imagine them without their iconic and familiar hats. They are on full display in both movies.

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5. The Main Characters Get Stuck in Prison Even Though They are Innocent.

Neither character did anything to be put in jail, but for various reasons they are stuck in the slammer and need to get out to prevent a robbery and clear their names. Ernest is in jail because his doppelganger Felix Nash switched places with him when he was visiting a prison for a jury duty assignment. Poor Paddington was at the wrong place at the wrong time and was blamed for a robbery.

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6. Mistakes Made While Doing Their Jobs Come Back to Help or Haunt Them

Paddington gets an insane prison sentence partly because he destroyed the hair of the judge presiding over his trial. Ernest survives the electric chair because he was magnetized earlier in the film when he was cleaning the bank.

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7. The Bad Guys Plan on Getting Rich While The Heroes are Imprisoned. 

Hugh Grant pursues lost treasure in Paddington 2, while Nash plans on robbing the bank that Ernest works at.

You need to listen to the How Did This Get Made episode where they cover Ernest Goes to Jail. I love that June Diane Raphael thinks “evil” Ernest oozes sexuality.

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8. Security Guards From the Previous Films are Working for Different Companies

The MVPs of both films are Chuck (Gailard Sartain), Bobby (Bill Byrge), and Barry (Simon Farnaby). They provide legit laughs and there is just enough of them to make you want more.

Sidenote: Watch Mindhorn. It is hilarious and Simon Farnaby wrote it.

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9. Disguises are Worn

Both Ernest P. Worrell and Phoenix Buchanan love dressing up in order to fool authorities, bystanders, and security guards.

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10. Paddington and Ernest are Terrible at Washing Things

Whether it be Paddington turning all the prisoner’s clothes pink or Ernest almost killing himself in his homemade washing machine, the two characters just can’t get the cleaning done successfully.

Take a look at the clip below because Jim Varney was a very good physical comedian.

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11. People in the Prison Wear Pink

The prison guards wear pinkish uniforms in Ernest Goes to Jail and the prisoners in Paddington 2 have to wear pink outfits because of Paddington being terrible at washing clothes.

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12. The Heroes Win Over the Prison’s Most Dangerous Criminals

Paddington winning over the incredibly scary Knuckles McGinty (Brendan Gleeson) made me really happy and I love their relationship. Also, I really like Ernest’s relationship with Lyle (Randall “Tex” Cobb) because it started off rough,  but Ernest eventually wins over Lyle and they became best buds.

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13. They Escape From Prison to Prevent Heists

The escapes are much different, but the fact remains that both characters escaped prison to stop a robbery.

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There you have it! Paddington 2 and Ernest Goes to Jail are totally different films that have many similarities.

If you like this random post make sure to check out the rest of my random data.

  1. Jet Ski Action Scenes Are the Worst
  2. Zara the Assistant and Jurassic World Had a Bad Day
  3. Breaking Down The Mariner vs. Sea Beast Battle in Waterworld
  4. How Long Did it Take The Joker to Setup the Weapon Circle in Suicide Squad?
  5. Michael Myers Hates Blinkers
  6. How Far Does the Creature From It Follows travel?
  7. Jason Voorhees Can’t Teleport?
  8. How Far Did the Merman Travel in The Cabin in the Woods?
  9. How Far Did Matthew McConaughey Jump in Reign of Fire?
  10. How Fast can Leatherface Run?
  11. Deep Blue Sea and Stellan Skarsgard
  12. How Far Did Michael Myers Drive in Halloween H20: 20 Years Later
  13. How Did the Geologist Get Lost in Prometheus?
  14. People Love a Bearded Kurt Russell
  15. A Closer Look at Movies That Feature the Words Great, Good, Best, Perfect and Fantastic
  16. An In-Depth Look At Movies That Feature Pencils Used as Weapons
  17. Cinematic Foghat Data
  18. Explosions and Movie Posters
  19. The Fast & Furious & Corona
  20. Nicolas Sparks Movie Posters Are Weird
  21. Predicting the RT score of Baywatch
  22. The Cinematic Dumb Data Podcast
  23. What is the best horror movie franchise?
  24. How Fast Can the Fisherman Clean a Trunk in I Know What You Did Last Summer?
  25. It’s Expensive to Feature Characters Being Eaten Alive and Surviving Without a Scratch
  26. How Long Does it Take Your Favorite Horror Movie Characters to Travel From NYC to San Francisco?
  27. What was the Guy’s Blood Pressure in Dawn of the Dead?
  28. Why Were There So Many Lemons in National Treasure?
  29. How Far Does The Rock Jump in the Skyscraper Poster? 

The Snowman: A Bad Film Made By Talented People

February 23, 2018

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Many people run away from films like The Snowman because they don’t want to waste their time watching something that is incomplete, incoherent and disliked by its director. I totally get why people wouldn’t want to watch a movie that director Tomas Alfredson (Let the Right One In, Tinker Tailor Soldier Spy) admits isn’t complete because he couldn’t shoot 10-15% of the script due to a rushed shooting schedule and limited prep time. However, I ran towards The Snowman because I was intrigued by the drama, weird posters and behind the scenes talents like Martin Scorcese (executive producer), Thelma Schoonmaker (editor), Michael Fassbender (star) and Maria Djurkovic (production designer). I also am a big fan of Jo Nesbo’s books that feature the alcoholic/brilliant Norweigan detective Harry Hole (think Hole-eh) solving crimes while dealing with his demons. On paper, The Snowman should’ve been awesome but the end product turned out to be gloriously confusing.

I hate being here….

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The Snowman focuses on a maniacal killer who murders women, leaves a snowman at each crime scene, and harasses a brilliant detective named Harry Hole (Michael Fassbender).  The super detective works in Oslo and occasionally finds himself in drunken stupors that force him to endure many cold nights because he is passed out in snow banks (this means he is very conflicted). During the investigation, he gets a new partner named Katrine Bratt (Rebecca Ferguson) and the two embark on a twisty investigation that involves fantastic actors like Charlotte Gainsbourg, Val Kilmer, Chloe Sevigny, Toby Jones, James D’Arcy, and J.K. Simmons engaging in moments that will make you scratch your head in confusion (because many scenes don’t go anywhere).

I’m not quite sure why the creators decided to introduce the Harry Hole character with this film because it skips ahead several books and features some silliness that only works on the page. When reading The Snowman I never considered the snowmen to be silly, but when watching the movie I couldn’t help but smile and think about Calvin & Hobbes’ cold creations. The pacing, acting, and lack of enough footage makes me think that nobody really wanted to be on the set and they all regretted signing on to the project. The immense amount of apathy is evident in Michael Fassbender’s performance. I’m not sure if the director wanted him to be constantly morose and lethargic or Fassbender saw the writing on the wall and just wanted it over. I don’t think he would torpedo any role but when The A.V. Club compares his performance to a “teenager forced to attend a family party” and a “sloth suffering from clinical depression” you know something is wrong.

At first, it seemed like people were unfairly dogpiling negativity onto the movie because of the cheeky snowman and that fact that main character is named Harry Hole. I couldn’t fathom a world where this much talent is wasted and the end product features Val Kilmer’s lines being totally redubbed by someone who sounds nothing likes Val Kilmer. Also, I wish I could’ve been a fly on the wall when Oscar-winning editors Thelma Schoonmaker and  Claire Simpson did everything in their power to make The Snowman as coherent as possible. Then, when they realized the finished film was nowhere near coherent due to a lack of footage they went ahead and turned it into a funky art project that confused everyone and probably made studio executives pull their hair out with stress.

If you are into watching very talented people creating a very confusing movie you will love The Snowman.

 

The 18 Best Villains of the 21st Century

February 20, 2018

I have a weird taste in villains. They aren’t always the evilest or most celebrated and many of the jerks featured here won’t come anywhere near a normal list that supposedly features iconic bad people. The following 18 villains range from full-on evil to slightly maniacal and they encompass everything that villainy is. What I love about these characters is that there is so much more to them than an evil laugh or black hat. If you are looking for a mustache-twirling jerk you won’t find any on this list. What will you find? A cornucopia of three-dimensional people who harass innocent people for believable reasons.

Scarecrow is my favorite villain in The Dark Knight Trilogy.

Mason – Snowpiercer 

Tilda Swinton was awesome in Snowpiercer. Her performance was wildly over-the-top but it created a memorable character who felt relatable and very unlikable. Mason was a shoe loving maniac who did the dirty work on a dirty train and you kinda understood her. I’ve always been a fan of bureaucratic villains who are doing their job because they have a boss who is much crazier than they are. She kept the train on its tracks and it couldn’t have been easy appeasing everyone on board. Mason made the list because she represents the middle-manager of villains who somehow makes a mastermind’s vision work.

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Violet / Colin – Cheap Thrills

Violet and Colin make for fantastic villains because they are smarter than they seem and expertly bring the pain to unexpected schmoes. Who are they? Are they really together? The mystery behind their characters is handled perfectly because I never cared about their end game and wasn’t worried about their backstories. It’s obvious they had participated in the sick game before and everything they do leads to a heartbreaking conclusion. Thus, they are straight up psychopaths who have become good at manipulation over the course of manipulating many other people. Koechner and Paxton’s performances are spot-on and it was a fantastic surprise watching Koechner channel something relatable and very scary.

Sidenote: Technically Colin and Violet are two people which makes it 19 villains on the list. However, look at them as one team.

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Kyung-chul –  I Saw the Devil

I can’t recommend I Saw the Devil because it is way too insane for mass consumption. It is a draining experience that is anchored by an incredible performance by Min-sik Choi. His performance embodies evil and the character is so layered it’s terrifying because people this cinematically evil shouldn’t have layers. Choi is one of my favorite actors and I don’t think anybody else could pull off this performance because he is one of the few people who can blend sanity, insanity, melancholy and intelligence believably. If you are looking for something that will hurt your soul (in a good way) I totally recommend I Saw the Devil.

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Artemisia – 300: Rise of an Empire

Eva Green owned every second of 300: Rise of an Empire. She straight up went for it and seemed to be having a blast playing Artemesia. I love when actors own their roles and dive into absurdity with zero self-consciousness. Green gave us a fantastic villain who is way more textured than she had any right to be. Artemisia had something to fight for and earned her right to lead a massive army. While watching 300: Rise of an Empire I wanted her to win and eventually turn on Xerxes and conquer the world. Also, Eva Green is the best and her presence in a movie like this automatically lifts its quality and makes it much more enjoyable.

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Joe Cooper – Killer Joe

Before McC was winning Oscars he was staring in this batsh*t crazy film. Directed by William Friedkin (French Connection, Sorcerer, Exorcist) the movie allows McC to unleash his good looks and charm on the dumbest family alive. He oozes menace and should have won the Oscar for this instead of Dallas Buyers Club. I’d put Joe right next to Patrick Bateman (American Psycho) because they both manage to trick the world into thinking they are somewhat normal while being crazy beyond belief. If you are up for the insanity I guarantee the final shot will punch you in the gut and will renew your faith in the McConaissance.

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Amy Dunne – Gone Girl

Shea Serrano of The Ringer is one of my favorite writers, and I loved an article he wrote about Rosamund Pike crushing it in Gone Girl. Here is my favorite excerpt:

Pike, a British actress who is becoming an indispensable modern talent, was in 2014’s Gone Girl with Affleck, and she absolutely obliterated him (and everyone else) in it. She was a true force; she put together this very charged, very unnerving, expertly paced character that nobody had ever seen before. (It’s her eyes that pull the trick off. She made them look a million miles deep and also totally and entirely empty, which had an oddly unsettling effect. More on this in a moment.) It was, no arguing, one of the finest acting performances of the year, and it rightly earned her an Oscar nomination for Best Actress. (The award went to Julianne Moore for her role in Still Alice. Moore is an unmistakable master, always, and even when she’s being silly she’s still remarkable, and I’m of course talking about her turn as a villain in the Kingsman universe. But Pike’s performance was an all-timer. That trophy belongs on her mantle.)

I agree that Pike’s performances is an all-timer and she did Amy Dunne proud.

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Rayna Boyanov – Spy

Rayna might be the biggest jerk on the planet. She is profane, deadly and has so much hair that it protects her when she falls to the ground. Rose Byrne is hilarious and I loved her caustic reactions and constant bickering with the equally funny Melissa McCarthy. I love how a woman who is planning on selling a nuclear bomb can come across as likable and redeemable while still being unlikeable. If you haven’t watched Spy do it now. You will love this loud kissing bad guy who dresses like a slutty dolphin trainer.

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Phantom – You Don’t Mess With the Zohan

John Turturo is amazing in You Don’t Mess With the Zohan. The reason The Phantom made the list is that of the sheer insanity of the performance. Turturo is one of my favorite actors and he dove into his performance of a Palestinian hitman with absolute aplomb. His performance is so good that whenever I think about the movie I smile and wonder why he didn’t win an Oscar for his reaction to punching a live cow during a training montage. You Don’t Mess With the Zohan is 100% bonkers, but it is original, funny and not self-conscious about its antics. Watch the clip below and tell me he isn’t the most likable “bad guy” ever.

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The Entity – It Follows

The reason the It Follows creature made the list is because it is absolutely terrifying. It never stops and has a one-track mind to kill and hunt. It will keep following you until you are dead and even if you pass along the curse it will always be coming for you. The thing is always walking and changing its rules which I like because it leaves room to explore and analyze what the heck it could be. The fact that it has the right amount of mystery surrounding it makes it more intriguing because you never know what it is doing or thinking. I just know that you never want this thing following you because it will travel very far distances (make sure to read my post about its travels).

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Goro Inagaki – 13 Assassins

I’m going to quote the great Roger Ebert when breaking down the Inagaki character:

13 Assassins has what many action pictures need, a villain who transcends evil and ascends to a realm of barbaric madness.

I agree with Ebert. The dude is the definition of a badass evil monster and I don’t think I’ve ever wanted the film’s hero to defeat a bad guy more. Inagaki represents evil unchecked and he is the perfect villain for an action film because you want to see him stopped. He is a guy who has been able to flourish and murder for years because his brother is the Shogun of Japan. He is nothing special and uses his protection to murder, rape and destroy people who can’t do anything about it. He is an evil creature that can only be stopped by people who will die in the process. This means the heroes must accept their fate and do what they have to do to stop an evil man. 13 Assassins is a great action film because you buy into the mission of the heroes.

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Anton Chigurh – No Country for Old Men

How dangerous is Anton Chigurh? That is really hard to quantify because he is the epitome of unstoppable and his brand of evil can only be compared to the bubonic plague. Whenever Chigurh is onscreen you are on-edge of your seat and when people call him “the ultimate badass” you don’t disagree. I love how Javier Bardem didn’t play Chigurh too broad and instead focused on exuding a quiet menace that you believed. When was the last time you looked at a bad guy and immediately knew they were legit? I love No Country for Old Men and a big reason for that is because it has an all-time badass bad guy.

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Dr. Jonathan Crane (AKA The Scarecrow) – The Dark Knight Trilogy

Cillian Murphy and his creepy intelligence provide a backbone to the series and a perfect representation of the Gotham villain. He is a survivor that will always be a thorn in the side of Batman and when you think he is done-and-dusted he comes back with more power. I love this type of villain because he is not all-powerful or consumed with revenge or anarchy. He is simply good enough to stay alive and prosper in the craziest city in the world without the usage of fighting skills, superpowers or face paint. Also, Cillian Murphy is awesome and seeing him reappear in each film was a big surprise and delight.

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The Joker – The Dark Knight

The reason The Joker made this list is that of one scene that features him throwing punches and kicks at Batman. I know he had a master plan and was able to rally an army of thugs who put Gotham in a headlock. However, none of that mattered to me and actually proved to be his demise because of the sheer insanity and scale of the plan. What matters most is how he got his hands dirty and lead by example via throwing punches (and using his henchmen as shields). I appreciate any human villain who tries to fistfight a superhero because it proves they aren’t scared to lead their troops.

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Baron Zemo – Captain America: Civil War

I knew I couldn’t kill them, more powerful people have tried. But, if I could get them to kill each other….

It was heartbreaking watching Zemo listen to voicemails that his deceased wife left him while superheroes tried to kill each other (which he caused) in the background during Captain America: Civil War. I love that one dude was able to create a civil war via intelligence, hate, and brutality. What Zemo did was terrible, but when he listens to those voicemails you begin to understand him and appreciate that Black Panther takes mercy upon him. I will never say what villains do is justifiable, however, I understand why Zemo went on his rampage and I’m impressed that he was able to accomplish carnage in a world full of superheroes.

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Danica Talos – Blade: Trinity

Parker Posey is transcendent (hair included) in Blade Trinity. She owns the role of a yuppy vampire who awakens a male model Dracula to battle Blade. Roger Ebert summed up her performance perfectly:

“Parker Posey is an actress I have always had affection for, and now it is mixed with increased admiration, for the way she soldiers through an impossible role, sneering like the good sport she is.”

Lake trout loving Posey soldiers on through a soul-crushing script and copious amounts of slow-motion walking. Without her, we never would have seen this kick (10-second mark) or heard the insult “c*ck juggling thunder c**t.” While watching I felt she was on another level of performance. She realized the production had its troubles (read this article) and she went full vamp. Her committed performance is one of the reasons Blade: Trinity has become a watchable bad movie staple

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Doc Ock – Spider-Man 2

Spider-Man 2 is one of my top three favorite superhero films (Unbreakable, X2) because of Alfred Molina’s performance. There is something very human about Doc Ock and that is why I was always engaged during his battles with Spider-Man. When Doc Ock met his inevitable fate it hurt my soul because he is a guy who suffered a terrible tragedy and continuously tries to do good despite the insane arms attached to him. A great hero needs a great villain and that is why Spider-Man 2 is one of the best comic adaptations ever made.

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Hans Landa – Inglorious Basterds

Christoph Waltz is one of the best actors on the planet and his portrayal of Hans Landa was perfect. He deserved to win the Academy Award and I guarantee you won’t find a better-acted villain this decade. I love how he is simultaneously smart, conniving, kind, brutal and ultimately weak. He is a man who has been given a lot of power and his downfall occurs because he never considered that other people might be smarter than him. His downfall is what makes him three-dimensional and so much more than his insanely large smoking pipe and interrogation methods. Christoph Waltz is the best.

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Stephen – Django Unchained

Stephen is a bad guy you need to watch because he is so much more than what he pretends to be. At first glance, you’d think he is the loyal right-hand man to Leonardo Dicaprio’s Calvin Candie character. However, as the movie progresses you begin to realize he is the one pulling the strings and might or might not be as fragile as he acts. My favorite moment of Django Unchained features Stephen calmly standing up without his cane and it proves he is a diabolical snake in the grass. The dude doesn’t need that cane and his entire act is a ruse to make people think he is a fragile man who is content playing second-fiddle to a powerful southern gentleman like Candie. Also, between Jumper, Kingsman: The Secret Service and Kong: Skull Island as has a fantastic 21st-century villain resume.

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Honorable Mention

Red Lipstick Demon – Insidious

Insidious is a tour de force of beautiful low budget horror. The red lipstick demon is a massive jerk and the moment when he appears behind Patrick Wilson you are scarred for life. I love the Insidious trilogy and no other film series has stressed me out more. The Red Lipstick Demon represents true horror and evil because all it wants is to hunt and hurt people. When you look at the best horror films ever made they all have something in common. The best horror films feature memorable villains who pose a real threat and scare the shit out of you. Director James Wan created a villain that sticks with you and makes you think twice about the shadows in your home.

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Who are your favorite villains? We’d love to know.

Accident Man: A Fun Action-Comedy That Features Scott Adkins Best Performance Yet

February 17, 2018

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Accident Man is a very fun action-comedy that features legit brawls and Scott Adkins best performance yet. It helps that he adapted the screenplay from a popular comic book and brought in other big names like Ray Stevenson, Michael Jai White, Ray Park and David Paymer to act alongside. Adkins is best known for his amazing fight choreography in independent action movies and you might’ve seen him in supporting roles in larger films like X-Men Origins: Wolverine,  Dr. Strange, and American Assassin. It makes me happy that he is fine-tuning his acting skills while perfecting his face kicking craft.

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Accident Man revolves around a hitman named Mike Fallon (Adkins) who earns his money by making his hits look like accidents. The dude is highly effective and only sees his victims as ways to buy himself more motorcycles and sweet leather jackets. He is part of a hitman collective that is run by Big Ray (Ray Stevenson – always good) and features various murderers like Mick & Mac (Michael Jai White, Ray Park), Jane the Ripper (Amy Johnston), Carnage Cliff (Ross O’Hennessy), Poison Pete (Stephen Donald) and Finicky Fred (Perry Benson). They all convene at a private watering hole called The Oasis where they drink, talk smack and learn about their next kills.

Things start going south when Mike is tasked by accountant Milton (David Paymer) to pick up the money from his latest hit. During the pickup, he is almost killed and things start to unravel from there as he also learns his ex-girlfriend was murdered by one of his hitmen buddies. This leads to a lot of drama because if Mike pursues the killers it means he will be out of The Oasis and have a hit order placed on his head. Things go predictably bad and we treated to showstopping brawls and a fun flashback that makes me wish that Ray Stevenson was in more movies. Check out the trailer to get a feel for the tone.

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I like that Scott Adkins went out of his comfort zone and took on a dialogue-heavy role that is reminiscent of Jason Statham in movies like Snatch or The Bank Job. He has already proved his physical prowess in movies like Universal Soldier: Day of Reckoning, Boyka: Undisputed, Get the Gringo, and Hard Target 2, so it’s cool watching Adkins switch spin kicks for monologues. His hands are all over The Accident Man and I appreciate that he wrote, produced and brought in actors that could push him physically and help him be more comfortable when delivering dialogue. Accident Man proves that Scott Adkins is always looking to improve and I hope his brand of action becomes popular with the mainstream and we are able to get some huge Adkins action spectaculars in the future.

If you are a fan of Scott Adkins you need to check out Accident Man.

 

 

 

 

 

MFF Special: How Far Does the Creature From It Follows Travel?

February 15, 2018

The creature from It Follows could become a Detroit tour guide when it gets tired of hunting down teenagers. It has probably covered every inch of the city and surrounding suburbs in its quest to murder its victims. In fact, not only does it know Detroit but it is familiar with the northern area of Michigan and has enjoyed a lot of the coastal areas as well.

Here it is admiring the University of Detroit

In an effort to track the movements of the monster I searched for all the filming locations and have come up with an estimated travel total that I’m quite pleased with. Director David Robert Mitchell didn’t make it easy because there are moments during the film in which you have no idea where Jay was going or why it took about 14-hours to make a five-hour drive up North (I’m guessing sleep). However, after getting a feel for the locations and timeframe I know how far the creature traveled because the layout of the locations fit its movements.

Here it is at the very nice private beach in northern Michigan

Here are some assumptions and timeframes I’ve come up with.

  1. The creature moves at a 20-minutes per mile pace and is always moving. Thus, the total for any 24 hour period is 72 miles.
  2. Jay first becomes cursed around 9:00PM at night while at the abandoned Northville Psychiatric Hospital. This is when I’ve started clocking the miles of the monster
  3. The film takes place over the course of 15 days. This may seem like a long time frame but the trip that our heroes take to a northern beach house in Whitefish Point in northern Michigan covers 10 of those days. I chose Whitefish Point because it is on the furthest tip of Michigan and the mileage works out almost perfectly when taking the speed of the monster into account. Also, the gang started their trip around 9:00PM and drove through the night and arrived at the beach house around 12:00PM. The total trip was around 15 hours so I’m assuming they slept, got supplies and had a long breakfast to cover the 15 hours. The total mileage is 702 miles (9.75 days walking).
  4. I’m assuming that the creature always reroutes itself and follows the quickest route when its prey changes locations. Since it can’t just walk through homes I think it uses surface roads, alleys, and areas that aren’t fenced off to get to its prey.
  5. The director David Robert Mitchell uses Detroit as a character so I’m going to use the filming locations as the actual locations in the story. The neat thing is they actually work really well in regards to the creature’s movements.

Below is a breakdown of the days and locations I know Jay visited. I could’ve easily just added up the hours and miles walked and called it a day, but I wanted to give you a feel for the creatures travels and show you the above assumptions make sense.

Sidenote: There is a 0% chance of actually knowing how far the creature followed Jay. However, since you won’t get an exact answer I wanted to make sure the timeline and math were correct to give you the best representation of the following.

Here is the creature traveling back to Detroit.

  1. Day One 9:00PM – 12:00AM – Jay becomes infected with the horrible curse at the abandoned Northville Psychiatric Hospital and is driven back to her house and eventually to the local hospital.
  2. Day Two  –  Jay leaves the Hospital and goes home to get ready for school. She heads to the University of Detroit around 9:30AM where she first sees the creature. The timeframe works because it had about 12 hours to pinball around and make it to the school. During this time Jay covered 63 miles. However, since the creature didn’t have to walk those 63 miles due to its course correction, it makes sense that 12 hours would only be needed because the creature started towards the house/hospital and was able to course correct to the university which is only 17 miles away from the abandoned building.  After Jay runs away from the creature she goes to Clark’s Ice Cream and Yogurt then drives around for a while and goes home. 
  3. Day Three  – Jay is still awake late at night (for good reason) when a window is smashed in and the creature comes after her. She runs to a park and meets up with the rest of the gang. From there they drive to an abandoned house, Clawson High School, Jeff’s home in Troy and eventually head to Jay’s house to pick up supplies and clothes. The gang then starts driving overnight to Whitefish Point. The creature is pinballing all day over Detroit and surrounding areas and because of this it never catches up to Jay (must be annoying). 
  4. Day Four  – The crew posts up at a sweet Beach house. 
  5. Day Five – Beach
  6. Day Six – Beach
  7. Day Seven – Beach
  8. Day Eight – Beach
  9. Day Nine – Beach – The creature finally gets to the beach after a 352-mile walk and it gets its hands on Jay. However, Jay escapes and the creature has to walk all the way back to Detroit. 
  10. Day Ten – Hospital – She passes the curse over to Greg
  11. Day Eleven – Hospital
  12. Day Twelve– Hospital
  13. Day Thirteen – Hospital – We know she has been in the hospital for three days because Greg mentions that “it’s been three days and there is nothing following me.”
  14. Day Fourteen – Jay finally goes home and watches Greg get killed by the creature. She drives away and spends the night in some woods. 
  15. Day Fifteen – Jay wakes up and walks toward a boat with some dudes in it. She then drives home and concocts a plan with her friends to kill the creature at a swimming pool that night around 11:45PM (the exterior for the pool is a different location than the interior. I’m sticking with the exterior location). I don’t want to spoil the rest because I’m not a jerk and there is some ambiguity.

The creature walked 1,017 miles while hunting Jay. I think this is a solid guess and the timeframe works if the following monster moves at the assumed pace.  I think this total makes it more frightening because the dang thing never stops and is always moving towards you at a leisurely pace in hopes of bending you up like a pretzel.

72 x 14 = 1,008 (14 full days). 3 x 3 = 9 (first day 9:00PM – 12:00AM). 1,008 + 9 = 1,017.

If you liked this random data make sure to check out the rest of my random posts! Also, a big thanks to Brian Raftery at Wired for interviewing me about this dumb data.

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John’s Horror Corner: The Ritual (2017), a great Netflix Original creature feature.

February 11, 2018

MY CALL:  This film really kept me on my toes. It never leads where you’d expect, but always tends to satisfy with its dark atmosphere and the mysterious evil force in the woods.  MORE MOVIES LIKE The RitualFor more Netflix Original horror, try Gerald’s Game (2017) or The Babysitter (2017). Some other great creature features that don’t play out to predictable expectations include Willow Creek (2013), The Hallow (2015), Grabbers (2012), Thale (2012) and Trollhunter (2010). And if you really dig horror movies that remove the secluded cabin and focus more on the horrors of the forest, check out podcast Episode 57: Podcast in the Woods.

After the tragic death of a close friend, a group of old college friends reunite for hiking expedition in northern Sweden approaching Norway—a venue chosen by their lost comrade.

Cast: Rafe Spall (Prometheus, Shaun of the Dead), Paul Reid (Vikings), Sam Troughton (Slumber, AVP: Alien vs Predator), Robert James-Collier and Arsher Ali. They all did a great, credible job as characters doing their best in a horrible situation, lost in the woods.

The consequence of a twisted knee, they are forced to take a shortcut home—bisecting the forest and cutting their trip in half in order to get their hurt friend to medical aid.  Of course, this is the worst idea in horror movie history! LOL. Short cuts all too often result in death. In fact, there’s an entire horror franchise named for such time-saving strategies… Wrong Turn (2003-2014; 6 films and counting, and they never turn out well).

All the typical clichés befall this film. But I appreciate their execution. They never feel tired or stale because everything is delivered naturally. Their compass stops working, but no one makes a fuss—things break, after all, so no need for commotion.  The woods get eerily quiet—but four chatty blokes in the woods might quiet the few active late-Fall birds and miles of trees could absorb some sound. They take selfies—but acknowledge their own silliness.  We all know they’re in for something bad, but nothing is overly staged for forced upon us.  Things creep up, they build, and we are never really sure where this ride is taking us.

Of course, things get a little weird after they stumble across a ritualistically gutted and suspended elk carcass (think Event Horizon or Predator) and then take shelter in a creepy witch house surrounded by wood-etched glyphs.  Between the opening and end of the first act, this feels a lot like Blair Witch (both the new Blair Witch and Book of Shadows) meets The Descentbut it won’t lead where you expect.  Loving the pacing, characters, execution and atmosphere all the way, you’re embarking on a delightfully weird path with this film.

The creature effects are solid!  You never see much of the monster, but what you do see looks awesome and effective.  It’s not something we’ve seen before in horror (at least, not that I’m aware), and it looks pretty cool!

Director David Bruckner (The Signal, V/H/S segment “Amateur Night”, Southbound) has a good filmography and I’ve enjoyed everything he’s done… but he was really hitting above his weight on this one!  Likable characters, creepy atmosphere, unique monster… to be fair, things get REALLY weird, but only in ways I enjoyed.

John’s Horror Corner: The Dunwich Horror (1970), an early Lovecraftian adaptation about a dark family secret and a tentacle monster.

February 10, 2018

MY CALL:  An early Lovecraftian adaptation that packs less punch, but rather nostalgia as I recount the subsequent films it clearly influenced.  MORE MOVIES LIKE The Dunwich HorrorFor more movie adaptations from Lovecraft’s writings, try The Resurrected (1991), The Reanimator (1985) and Dagon (2001). Although not specifically of Lovecraftian origins, his influence is most palpable in In the Mouth of Madness (1994), The Void (2016), The Shrine (2010) and Baskin (2015)—all of which are more gruesome to varying degrees.

Based on H. P. Lovecraft’s original story, Director Daniel Haller (Monster of Terror) tells the tale of the peculiar Wilbur Whateley (Dean Stockwell; Quantum Leap, Dune), a young academic who visits Arkham Miskatonic University to study Necronomicon. Wilbur is a student of the occult with a fascination for Yog-Sothoth, the Old Ones, and opening a gateway to another dimension.

Wilbur’s interests lead him to Nancy (Sandra Dee), whom he bewitches with his charm and lures her to his home in Dunwich, where he has a unique family history.

To call this “horror” feels a bit incomplete.  Dwelling more in the grey realm of horror fantasy it employs surrealistic dream-like horror elements, some entranced Woodstock-style nudity, a more historical exposition delivery and sexuality in lieu of monstrous make-up, scares, dread and blood.  Moreover, all the violence—including a tentacle monster attack—are reduced to implied acts which, by today’s standards, pack zero intensity.  Likewise, a drawn-out scene with a sacrificial virgin at the altar should have induced tension, but I never felt any.

Sure, I’m less impressed by many older horror films in terms of their execution.  They were made in an era when it was easier to scare, spook, impress, wow or simply show someone something they hadn’t yet seen on the screen.  Not just that, but at the time fewer stories had been told on screen. Quite to the contrary, my enjoyment of visiting this classic is noticing how it may have been the first (or one of the early films) to utilize certain techniques and motifs that would later be borrowed by Evil Dead (1981; the Necronomicon, the elemental evil POV ravaging through the woods after victims), The Kindred (1987; the tentacle monster brother), and many more.

So, yes, I enjoyed it. Would I recommend it? Not sure. I’d say no if you enjoy gore, effects, scares or tones of dread; yes, if you want to recount Lovecraftian mythology on screen.  This certainly makes me want to explore more Lovecraft adaptations.

John’s Horror Corner: Because Reasons (2017), Independent Short Film Review.

February 10, 2018

MY CALL: This lower budget short opens splendidly, but then middles and closes with blaring financial weaknesses.  However, the good that I saw has piqued my interest.

MORE Indie Reviews:  Here at MFF we occasionally do horror short film and pre-release indie film reviews on request. Among recent solicited promotions are Love in the Time of Monsters (2014; feature length), Interior (2014; feature length), Smothered (2014; feature length), In the Dark (2015; feature length), Brother (2016; short), Other Halves (2016; feature length), Scythe (2016; short). The Belko Experiment (2016; feature film, mainstream theatrical release), The Barn (2016; feature length), Shallow Waters (2017; short), Burn (2017; short), Tethered (2017; short), We Love Selfies (2017; short), Cool (2017; short), Girls Night (2017; short) and Remnants (2017; short).

Disclaimer: This review was solicited by the filmmakers and/or producers who provided privileged access, directed us to a viewing medium, and/or offered permission to use image stills of the film. However, my opinion remains unbiased as I was neither hired nor paid to produce this critical review, nor do I have an investment stake in the film.

Director Roger Glass (We Love Selfies) and writers Joseph Sorrentino (We Love Selfies) and Isaac Thorne (Diggum) are all in their second or third year of filmmaking (based on IMDB entries) as they wrapped up Because Reasons on a shoestring budget of $1800.  And by my experience, it’s hard to do much with such a small budget.  I feel that such early films are best judged as experiments; they demonstrate one’s proficiency in camera management, editing, setting up good shots and pacing scenes for flow.  All of those elements were fine, and I’d lend my compliments particularly to the opening shots (during Tiffany’s narration) introducing us to our somewhat rural setting.  Moreover, Tiffany’s narration (the first 30-38 sec) sets the stage well to such effect that this felt a lot like the opening of a feature length film.

IMDB summary: “Tiffany’s not bad. She’s just bored. Tiffany (Krista West) is an all-American dream. Her mother is a successful lawyer. Her father is a CEO. She has perfect social skills. Her mind is sharp. Her instincts Killer. Unfortunately, Tiffany has a problem. She’s so very bored. She has no idea what she’s going to do with her life. That is, until the night her mother dies right before her eyes. That night Tiffany decides she’s going to go out and have some real fun. Some blood-soaked fun. Fun is powerful and power is legit. Because being bored is worse than being dead. Because reasons.”  Here’s the IMDB page.

So, Tiffany has discovered a murderous pastime.  That’s the idea we’re selling here with the plot, and it’s okay.  It’s hard to flesh out such a notion in such a short film.  The execution of on-screen murder and some basic gore effects were honestly quite poor—but, understandably, the budget offered little more effects utility than would could get from a trip your the local butcher.  But rather than pick at it, I want to focus on the true glimmer and return to those opening shots with Tiffany’s narration.  THAT is the scene that got me.  The combination of those beautiful tranquil shots, the music, and her contemporized introduction were splendid and I’d love to see that opening expanded to several minutes before introducing us to a feature length Tiffany (who stabs people with a stronger budget).

Much as I was impressed by Tethered’s (2017) opening, Because Reasons seems to open with the vision behind the film—or, at least, this is the selling point for me that turns my attention away from the faults of a film realized for under $2000.

The MFF Podcast #117: Event Horizon, Hellraiser in Space, and wrestling Graboids

February 9, 2018

MFF

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SUMMARY: This week we discuss Paul W. S. Anderson’s sci-horror Event Horizon (1997), the behind-the-scenes components that made it such a visually tantalizing spectacle, and muse the origins of the evil possessing the vessel.  During our journey we take time to assess Sam Neill’s physique, obsessions with haunted ships, a man’s ability to out-grapple a Tremors (1990) graboid, and how this film did “Hellraiser in Space” better than Hellraiser did “Hellraiser in Space” (i.e., Bloodline).

If you enjoy discussions about deep space voyages-gone-wrong, check out Episode 96: The Perils of Space Travel.

For more horror podcast discussions, check out…

Episode 116: Happy Death Day
Episode 115: Bram Stoker’s Dracula
Episode 114: Office Horror, Mayhem & The Belko Experiment
Episode 113: Elise, her Demons and the Insidious Franchise
Episode 108: The Best Horror Films of 2017
Episode 78: Carpenter vs Zombie Halloween Rematch (1981 vs 2009)
Episode 76: The Blair Witch Pod (1999-2016)

Download the pod on iTunes, PodBean, Stitcher or
LISTEN TO THE POD ON BLOG TALK RADIO.
Please SUBSCRIBE, REVIEWRATE and SHARE.